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The Sundays | |
---|---|
Origin | London, England |
Genres | Dream pop, jangle pop |
Years active | 1988–1997 |
Labels | Rough Trade, Geffen, Parlophone |
Past members | Paul Brindley David Gavurin Patrick Hannan Harriet Wheeler |
The Sundays were an English alternative rock band that formed in 1988. The lineup comprised bassist Paul Brindley, guitarist David Gavurin, drummer Patrick Hannan, and vocalist Harriet Wheeler. The band released three albums over the course of their career, Reading, Writing and Arithmetic, Blind, and Static and Silence, which were minor success in their home country as well as overseas in the United States.
Biography
[edit]1988: Formation
[edit]Vocalist Harriet Wheeler and guitarist David Gavurin met as students at Bristol University in the mid-1980s.[1] Wheeler was from Reading, the daughter of an architect and a teacher, and studied English literature.[2] Gavurin was from Wembley and actively pursued a degree in the romance languages,[2] particularly French and Spanish.[3] The two fell in love and began living together. Following graduation they wrote music in their free time while collecting unemployment.[2] Except for Wheeler's vocal duties in a band called Jim Jiminee,[4] the couple had no musical background.[2] Commenting on his desire to compose, Gauverin said "It was something I'd always wanted to do, although I never wanted to be in a band when I was younger, like many kids do. It just dawned on me gradually." Wheeler displayed similar feelings: "There was never a time I wanted to be incredibly famous, or in a pop group," she said. "It just seemed a great thing to do to spend time working on something that's your own."[3]
After the couple completed several songs–and migrated to London[5]–they enlisted the support of bassist Paul Brindley and drummer Patrick Hannan, who had also attended Bristol University. The band chose the name "The Sundays" as it was the only one everyone could agree upon.[2] Demo tapes were sent out to several London clubs after the group felt energized by their efforts; Gavurin stated in a Rolling Stone interview that "...by the end of the year we were thinking, 'Hang on a minute, some of this [music] is good!'" Responses to the tape were enthusiastic and an employee at Vertigo Club offered the band an opening slot for an upcoming show in August 1988.[2] "By chance there were three reviewers from the top music papers there," said Wheeler. "They were supposed to review the main band, but instead they wrote about us."[6] The group subsequently became centerpiece in a record label bidding war,[4] which author Peter Buckley described as a "frenzy".[5] They eventually signed with Rough Trade Records and had a distribution deal signed for the United States with DGC Records.[1]
1989–1990: Reading, Writing and Arithmetic
[edit]The Sundays released their first single "Can't Be Sure" in January 1989, which topped British indie charts and received acclaim as one of the best singles of 1989.[5] The group performed four songs in a session with popular disc jockey John Peel. These songs would later turn up on their debut album, Reading, Writing, and Arithmetic.[5] The group worked on their debut for over a year.[4] "A lot of bands who get signed, who have been playing the circuit for years, have 30 songs for the first album," said Gavurin. "But we didn't have enough for our first album, let alone our second. We can't write to deadline. You can't force a whole load of songs out quickly."[6] Responding to whether the band felt pressured when working on the album, Wheeler responded "No, because to start off with, we're far more critical of ourselves than anyone else, and that's more a concern to us than what the press think." Gavurin also commented "The main pressure we felt was with the single, and even then, we thought, well, they're either going to like it or they're not, and there's not much we can do to influence that."[3]
Reading, Writing and Arithmetic was released in April 1990 and became a commercial success, reaching No. four on the UK charts[5] and peaking at No. 39 on the Billboard 200 in the United States.[7] It would later go on to sell over a half million copies worldwide.[2] Critical reception was very positive;[4] Rolling Stone writer Ira Robbins referred to it as "an alluring slice of lighter-than-air guitar pop, a collection of uncommonly good songs graced by Harriet Wheeler's wondrous singing."[8] All of the album's singles charted in the UK.[2] Similar success occurred in the United States for "Here's Where The Story Ends" due to radio play and MTV rotation.[4] The Sundays devoted nearly a year to an "exhausting" promotional tour,[2] which encompassed America, Europe, and Japan.[4] The tour was considered successful,[4] though it wasn't without some mishaps; a London show had to be rescheduled due to Wheeler losing her voice and the group experienced some bemusement when a Dallas, Texas show was advertised with the slogan "See The Sundays on Sunday with ice-cream sundaes".[5]
1991–1993: Blind
