User:Morganprotheroe
Intention, to reignite interest in: Project multidisciplinary as a work in progress, given that the apparent failure of this project, is due partly to the failure of "neutral monism", and basic disregard for Astronomy, as the foundational discipline which informs geometry. There appears to be an ideological impasse which informs this failure, and numerous other pertinent failures, for example the failure to reach coherence in the various disciplines of science, and for that matter, the various disciplines which inform the arts. http://en.wikipedia.org/wiki/Wikipedia:PROJDIR/M
Possible orientation towards a discourse as a work in progress, indeed as a detailed exploration of progressive culture.
It is suggested that the constraints imposed upon scientific and creative progress, are ideological, and inform the struggle between various national/religio-political characterizations of that which constitutes the embodiment of foundational knowledge, drawn from astronomical observations informed by the elementary study of light and motion, conducted in the broad light of day. As these specific studies inform the foundations of cities and of the physical housing of significant public institutions that are both secular and religious, the overarching principles which inform the states and territories of Sovereign Nation and also inform the states and territories of a Republic and is economic power of expansionism which informs Corporate Imperialism.
If we consider imperialism as a "new world" given, born of the necessity to support the expansionist progression of complex civilisations in both a given location, and in terms of exploration and settlement in new world lands, (colonisation) which is underpinned by the demand for raw materials (including information and labour) from the perspective of both offensive and defensive strategies, it may be possible to transcend the apparent limitations which appear to indicate the struggle to maintain material science, rather than astronomy as the foundational and formative influence of all other disciplines. This is in part due to the elementary application of geometry to isolated disciplines and their progress as experimental sciences, based on inferred implicit information.
As crystallography is implicit in Plato's Timaeus, which together with Euclid's axiomatic program, Ptolemies Almagest, Vittruvious 10 books on Architecture,and Copernicus' perspective informs the abstraction of space and time, which informs the Cartesian Co-ordinate system, the progression of geometry as Crystallography, proceeds from the principles of Astronomy, informed by the raw data gathered in the broad light of day. The mirror of this systematic progression, is underpinned by the mysticism which flourishes in both the East and West, which degrees of support for the knowledge that informs the manual arts, civil engineering, and the production of goods and services in the public domain. With the progress made in the 19th century, consolidated in the Electromagnetic spectrum and theory, it is still astronomy which informs the foundations of science, emergent from the isolation of significant relations pertaining to the Sun/earth two body relation and problem.
The unwritten laws inherent in the geometrical model that constitutes the topologically coherent translation of the Two Body Problem, unifying the three basic "sets" (-(|)-); ((o)); oo, also unifies the underlying principles which inform the worlds religions as a social embodiment of the "craft", informed by the "higher authority" of naturally occurring and self revealing relations, which in the most elementary state underpin the basic progression of astronomy as revealed knowledge, and astrology/numerology/divination systems as concealed knowledge.
we have come to spuriously think of the latter as "esoteric knowledge" and the former as "exoteric knowledge", however as each represents a mirror of the other, the potential to restore the definition of esoteric to its principle meaning, "inside the territory", grants access to the union of the line of sight observations from the center of the circle of the horizon to the circumference, and to the relation between this circle and the "celestial sphere", with the raw data gathered directly from the gnomic indicator. The "sun" or "solar" perspective or point of view, places the Earth in the center of the frame of reference, and the data gathered from the gnomic indicator, on the ground plain (tracing board and abstraction of the sphere of the earth to locally flat plain of 0 curvature), which provides a projection of significant information which informs both the daily and annular cycle, indicates both the line and arrow of time --> and direction of the Earth's daily motion, "e", as well as the "helical" image of the annular cycle: "8". The direct correspondence between the remarkable and significant gnomic indications, with the "line of sight" observations on the dusk (<| and dawn horizon |<) ranging from the ratios of the longest to the equal to the shortest day to shortest, equal, longest night, permits the "analemma":"8" to be associated to the "rise and fall" of the "helical" body: "/\/\/\/\/\/\" indeed the only body able to be referred to as having a "helical image" being the Sun and closest star, as all other stars, indicate an apparent circular motion: (o) about a "pole", extended from the axis of the Earth, into the "cellestial sphere" of "fixed stars". The "wandering stars" of which the ancients - such as Plato, included the "sun", all had epicyclic "paths" able to be traced from the perspective of the conceptual isolation of the Earth's daily motions, as a periodical point. The sun's apparent annular path: "8", was referenced by Plato, as having "equal swiftness" with Mercury and Venus, while the moon, saturn, mars and jupiter, "moved with unequal swiftness to the three and to one another, but in due proportion". The "helical" pattern of the Sun's apparent annular (epicyclic) path, which corresponded with the "image" projected on the ground plane, was coupled to the consistent counting of days amounting to four periods of the year, totaling a number of 1461 days, (spuriously indicated from Greek and Roman readings of New Kingdom data, as 1461 years informing the Sothic Year), according to the identification of the beginning of the year marked by the rising of Sirius on the horizon which happened to correspond with the mysterious rising of the Nile. The more complex cosmology of the Ancient Egyptians, informed their identification with the first day of year, and first day of the month of Thoth, and season of the inundation, which defined the Egyptian year of 365.25 days or 1461/4 days. The counting of 10 days to a week, indicated the graphic figure "on", meaning 10 days, became the graphic elements associated to the Ancient Egyptian center called by the indigenous "annu", and by the Greeks Heliopolis. 10 days to a week, 3 weeks to a month, 4 months to a season, and 3 seasons to a year, informed their local tradition of time reckoning, directly underpinned by a Hexidecimal system of numeracy.
