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Mythological Tour

Tour by Lena
Associated album	Mythology
Start date	June 20, 2031
End date	November 13, 2032
No. of shows	106
Lena concert chronology

Set list

Act I

1. "Temple"
2. "Pink Incarnate"
3. "Aphrodite"
4. "Siren Song"
5. "Silver"

Act II

1. "Smoke"
2. "Embers"
3. "Stairwell"
4. "Arrows"
5. "Top of the Hill"

Act III

1. "Night Swimming"
2. "The Moon"
3. "Ghost"
4. "Gravity"
5. "Cherry"

Act IV

1. "Desire"
2. "Need"
3. "Twin Flame"
4. "Mythology"
5. "Reflections"

Act V

1. "Nihilism"
2. "24"
3. "Thrills"
4. "Keep Quiet"
5. "My Pleasure"

Act VI

1. "Cruelty"
2. "Treetop"
3. "Limbo"
4. "Candle"
5. "Pool"

Act VII

1. "Death"
2. "Blue"
3. "Echoes"
4. "Shadow"
5. "Valley"

Act VIII

1. "Falling Down"
2. "Sunken Treasures"
3. "Watch Me"
4. "Sparks"
5. "Olympus"

Part I:

Act I: Inner Beauty - The Temple

The stadium lights dim and the audience hushes as the sound of harp strings fills the air, evoking the mythological beauty of Aphrodite, the goddess of love and beauty. As the music builds, the stage is obscured by a veil of rose petals, and Lena emerges from within it, garbed in a flowing pink gown and golden heels, embodying the essence of Aphrodite.

Lena's voice, pure and sweet as a lyre, carries over the audience as she sings "Temple", an unreleased track that speaks of the divinity within every soul, drawing parallels to the temple of Aphrodite. The crowd roars with excitement as the pulsating electronic beats and the shimmering gold jumpsuit she wears reinforce the goddess's regal and powerful presence.

As the song ends, Lena introduces herself and thanks the audience for their presence. She then sings "Pink Incarnate", a song that speaks of the joy and passion of love, akin to Aphrodite's domain. The playful lyrics and catchy melody have the audience dancing and singing along as Lena's performance sets the tone for the rest of the concert.

Next, Lena performs "Aphrodite", the title track from her "Mythology" album. The song's synth-pop sound and catchy chorus have the audience swaying and singing along, as Lena's voice evokes the alluring and hypnotic nature of the goddess herself. Lena's performance is so passionate and emotive, it feels like the goddess of love is speaking through her.

Following "Aphrodite," Lena performs "Siren Song". The stage's lights turn blue and purple, creating a moody atmosphere that evokes the Sirens' haunting sound. Lena's voice is ethereal and otherworldly as she sings about the sailors lured by the Sirens' sweet songs. The audience is spellbound by the song's pulsating beat and ominous synthesizers, as Lena's vocals seem to echo throughout the stadium, much like the Siren's call.

Finally, Lena performs "Silver", the hyperpop track that closes out the first act. The song's glitchy electronic beats and distorted vocals speak of the goddess's beauty and desire, in a modern context. Lena's lyrics about embracing her imperfections and finding beauty in the flaws reflect the essence of Aphrodite's love, which is unconditional and without judgement.

As "Silver" comes to an end, Lena thanks the audience for their presence, promising more excitement in the upcoming acts. The lights dim, and rose petals rain from the stage as Lena exits, leaving the audience awestruck by the beauty and power of Aphrodite.

Act II: Into Fire / The Archer

The lights dim as smoke billows out from the stage, reminiscent of the volcanic eruptions of Mount Etna, where the Greek god Hephaestus had his forge. Lena appears standing in the midst of the smoke, dressed in fiery red like the flames of the forge. She launches into "Smoke", her voice ringing out powerfully over the heavy beats and trap-influenced production. The lyrics allude to the addiction that comes with being drawn to the flame, just like how the gods were drawn to the forge of Hephaestus.

Without missing a beat, she transitions into "Embers", the driving guitar riffs and anthemic chorus conjuring images of sparks flying from the forge. Lena sings about the aftermath of a failed relationship, likening it to the ashes and debris left behind by Hephaestus' fiery creations.

As the song ends, Lena takes a moment to catch her breath before introducing her special guests, boygenius. The lights dim, and the three musicians step out onto the stage, each taking their place behind their respective instruments. Together, they play a haunting rendition of "Stairwell", its minimalist production and haunting lyrics echoing the desolation of the volcano and the loneliness of Hephaestus.

As boygenius leaves the stage, Lena takes a moment to thank them before launching into "Arrows". The synth-heavy production and driving beat pump up the crowd, and Lena sings about the strength that comes from overcoming obstacles, just like how Artemis' arrows strike true against her foes. The chorus invokes the image of Artemis' bow, a symbol of her power and precision.

Finally, Lena wraps up Act II with "Top of the Hill", an upbeat indie pop song that encourages the audience to keep pushing forward and reach new heights, just like how Artemis leads her hunting party to the top of the mountain. The lyrics speak of conquering fears and obstacles, like how Artemis hunts down the fiercest beasts in the wild.

As the song ends, Lena takes a bow, and the lights dim, signaling the end of the second act, leaving the audience energized and inspired by the power of Greek mythology.

