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User:Moonraker/Dome

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The Dome

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List of issues
  • No. 1 (Lady Day, 25 March 1897) (104 pp. plus 17 of advertisements)
  • No. 2 (Midsummer, 24 June 1897) (118 pp. plus 15 of advertisements)
  • No. 3 (Michaelmas, 29 September 1897) (94 pp. plus 10; No. 3 at brown.edu)
  • No. 4 (1 January 1898)
  • No. 5 (May Day, 1898)
  • Vol. I No. 1 – New Series (October 1898)
  • Vol. I No. 2 – New Series (November 1898)
  • Vol. I No. 3 – New Series (December 1898)
  • Vol. II No. 4 – New Series (January 1899)
  • Vol. II No. 5 – New Series (February 1899)
  • Vol. II No. 6 – New Series (March 1899)
  • Vol. III No. 7 – New Series (April 1899)
  • Vol. III No. 8 – New Series (June 1899)
  • Vol. III No. 9 – New Series (July 1899)
  • Vol. IV No. 10 – New Series (August 1899)
  • Vol. IV No. 11 – New Series (September 1899)
  • Vol. IV No. 12 – New Series (October 1899)
  • Vol. V No. 13 – New Series (November 1899)
  • Vol. V No. 14 – New Series (December 1899)
  • Vol. V No. 15 – New Series (January 1900)
  • Vol. VI No. 16 – New Series (28 February 1900)
  • Vol. VI No. 17 – New Series (31 March 1900)
  • Vol. VI No. 18 – New Series (30 April 1900)
  • Vol. VII No. 19 – New Series (31 May 1900)
Notable prints
  • No. 2 (Midsummer 1897), "A Fisher", p. 87
  • Vol. I No. 1 (October 1898): Utamaro, "The Morning After" (colour print), p. 17, "Ladies Walking in the Garden" (colour print), p. 19; Gordon Craig, "Bussy D'Amboise" (woodcut), p. 27; Emil Orlik, "The Harvesters" (etching), p. 37, "The Mother" (lithograph), p. 39, "The Paviers" (pencil sketch), p. 41, "The Pensioners" (colour print), loose supplement; William Strang, "The Ramparts of Ypres" (photo of etching), p. 77, "The Halles at Ypres" (photo of etching), p. 79
  • Vol. I No. 2 (November 1898), G. Craig, "Henry Irving" (from woodblocks, loose supplement)
  • Vol. I No. 3 (December 1898): G. Craig, "Walt Whitman" (from a woodblock), p. 247, and "Ellen Terry" (from woodblocks, loose supplement)
  • Vol II No. 1 (January 1899), G. Craig, "Dumas Papa" (woodcut), p. 63
  • Vol II No. 6 (March 1899), G. Craig, "A Poster", p. 253, and "Portrait of Post-Card" (from woodblock), p. 255; William Strang, "The Quay of the Rosary, Bruges" (photo of etching after), loose supplement
  • Vol III No. 9 (July 1899), William Strang, "The Ghent Gate, Bruges" (woodcut after), p. 231.
Collection
  • No. 1, Lady Day, 1897 (x 2)
  • No. 2, Midsummer Day, 1897 (x 2)
  • No. 3, Michaelmas, 1897
  • No. 4, New Year's Day, 1898
  • No. 5, May Day, 1898
  • Vol. 1, Oct–Dec, 1898 (x 2)
  • Vol. 2, Jan–Mar, 1899 (x 2)
  • Vol. 5, Nov 1899 – Jan 1899
  • Vol. 6, May–July 1900

The Page

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The Savoy

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  • January 1896
  • April 1896
  • July 1896
  • August 1896
  • September 1896
  • October 1896
  • November 1896
  • December 1896
See The Savoy (periodical)

The Art Journal

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  • The Art Journal 1884
    • Etchings: "The Vision of St Helena" by C. W. Sherborn after Paolo Veronese; "On the Medway" by R. S. Chattock; "Monastery Cellar", by Carl Vaditz after Eduard Grutzner
  • The Art Journal 1886
    • Etchings: Ninette, by Paul Rajon; The Minnow Catcher by John Fullwood; The Silver’d Way by Fred. Slocombe
  • The Art Journal 1891
  • The Art Journal 1891

The Portfolio

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  • 1882
  • Vol. XIV (1883)
    • William Strang, "Tinkers"
    • G. P. Jacomb-Hood, "L'Abreuvoir of Paris" L'Abreuvoir of Paris

The Halls

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  • G. F. Scotson-Clark, The Halls (T. Fisher Unwin, c. 1899)