It is the hexidecimal system of numeracy which reveals the decimal system as determined by the sexigesimal structure, which grants the greatest number of products, numbering 24 in total, with naturally 12 dyadic complements: 1:360; 2:180; 3:120; 4:90; 5:72; 6:60; 8:45, 9:40, 10:36; 12:30, 15:24; 18:20. As 15:24 grants access to the base 5 system which informs the decimal system of numeracy as arising from the pentadic system, the means through which the 15 spoked wheel is generated, from the building of the crystallographic/algebraic/isometric matrix, to which Plato refers as both the "genera" and "hexis", constitutes the apparent inverse correllative to the 24 spoked wheel of 15 degree radial intervals.
Hence the 24 spoked wheel, indicates the division of the daily cycle into 24 parts; 12 hours of day and 12 hours of night, on the two days of the year, which correspond with the "x" of the helical annular image, or "mean time" of the equinox, located as the middle of the autumn and spring seasons, (--), while the longest and shortest days indicate the second coherent division of the annular period (-|-), informing the cardinal points in space, anchored to the equinox, and the 90 degree perpendicular which gives the precise orientation to the axial tilt of the earth. This axial tilt is incidentally imagined by the ancient Egyptians, as early as their record of the Narmer Palette, (circa 3,500-3,100BC) as having an external cause, created in the anthropomorphic image of the "Warrior God" who strikes the bearded head of the Earth as "victim", and constitutes the primary cause of the helical image. This is described once again, in Plato as the formative influence of his narrative of Phaethon, son of Helios, who is the charioteer of the sun, not the sun itself, and hence of "a myth, but really signifies a declination of the bodies moving in the heavens around the Earth" associated with a "great conflagration of things upon the earth, which recurs after long intervals" (Timaeus).
The "creator" of the "ogdoad" or 8 elements, or indeed figure of 8, informs the potential for a ruler to act as an "embodiment" of this "wrathful god", by rulers such as Tutmoses III, who claim absolute authority over their actions, which commonly result in the expansion of the physical boundaries of the southern reaches of the "twin lands", and depict themselves in this "warrior stance". The daily cycle is divided according to 12 diameter lines, which result from the building of the basic structure of the hexagon: >|<, from the elementary structure of the vesica piscis, or twin circles, whose centers are informed by the location of "poles" on the mark of the longest and shortest days: |<><>|, informing an equal measure of their radii, with the distance between their centers, indicating the phrase used by Pascal as the definition of the "universe" : the center is everywhere and circumference is nowhere". As such the two serpentine lines from solstice to solstice "S" and the two poles "|" indicate the common transliteration of the "goddess" ISIS, which indicates the embodiment of her "name" as the vesica piscis. While the union of the two basic "sets" which inform the 2 body problem: (-(|)-)and ((o)) locates the "iris" as the "lesser horus" or hours of the day, and hence daily cycle "e", as the ocular of the "eye of god" structure, with the "greater horus" or days of the year indicated by the circle which circumscribes the whole, indicating the orbital path and annular cycle: "G". This image constitutes the embodiment and representation of the figure and name of OSIRIS. The third of the "sets" which inform the two body problem, "oo", are both circles whose centers are located on the two points which inform the circles of the vesica piscis, however these have 1/2 the length of the radius. Altogether, this combinatorics image, indicates the face of the "owl", whose "eyes" indicates the binocular vision: "oo" of a bird of prey, who unlike the Horus Falcon, hunts by night.