[edit]The band experienced some hardships leading up to the recording of their second album. In 1991 Rough Trade Records went bankrupt, which caused the band to sign with Parlophone Records in the UK.[4] Their debut went out of print in the UK and would stay that way until 1996.[4] Constant touring coupled with their decision to manage themselves hampered the group's creative output, which was already slow due to Gavurin and Wheeler, the main songwriters, "being chained by pokiness and perfectionism when it [came] to writing and recording music."[2] Additionally, the band kept a "low public profile" which fueled rumors that the group had disbanded.[9] The Sundays eventually released a new single, "Goodbye", a minor hit, in Autumn 1992. The release came almost three years after their last UK show.[5]
Their next album, entitled Blind was finally released in October 1992. The album experienced commercial success similar to their debut when it peaked at No. 103 on the Billboard 200,[7] and sold nearly a half million copies.[2] Critical reception was also positive,[2] but some critics thought the album lacked the quality songwriting of its predecessor.[10][11][12] Despite Blind's initial appeal with audiences, it drifted off the charts by the summer of 1993.[4] The Sundays toured Britain in winter of 1992. The shows were "rapturously received by fans starved of fresh product or gigs."[5] An American tour was greeted with sold out shows. Gavurin explained that they weren't necessarily attempting to promote the new album: "A lot of people didn't see us the first time we played over here, and they want to hear earlier material. So we're playing half and half."[6] In the end the tour was cut short in light of exhaustion and homesickness.[2]
1994–1997: Static and Silence
[edit]The band vacationed in Thailand and decided to take a break upon returning to England.[2] It would be five years before another album was released. During this time the only appearance of the band was their cover of "Wild Horses" by The Rolling Stones appearing in a 1994 American television commercial.[4] Gavurin and Wheeler expressed a desire to settle down. The couple got married and gave birth to a baby daughter named Billie in February 1995.[2][4] They also built a recording studio in their home, not only to save on the cost of renting a studio, but to expand their creative freedoms.[2]
The group reappeared with their third and final album, entitled Static and Silence in
Music
[edit]Style
[edit]Lyrics
[edit]Discography
[edit]Albums
[edit]Year | Details | Peak chart positions | Certifications (sales thresholds) | |||
---|---|---|---|---|---|---|
UK [13] |
AUS [14] |
NZ [15] |
U.S. [16][17] | |||
1990 | Reading, Writing and Arithmetic
|
4 | 40 | — | 39 | |
1992 | Blind
|
15 | — | — | 103 |
|
1997 | Static and Silence
|
10 | 45 | 33 | 33 |
|
Singles
[edit]Year | Single | Peak Chart Positions | Album | ||||
---|---|---|---|---|---|---|---|
UK [13] |
AUS [18] |
CAN [19] |
U.S. [20] |
U.S. Mod [20] | |||
1989 | "Can't Be Sure" | 45 | 74 | — | — | — | Reading, Writing and Arithmetic |
1990 | "Here's Where the Story Ends" | — | — | — | — | 1 | |
1992 | "Love" | — | — | — | — | 2 | Blind |
"Goodbye" | 27 | — | — | — | 11 | ||
1997 | "Summertime" | 15 | 41 | 48 | — | 10 | Static and Silence |
"Cry" | 43 | — | — | — | — |
References
[edit]- ^ a b Tortorici, Frank (1999-06-26). "The Sundays' Harriet Wheeler". VH1. Retrieved 2011-03-30.
- ^ a b c d e f g h i j k l m n o p Brennan, Carol (1997). Contemporary Musicians. Vol. 20. Gale Cengage. ISBN 9780787611774. Retrieved 2011-03-30.
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ignored (help) - ^ a b c True, Everett (1990-01-20). "School's Out! The Sundays". Melody Maker: 24–25.
{{cite journal}}
: Cite journal requires|journal=
(help) - ^ a b c d e f g h i j k l Erlewine, Stephen Thomas (2011). "The Sundays biography". Allmusic. Retrieved 2011-03-30.
- ^ a b c d e f g h Buckley, Peter (2003). The Rough Guide To Rock. Rough Guides. pp. 1033–1034. ISBN 1843531054.
- ^ a b c Punter, Jennie (1993-02-25). "No day of Rest For These Sundays". The Toronto Star: E10.
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(help) - ^ a b Allmusic staff (2011). "The Sundays charts and awards". Allmusic. All Media Guide, LLC. Retrieved 2011-02-21.
{{cite web}}
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has generic name (help) - ^ Robbins, Ira (1990-06-14). "Reading, Writing and Arithmetic review". Rolling Stone.
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(help) - ^ Budman, Matthew (1997-12-03). "A Long Sundays' Journey Into Night". VH1. Retrieved 2011-03-30.
- ^ Erlwine, Stephen Thomas (2011b). "Blind review". Allmusic. All Media Guide, LLC. Retrieved 2011-03-30.
- ^ Robbins, Ira (2011). "The Sundays biography". Trouser Press. Retrieved 2011-03-30.
- ^ Jenkins, Mark (1993-02-19). "Blind Finds The Sundays Off". The Washington Post: N12.
{{cite journal}}
: Cite journal requires|journal=
(help) - ^ a b "UK chart positions". Retrieved 17 July 2009.
- ^ "Australian album positions". australian-charts.com. Retrieved 17 July 2009.
- ^ "New Zealand album positions". charts.org.nz. Retrieved 17 July 2009.
- ^ "US Static and Silence position". Billboard. Retrieved 15 July 2009. [dead link ]
- ^ "US album position". Billboard. Retrieved 15 July 2009.
- ^ "Australian Single Position". australian-charts.com. Retrieved 3 May 2009.
- ^ "Canadian Summertime Position". RPM. Retrieved 3 May 2009.
- ^ a b "US Single Positions". billboard.com. Retrieved 3 May 2009.