User:Moonraker/V

Horace

Albius, give up this extravagant grieving
For a sweetheart turned sour. Why was she deceiving?
You ask, and then whimper long elegies on
The theme of the older man being outshone.

Lycoris, whose forehead is nearly all curls,
Is burning for Cyrus. His favourite girl’s
Pholoe. She in turn throws him a frown
Meaning "Does and Apulian wolves will bed down

Sooner than I with a peasant like him."
That’s Venus’s method. According to whim
She puts bodies and minds to work her brass yoke
In incongruous pairs — and enjoys the bad joke.

I know. When a far better chance was presented
I stayed with my freedwoman, chained and contented,
Though she handed out stormier treatment to me
Than dented Calabria gets from the sea.

Horace, Ode 1.33
(tr. James Michie)

Folk songs

Six Dukes Went a-Fishing

Six dukes went a-fishing,
Down by yon sea-side,
One of them spied a dead body,
Lain by the waterside.

The one said to the other,
These words I heard them say,
"It's the royal Duke of Grantham,
That the tide has washed away."

They took him up to Portsmouth,
To a place where was known,
From there up to London,
To the place where he was born.

They took out his bowels,
And stretched out his feet,
And they balmed his body,
With roses so sweet.

Six dukes stood before him,
Twelve raised him from the ground,
Nine lords followed after him,
In their black mourning gown.

Black was their mourning,
And white were the wands,
And so yellow were the flamboys,
That they carried in their hands.

Now he lies betwixt two towers,
He now lies in cold clay,
And the Royal Queen of Grantham,
Went weeping away.

Collected by Percy Grainger from George Gouldthorpe of Brigg, Lincolnshire (1906

Blake

I Asked a Thief to Steal Me a Peach

I asked a thief to steal me a peach:
He turn'd up his eyes.
I ask'd a lithe lady to lie her down:
Holy and meek she cries.

As soon as I went an angel came:
He wink'd at the thief
And smil'd at the dame,
And without one word spoke
Had a peach from the tree,
And 'twixt earnest and joke
Enjoy'd the Lady.

William Blake

Yeats

The Fiddler of Dooney

WHEN I play on my fiddle in Dooney,
Folk dance like a wave of the sea;
My cousin is priest in Kilvarnet,
My brother in Moharabuiee.

I passed my brother and cousin:
They read in their books of prayer;
I read in my book of songs
I bought at the Sligo fair.

When we come at the end of time,
To Peter sitting in state,
He will smile on the three old spirits,
But call me first through the gate;

For the good are always the merry,
Save by an evil chance,
And the merry love the fiddle
And the merry love to dance:

And when the folk there spy me,
They will all come up to me,
With ‘Here is the fiddler of Dooney!’
And dance like a wave of the sea.

William Butler Yeats

Christina Rossetti

• Goblin Market

Eliot

Little Gidding

What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree

Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always--
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of things shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

T. S. Eliot

Lewis

The Prodigality of Firdausi

Firdausi the strong Lion among poets, lean of purse
And lean with age, had finished his august mountain of verse,
The great Shah Nameh gleaming-glaciered with demon wars,
Bastioned with Rustem's bitter labours and Isfendiyar's,
Shadowed with Jamshid's grief and glory as with eagles' wings,
Its foot-hills dewy-forested with the amours of kings,
Clashing with rhymes that rush like snow-fed cataracts blue and cold;
And the king commanded to be given him an elephant's burden of gold.

Firdausi the carved Pillar among poets was not dear
To government. They smiled at the king's word. The Grand Vizier
Twisted his pale face, making parsimonious mouths, and said
'Send the old rhymer thirty thousand silver pounds instead -
The price of ten good vineyards and a fine Circassian girl.'
This pleased them and they called a secretarial shape, a churl,
A pick-thank without understanding and of base descent,
And bade it deliver their bounty, and with mincing paces it went.

It found the Cedar amoung poets in the baths that day,
At ease, discoursing with his friends. Exalted men were they,
Taking their wine and sugared roseleaves in an airy hall,
Poets or theologians or saints or warriors all
Or lovers or astronomers. Like honey-drops the speech
Distilled in apophthegms or verses from the lips of each,
On roses and presdestination and heroic wars
And rhetoric, and the brevity of the life of man, and the stars.

With courtesy the Lily among poets asked its will.
The bearers laid the silver at his feet. The hall was still,
The churl grew pale. Firdausi beckoned to the Nubian slave
Who had dried their feet; to him the first ten thousand coins he gave.
Ten thousand more immediately he gave the fair-haired boy
Who waved the fan, saying 'My son, may Allah send you joy;
And in your grandson's house in unbelieving Frangistan
Make it your boast that once you spoke with the splendour of Iran.'

Lastly the Heaven of poets to the churl himself returned
The remnant. 'You look pale, my friend,' he said. 'Well have you earned
This trifle for your courtesy and for the heat of the day.'
Clutching his silver, silently, the creature slunk away,
And dogs growled as he passed and beggars spat. Laughter and shame
Wait upon all his progeny; on him, Gehenna's flame.
Immediately the discourse in the baths once more began
On the beauty of women and horses and the brevity of the life of man.

C. S. Lewis

A cliché came out of its cage

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it. By the hearth, the white-armd venerable mother
Domum servabat, lanam faciebat. At the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.

Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.

Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond will break, the Beast run free. The weary gods,
Scarred with old wounds, the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).