Naturally, the identification with the Ancient Egyptian cosmology, represents a delicate issue of exposing the binary "gods", that is, the "warrior god" and the "saviour" or "beneficent" god depicted as that which "yokes" the planet, in the event of the catastrophe, being the Sun, and greater stabilising power. However, without the motions of the planet, no life could flourish on Earth, and without the cause of the "helical image", no decodificaiton of the knowledge system already held by former rulers, as exposed in the 24 and 12 spoked wheels, which date between 10,000-3,100 BC. While nowhere in any text states that the cause of the analemma occurred in 10,000BC, it has been popular to identify the myth of atlantis, with the catastrophic event which informed the declination of the "heavens". All that is stated is that there is periodical recurrence of this catastrophic potential. The myth of Atlantis, while first mentioned in Plato's Timaeus, along with the notable account of how the Greeks are kept as "children" only told of one flood, when there have many catastrophic events, does not state that the primordial event associated with Phaethon is the event which destroys Atlantis, rather the account suggests that the "vast power" of the men of Atlantis, were "gathered into one, endeavoured to subdue at a blow our country and yours and the whole of the region within the straits". The primordial event which informs "many destructions of mankind arising out of many causes; the greatest brought about by agencies of fire and water, and other lesser ones by innumerable other causes", informs the offensive collective use of force against others. As the narrative goes, the dreadful of the Atlanteans, was subdued by the "Hellenes" who "being compelled to stand alone, after having undergone the very extremity of danger, she defeated and triumphed over the invaders, and preserved from slavery those who were not yet subjugated, and generously liberated all the rest of us who dwell within the pillars. But afterwards these occurred violent earthquakes and floods; and in a single day and night of misfortune all your warlike men in a body sank into the earth, and the island of Atlantis in like manner dissappeared in the depths of the sea."
It is for this reason that some scholars have questioned the dating of Atlantis and considered this narrative to concern the destruction of the island of Santorini, circa 1400BC, which informed the beginning of the Greek Dark Age. It is possible that the utility of the myth as a device to not only invigorate the Greek Spirit with a sense of righteousness, and an atonement to the principles which informs the ancient Hellenistic mindset of the fourth millenium BC, indeed, a mindset that was prior to the return of the analemma, in the public domain, which is cause of the question of authority itself, informing the inherent "chaos", as a constant recurrence of revolutionary discontent, and sense of conspiratorial machinations in the operations of the governing elite, who persist in permitting the non disclosure of the principles which inform elementary astronomy, even though the Egyptian world constantly returns the "foundations of ra", being the foundations of the "noon time" and daily period, as the circle cycle, coupled to the annular cycle. The actual cycles remains the implicit and intelligible higher order of truth, while the apparent image, and that which is visible, in the retracing of the shadows, leads to the higher order of truth, through the correspondence with the "line of sight" observations.
The complexity of all that is revealed in both the retracing of the shadow, and its translation as a model from which the rulings of the matrix is constructed, to the point that all possible spoked wheels, or polyhedra may be constructed, is a complexity that is far more challenging than most assume. it is not as Copernicus state, enough to identify the equinoxes and solstices. Nor it is enough to reveal the "frame of reference" is one and same, whether one locates the Earth or Sun in the center, of for that matter, any subject. The holographic nature of this simple model, supports an amassing of information which is in fact unfathomable when considered as a whole, and has supported the history of science and arts, and demands years of careful attention to the details, which, if over simplified, either by looking only to the vesica piscis, or to various relatively arbitrary models which do in fact support a ruling of the matrix, while obscuring the fact that there is only one way to construct a matrix which has a 1:1 correspondence between the 2D and 3D construction which exposes the cube cage as the inferred structure that is perfect inversion of the octahedron. The power to obscure the anchor of the model to the location of the solstices, is also a potential which leads to the incoherence of the sciences, due to the provision of simpler methods of visualising the structural attributes, as with the Fischer projections used in chemistry. While plato's methods exposes his use of the "cut and paste" approach to constructing a pentagram, which betray's his failure to reveal the method informed apparently by the legendary Pythagoras, the progression of a general universal applicability inherent in the Euclidean method, which at least preserves the topologically coherent approach to geometry, is understandable. The progression from Euclid to non euclidean methods, fails to recognize that the first or elementary proposition which informs the construction of an equilateral triangle, is based on the vescia piscis, which is a translation of the "trace through space over time", of the planets motions, in relation to the Sun, hence is a higherdimensional record to begin with, taking into consideration the sphere of the surface of the planet. What informs the lattice construction of matrices by Klein and Sophus Lie, is informed by Klein's attempt to return to what he refers to as an intuitive method. however it is clear that his method is based on the construction of the cube cage, likely from the "clustering of circles" about a common center, rather than vesica piscis which informs the iteration of the poles of the planet.
