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The bronze Capitoline Wolf in the Museo Nuovo in the Palazzo dei Conservatori on the Campidoglio (the ancient Capitoline Hill)—where it has been housed since 1473— is one of the icons of the founding of Rome. When the twins' father Numitor was overthrown by his brother Amulius, according to the founding myth, he ordered them to be cast into the Tiber. They were rescued by a ==she-wolf== who cared for them until a herdsman, Faustulus, found and raised them.
The Etruscan bronze is dated stylistically about 500-480 BCE. The bronze figures of the twins were added in the late fifteenth century.
The bronze wolf was noted at the Lateran Palace from the beginning of the ninth century. In the tenth-century Chronicon of Benedict of Soracte, the monk chronicler writes of the institution of a supreme court of justice "in the Lateran palace, in the place called [graffiti], viz., the mother of the Romans." Trials and executions "at the Wolf" are recorded from time to time until 1450. Paolo di Liello speaks of two highwaymen, whose hands, cut by the executioner, were hung at the Wolf. It was removed to the Palazzo dei Conservatori on the Campidoglio in 1473 (Lanciani), by order of Sixtus IV. She appeared in a woodcut illustration of Mirabilia Urbis Romae (Rome, 1499) already with the infant twins [1].
The image was favored by Benito Mussolini who cast himself as the founder of the "New Rome". To encourage American goodwill, he sent several copies of the Capitoline Wolf to American cities. In 1929 he sent one replica for a Sons of Italy national convention in Cincinnati, Ohio. It was switched for another one in 1931, which still stands in Eden Park Cincinnati Another replica was given by Mussolini to the city of Rome, Georgia the same year.[1] A third went to New York.
The programme of conservation undertaken in the 1990s resulted in an exhibition devoted to the Lupa and her iconography.
Footnotes
[edit]- ^ It stands in front of Rome's City Hall "A gift of ancient Rome to new Rome". In its first years, though it was appreciated by a minority as a work of art, when important events were scheduled in the City Auditorium, the twins were diapered and the wolf was modestly draped. When Italy declared war in 1940, threats against the sculpture resulted in its being warehoused for safe-keeping.