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Tongue licked my cheek as the sun, heat and produce items to taste salty. Making me sweat. I do not understand why ozone is so no longer want to be friends with the earth and everything in it. Need explanation of the width of the greenhouse effect is complicated berkelumit. I'm not a smart piece of life scientists are willing to discuss all that matters.

His forehead against the glass window of my car. I turned and we express their views clashing. His eyes were small, just a speck of petals hairy flicks, but balanced with the face size is also very small. Her hair fresh, dikucir with rubber worn khaki. Half sleeve sag. Shows the protruding shoulder bones. Corner of his shirt was torn. Patched to the origin. On the clothes worn, loose thread also seen where where. I lower my gaze slightly downward. His body is thin and short. Turns out he was a boy.

He waved the white stalks waving a red cloth in a small white top. Fabrics were coated plastic. New order is not dusty.

"The flag kak" asked the boy to me. I shook my head without expression. My mind was some where. Ditelusupi crossed the solar heat. The boy returned the small cloth flap in the window. Tried to poison my soul to buy, at least one of them. I shook my head again. And he was gone. Targeting window to another window.

The green color has not yet appeared on the light at the end of the turn. So I'm still waiting. I slipped my hand in your pocket. For some reason I'm doing this. And clearly the palm of my hand was wet with sweat. Artificial wind round is still spinning. With lemon-scented freshener attached to one of them. Deliberately kuhidupkan with the coldest temperatures. But still it does not work like I wanted.

Again, a small patch of forehead against the glass window. Make the glass opaque because wet by sweat patch. I turned back and shook his head. He put a little face pleading. But I'm still shaking. He went away.

The figure shows the light down the road number 45. It means I must wait 45 seconds again. I'm back to waiting. 45, 44, 43, 42, 41, 40. This time he glanced across the street. Large billboard decorated with lights on the bottom hanging high on a sturdy pole. So steal the show with the words given by the bold red letters capital letters. "WE CHOOSE THE PROSPEROUS". In the top corner there is a billboard digit numbers. With the word "piercing" underlined previously tucked. A pair of human faces shine there. That only one broad face that too wide. Trying to attract attention with a forced smile.

Tok tok.

This time the knock on the window. 19 seconds and I turned back. Boy again. With a pair of small eyes again. Red and white fabrics again. Fabrics were waving again. And shake again. Then he back away.

I looked to where he was headed. Lots of small eye balls there. With small faces and bony hands clutching dozens of tiny little sprigs of red cloth decorated with white. Their hair blond. Not because of their mother's father kerurunan other nations. However, because they have many times received a slap sunlight.

My vision was still attached to the boys. And I kissed gaffe taboo. They were all bare foot. Toes are thin and dry. With mange them. Just tread left. Though really hot asphalt. And indeed it makes the skin burn.

It is not worth.

Not deserve.

And unworthy.

Though my country has grown increasingly frail and elderly. But seemed to not have hope. Let the little feet bare. With strands of hair getting memirang.

Numbers 2. 2,1,0. Then the wheels spinning again. Past the huge billboard decorated with lights on the bottom that high depending on sturdy pole. So steal the show with the words given by the bold red letters capital letters. "WE CHOOSE THE PROSPEROUS".

Instantly the letters made me feel cheated. Asshole!


Emergency Channel Women


If you are a fan of dangdut, or never heard of dangdut. 've Probably heard this verse again, "Search fleas, eating salad". If you are a fan of western songs, you might have heard, even sang the song "No Woman, No Cry", which was popularized by Bob Marley. The second song, it feels good to be heard and sung, tune listeners and audience tastes. However, we know and realize, when listened to and analyzed, both songs are real, labeling and stereotypes are bad for women. Maybe you did not notice, or otherwise does not matter. Importantly enjoy.

Not only that, many other songs composed by smelling and even labeling of women. For example, "Woman Poisons World", one of the songs the Changcuters, a band from Bandung. Outside the context of the song, in the society we pretty much any other label to discredit women. For example, women are said to be a handyman gossip, like girl talk, like swearing, chatty and so on. Ironic is not it? In fact, the name nature, knows no gender. Can women gossip, men can too. However, either since when, women occupy this position.

Many negative labels and the bad, so disempower women. Discriminatory cultural product that has been going on for centuries. All of this, to make space for women to be very limited. Women's access to and control of the public space becomes very narrow. Thus, women communication space narrowing and loss of aspiration. Naturally, a lot of women who chose silence and silence. It is also detrimental to women.

Phenomenon and the reality is, needs to be studied more deeply. Because women choose gossip and girl talk, not even writing in the mass media, is inseparable from the question of their low capacity. Low, due to discrimination in education is obtained. Nevertheless, such a bad label for ditambalkan inappropriate to women.

What must be understood is that even if there is gossip and girl talk, not all women menggossip and girl talk. Even if it happens, a lot of factors. One of them is a woman does not have room to put our hearts ekpsresi, feelings and things that press them freely and more prestigious. In fact, real when parsed about women's lives, we will find a lot of amazing facts. Women have a lot of latent potential that requires channels to express that potential. Women also need to distribute media content about a million heart problems. Both social issues, culture, religion, politics and so on.