Plato indicates his commitment to anti slavery, and anti-tyranny, which appears to be singular design of Plato's hope for democracy, a hope underpinned by the education of the greater number into that which informs the basic principles of the geometrical system, as anchored to the primary influence of the Earth's axial tilt, even though this image is cast as the helical pattern which informs the apparent motions of the Sun, through the course of the year. Without these facts circulating in the pubic domain, the constant rising tyranny of ignorance and arrogance flourishes in the public domain. We are left today with the exceptional power of the media to dictate to all peoples. This dictation will support- against all odds- a primary defense and protection of the right to mine the world for the resources that are thought necessary to progress technology in a manner that can take us physically to the stars, as if the "gods" of old, were seeking to return to the stars. This myth has flourished from unscientific research into the arts combinatorics. Speculations which support colonisation and economic expansionism as a precedence for a higher or more superior culture, which turns its knowledge to the progression of armories, which raises its brute strength, while this demands the flourishing of ignorance in the greater number.
The "tragedy and hope" of knowledge, is transcending the ignorance of the people, and the primary ignorance of those who are granted the authority as gate keepers to science and mathematics. Without realising the necessity for knowledge which informs astronomy that is already revealed, to be grounded in the public domain, the ignorance which flourishes informs the undoing of the positive progression of society, which is assisted by technology. Without the www, and without the protection for the freedom of speech, the sharing of knowledge, and of culture would never have occurred in the most recent decade.
Realising the basic principles of geometry, which exposes the importance of real variables, which are exposed as relations, arising from the study of both concrete and immaterial phenomena, and demand a descriptive exposition for the communication of the facts revealed, to be accounted for, through the process of natural deduction, is the only way that the way forward will not be dragged down by those articulated by vice, who flourish in the criminal landscape created by the "house" which "rules" the public domain, and who willfully create both "damned whores and god's police" to use a phrase from a radical feminist text from the 80's in Australia, which informs the schizophrenic nature of a corrupted world driven by a corrupted "plan". Intrinsic to the failure to recognize the importance of the geometrical facts as arising from the gnomon, coupled to the line of sight records, which informs the geometrical method from which all applications can continue to proceed with the grace of understanding of the whole, is a failure to recognise the inter-dependence between complementary opposites, and in turn a failure to recognise that elite divisions reject a participatory potential to rise beyond the constraints of mysticism, and the veil which is naturally self arising in the projection of conscious failures, in dogma, ideology, and "faith" in the shepherd's shepherds to act for the greater good of the whole, rather than in support for the blind progression of technology which has the potential to literally destroy the integrity of the species, the planet and the knowledge system.
The key intention of multidisciplinary research is to expose both a common foundation or trunk which supports the branching tree of knowledge, if indeed it exists. In order to approach such a task, the potential to map the structure of the various branches of the tree for the purpose of revealing the degree of overlay and mutual support shared between either some or all disciplines, provides the means through which a common foundation is exposed. The potential for an "instant sensory awareness of the whole", an attention to the "total field", a "sense of the whole pattern, of form and function as a unity", an "integral idea of structure and configuration", will constitute an exposition of the embodiment of the structure of knowledge.
The purpose of this task, is to expose implicit information which remains illusive to the greater number, and indeed is essential for the potential to support, stabilise and anchor the ideals upon which democracy and public institutions are themselves based on. We can be certain that there is no clear exposition of a common structure, a common culture, and a common approach to knowledge, underpinned by abstractions, reductions, and the isolation of significant subjects and their relations to external domains and elements, proven in the failure for a public comprehension of coherence between the sciences and between the arts, and indeed between the arts and sciences.
Multidisciplinary research, is as such, a project in formation. It is based on the necessary analysis of information projection which is reason for the high degree of complexity that surrounds both a coherent knowledge system, the exposure of its inherent foundations and structural architecture, and its potential to realise both a "theoretical" and "practical" unity. Globalisation has largely progressed to date, through the principles of "neutral monism", leaving the question of extreme idealism and materialism to "swampland of historicism" to coin a phrase given by Karl Popper. The scientific project and its potential for to realise a "grand theory of everything", or indeed its conclusive failure, has persisted with little or no public exposition of coherence, regardless of the fact that the principles which inform material science, and the discipline of crystallography, also inform the biological and information sciences, and from the perspective of a "higher authority" pertaining to natural science, constitute a coherent foundational and formative influence arising from the principles of Astronomy, which informed the construction of the "sun dial", as given by Vittruvious, in his Ten Books on Architecture. The foundations of the city, and of any "new world" settlement, were undoubtedly underpinned by the principles of time reckoning, which inform both geometry and astronomy.