Belloc

Tarantella

Do you remember an Inn, Miranda?
Do you remember an Inn?
And the tedding and the spreading of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of tar,
And the cheers and the jeers of the young muleteers
Under the vine of the dark veranda?
Do you remember an Inn, Miranda?
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn't got a penny,
And who weren't paying any,
And the hammer at the doors and the din;
And the Hip! Hop! Hap!
Of the clap
Of the hands to the twirl and the swirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of the clapper to the spin,
Out and in
And the Ting! Tong! Tang! of the guitar?
Do you remember an Inn, Miranda?
Do you remember an Inn?
Never more;
Miranda,
Never more.
Only the high peaks hoar:
And Aragon a torrent at the door.
No sound
In the walls of the Halls where falls
The tread
Of the feet of the dead to the ground
No sound:
But the boom
Of the far Waterfall like Doom.

Sassoon

The General

“Good-morning, good-morning!” the General said
When we met him last week on our way to the line.
Now the soldiers he smiled at are most of 'em dead,
And we're cursing his staff for incompetent swine.
“He's a cheery old card,” grunted Harry to Jack
As they slogged up to Arras with rifle and pack.

But he did for them both by his plan of attack.

Frost

The Road not Taken

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Mending Wall

Something there is that doesn’t love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
‘Stay where you are until our backs are turned!’
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, ‘Good fences make good neighbors.’
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
‘Why do they make good neighbors? Isn’t it
Where there are cows? But here there are no cows.
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down.’ I could say ‘Elves’ to him,
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father’s saying,
And he likes having thought of it so well
He says again, ‘Good fences make good neighbors.’

Hemingway

Advice to a Son

Never trust a white man,
Never kill a Jew,
Never sign a contract,
Never rent a pew.
Don't enlist in armies;
Nor marry many wives;
Never write for magazines;
Never scratch your hives.
Always put paper on the seat,
Don't believe in wars,
Keep yourself both clean and neat,
Never marry whores.
Never pay a blackmailer,
Never go to law,
Never trust a publisher,
Or you'll sleep on straw.
All your friends will leave you
All your friends will die
So lead a clean and wholesome life
And join them in the sky.

Auden

O where are you going?

"O where are you going?" said reader to rider,
"That valley is fatal where furnaces burn,
Yonder's the midden whose odours will madden,
That gap is the grave where the tall return."

"O do you imagine," said fearer to farer,
"That dusk will delay on your path to the pass,
Your diligent looking discover the lacking,
Your footsteps feel from granite to grass?"

"O what was that bird," said horror to hearer,
"Did you see that shape in the twisted trees?
Behind you swiftly the figure comes softly,
The spot on your skin is a shocking disease."

"Out of this house" — said rider to reader,
"Yours never will" — said farer to fearer.
"They're looking for you" — said hearer to horror,
As he left them there, as he left them there.

Musee des Beaux Arts

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.

Graves

Spoils

When all is over and you march for home
The spoils of war are easily disposed of:
Standards, weapons of combat, helmets, drums
May decorate a staircase or a study,
While lesser gleanings of the battlefield–
Coins, watches, wedding-rings, gold teeth, and such
Are sold anonymously for solid cash.

The spoils of love present a different case,
When all is over and you march for home:
That lock of hair, these letters and the portrait
May not be publicly displayed; nor sold;
Nor burned; nor returned (the heart being obstinate)-
Yet never dare entrust them to a safe
For fear they burn a hole through two-foot steel.

A frosty night

Mother: Alice, dear, what ails you,
Dazed and white and shaken?
Has the chill night numbed you?
Is it fright you have taken?

Alice: Mother I am very well,
I felt never better;
Mother, do not hold me so,
Let me write my letter.

Mother: Sweet, my dear, what ails you?

Alice: No, but I am well.
The night was cold and frosty,
There's no more to tell.

Mother: Ay, the night was frosty,
Coldly gaped the moon,
Yet the birds seemed twittering
Through green boughs of June.

Soft and thick the snow lay,
Stars danced in the sky.
Not all the lambs of May-day
Skip so bold and high.

Your feet were dancing, Alice,
Seemed to dance on air,
You looked a ghost or angel
In the starlight there.

Your eyes were frosted starlight,
Your heart, fire, and snow.
Who was it said 'I love you'?

Alice: Mother, let me go!

John T. Baker

A porpoise with a purpose

A porpoise with a purpose
Ventured forth one fateful day
To take a trip behind a ship
Away across the bay.

The purpose of the porpoise
Was to find a bite to eat
Among the scraps that just perhaps
Might well provide a treat.

The Captain spied the porpoise
But was not at all concerned;
His years at sea were guarantee
Of lessons he had learned.

The Captain was uncertain
What the porpoise planned to do
But nonetheless he made a guess
And notified the crew.

"Now hear your Captain speaking!"
He informed them with a shout,
"Right dead astern you will discern
A creature with a snout.

"That creature is a porpoise
And its purpose I don't know,
But I respect its intellect -
We'll take it nice and slow."

"Don't be so cautious, Captain,"
Loud a bold young fellow cried,
"We'll simply shoot the bloomin' brute!"
The Captain quick replied:

"You NEVER shoot a porpoise
Till its purpose you perceive;
To improvise would be unwise
And frightfully naive.

"The creature might be wounded
And incited to attack;
We must refrain and ascertain
If it would like a snack.

"We'll just placate the porpoise
Till its purpose is revealed;
Now go, good chaps, fetch galley scraps;
THEY'LL be our battlefield."

The crew obeyed the Captain
And dumped out into the sea
The food they found they had not downed,
A tasty potpourri.

"Well done, brave lads, look hearty!"
The Captain gave a cheer;
"We'll soon find out - just watch its snout -
If it will disappear."

The puzzled porpoise pondered
What the fuss was all about
But just adored the smorgasbord
The sailors had tossed out.

Its purpose thus accomplished
Quick the porpoise then withdrew
As in its ears long rang the cheers
Of that triumphant crew.

The Captain proudly postured
And proposed a pithy rhyme:
"The proper bait propitiates
A porpoise every time."