Actually, a lot of media that can be used for women's aspirations and inspirations, such as newspapers, magazines, blogs and so on. All media was able to raise the dignity of women. However, the problem is not simple. As we know that the number of mass media, particularly the print media published is a business-oriented media (business oriented). Thus, the existence of mass media such as letters, newspapers and magazines are filled by people who are experts, executives, intellectuals and those who are already famous. While the space of expression for women beyond that level are not available. The opposite happened, women became the object of media. Women are not to be actors or the subject of a media. As a result, women actually being exploited.

Realities that exist in various mass media shows that public space that can be filled by the public in the media, until now largely dominated by men. The space is very rarely used by women, whether it be in the form of opinions, stories and more. Why is that? The answer, of course can not be separated from the issue of capacity, access and also the opportunity to be the subject of the different media. The tendency of media that promotes business interests, has ignored women's opportunities to participate, because of competition, and so forth. Indeed, when women have the potential and the problems to be written, there is availability of media that will contain the text. Unfortunately, the potential and the problems, not published due to several factors. For example, capacity and limited writing skills, lack of knowledge and willingness to write. Also because the lazy factor, not just from the grassroots level among women (grassroots), but also among women who are highly educated, such as student, faculty and scholars. These factors are factors sourced from within the women themselves.

In addition, also due to external factors, including the orientation factor any media. Also because of lack of available media, while the number of the writer so much, then the selection process is oriented to the quality and fame of the author, be it a cut chance all women to be in the public media. Another thing that inhibits, as long as it is not written into a habit of our society. Write activity is less important than the cultural habits or oral or oral. So the female voice in writing is very rare we read in the media. That there is only a loose stories of mouth reinforces the adage that women can only gossip and girl talk.

Unfortunately, few people would care to correct this condition. Only people who are awakened and called his soul would try to find a way to be able to change the perception and bad stereotypes against women. One way that is done is the communication media publishing, sharing and anther among women, as is done by many NGOs publish newsletters and tabloids that sustainability is very unstable.

PORTRAIT Reveals Mute

In the midst of the silence or the silence of women in the media, and the proliferation of artisan women sterotypes gossip and girl talk, Center for Community Development and Education (CCDE) as a local NGO working with and for women are concerned. Thus, since 1998, initiated the publication of CCDE try alternative media women. Dream was crystallized. So look for a serious effort to make that dream come true. Only in January 2013, after as many as 25 women CCDE train consisting of a mother, a housewife from 6 districts in Aceh, PORTRAIT making process begins. PORTRAIT newsletter shaped very simple, with only 16 black and white pages are printed 1,000 copies were present and distributed to women's groups. Planned published quarterly, but because they had trouble getting posts, could only rise between 4 to 6 months, until the tsunami devastated CCDE and PORTRAIT office. This condition makes PORTRAIT could not rise again. In mid June 2006, while struggling to rise from the rubble, the intention to publish PORTRAIT sticking again. So then, PORTRAIT processed with the theme of Women and Tsunami. PORTRAIT look no further newsletters, but as a bulletin by the number 42 black and white pages, published every two months.

Since then, PORTRAIT continues to metamorphose. Various progress achieved. Financial support to be able to rise also obtained from several national and international NGOs. CCDE and support that makes PORTRAIT able to train more than 1000 women and housewives level girls who drop out of school Aceh with writing skills. They became the cornerstone, which contributes to a number of original writings they wrote, while on-site training and after the training. For them, a media PORTRAIT learning to write. Not only that, but also a medium of expression for conveying off steam, outpouring of the heart, the problems faced by stringing words into meaningful, in various forms of writing. Ranging from poetry, short stories, and other opinions. PORTRAIT presence has become a channel of information and communication for women. Even as the media makes PORTRAIT struggle for addressing the problems of injustice experienced by women. PORTRAIT also be a media advocacy. PORTRAIT face too, turned into a full-color magazines and proud.

Dated January 11, 2013 ago, PORTRAIT who has appeared elegant in a highly representative form of magazines for women, it has been 10 years old. PORTRAIT last 10 years wandering in the world live in the script, faithfully caring for literacy with femininity, is a survival age strengthen our motivation to continue to be present in the future. Moreover, the current readers and contributors PORTRAIT not only of Aceh, but from almost all corners of the archipelago, and even cross-country. Plus, since the date of January 11, 2012, PORTRAIT develop new pathways through the launch of the portrait-online.com. All of this is intended to facilitate women's aspirations and inspirations. Thus, the stereotype of women artisans gossip and girl talk turned into a positive, because the aspiration and inspiration are available through the magazine and portrait PORTRAIT-online.com.

Like a lot of people hope to be able to continue to attend PORTRAIT magazine, is widespread in the courts of this archipelago, PORTRAIT will keep trying. Idealism, commitment and tenacity in the face of the challenges of the financial crisis and the support of the parties concerned are valuable capital. Pray that PORTRAIT could continue writing together in building a movement among women of Aceh to the entire archipelago. Happy birthday to 10 PORTRAIT. Changed, but consistently.

By: Tabrani Yunis Sources: http://potret-online.com/index.php/potret-utama