Act III: Moonstone

This act is based on the Selene portion of the "Mythology" movie. As the lights dim, the audience hears the sound of waves crashing and seagulls calling, signaling the start of the third act. Smoke fills the stage, and a giant crescent moon descends from the ceiling, casting an eerie glow on the stadium.

The opening notes of "Night Swimming" fill the air, and Lena appears on stage, dressed in a flowing white gown. The production on this track is more atmospheric than the previous songs, with dreamy synths and a subtle beat. Lena's vocals are stripped down and vulnerable, reflecting the song's theme of taking risks and embracing the unknown.

As "Night Swimming" comes to an end, Lena introduces the next track, "The Moon." The stage lights up in a soft blue hue, and Lena begins to float up in the air above the audience, suspended by wires. The song's dreamy indie rock sound and melancholic lyrics about isolation and loneliness perfectly match the surreal atmosphere of the moment.

As Lena descends back to the stage, the lights turn red and the haunting opening notes of "Ghost" fill the air. The song's R&B styled pop sound features vocals from SZA, and the lyrics explore the concept of feeling like a ghost, invisible to the world and feeling lost in life. Lena and SZA trade off verses in the song, creating a haunting atmosphere that perfectly matches the lyrics. The stage becomes shrouded in mist as the song reaches its climax.

Next up is "Gravity," a mid-tempo pop song that explores the push and pull of a relationship. The song's electronic and acoustic elements create a captivating mix, with a catchy chorus and a driving beat. The stage lights up in a bright white hue, with flashing strobe lights and lasers adding to the song's electrifying energy.

Finally, Lena performs "Cherry," a sultry pop ballad that showcases her more vulnerable side. The song's stripped-down instrumental arrangement, featuring piano and strings, perfectly complements the lyrics about a tumultuous relationship. As the song ends, Lena thanks the audience for their energy and support throughout the concert.

The lights dim once again, and smoke fills the stage as Lena exits, leaving the crowd buzzing with excitement and anticipation for the encore.

Act IV: Delusion / Isolation

As the final act of the concert's first part, Act IV begins with the stage going dark. Suddenly, bright, pulsing lights illuminate the stage and Lena appears in a dramatic and striking outfit - a black and silver sequined jumpsuit with a long, flowing cape. The stage is set up with a minimalist design, with a grand piano in the center and a band of live musicians off to the side.

As the opening notes of "Desire" begin, the stage lights up in a bright, fiery orange, with smoke machines creating a hazy, mystical atmosphere. Dancers dressed in red and gold move around the stage, portraying the passionate and intense feeling of desire that the song describes. Lena is the focal point of the stage, dancing and singing with powerful vocals as she moves around the stage.

As "Need" begins, the stage lighting shifts to a softer, more romantic mood. A single spotlight illuminates Lena as she sits at the grand piano, playing the opening notes of the song. The dancers disappear into the shadows as Lena's vocals take center stage. The lighting is minimal, with just a few soft, warm lights casting a glow around the stage.

"Twin Flame" sees the stage lighting shift again, this time to a cool blue and purple. The dancers return to the stage, this time dressed in shades of blue and silver. The music is more upbeat, with a lively bassline and catchy chorus. Lena moves around the stage with confidence, her energy and presence commanding the attention of the audience.

As "Mythology" begins, the stage lighting becomes more introspective, with a dimmer, more muted palette. Lena sits at the piano once again, this time dressed in a more understated outfit - a simple white blouse and black slacks. The dancers are gone, and the focus is on Lena's vocals and the melancholic melody of the song. The lighting creates a dreamy, ethereal atmosphere that matches the introspective nature of the lyrics.

Finally, "Reflections" begins, and the stage lighting shifts once again. The stage goes dark, with just a single spotlight illuminating Lena as she stands at the microphone. The song is more stripped-down than the others, with a focus on piano and strings. The lighting creates a haunting atmosphere, with shadows and flickering lights creating an almost ghostly effect. Lena's vocals are vulnerable and raw, conveying the message of self-discovery and moving forward.

As the final notes of "Reflections" fade away, Lena takes a bow and exits the stage, leaving the audience in awe of her powerful performance. The lights dim, and the first part of the concert comes to a close.

Part II:

Act V: Nihilism

As the lights dimmed for Act V, the stage transformed into a mystical forest, complete with vines and leaves hanging from the rafters. The dim lighting provided an eerie atmosphere that matched the introspective and existential themes of the act.

As Lena emerged from the fog, she was adorned in a flowing white dress that was reminiscent of a Greek goddess. The dress had golden accents and was complemented by a pair of matching strappy sandals. The ensemble was a nod to the Greek mythological themes of the act, particularly Dionysus, the god of wine and pleasure, and Momus, the god of satire.

As the first notes of "Nihilism" began, the dancers emerged from the shadows, their movements fluid and graceful like the vines that hung around them. The dancers' costumes featured touches of gold and green, reflecting the natural elements of the forest.

As "24" started to play, the lighting shifted to a brighter hue, illuminating the stage in a warm and sunny glow. The dancers' movements became more upbeat and lively, reflecting the song's message of seizing the day and making the most of every moment.

As the grunge-inspired "Thrills" began, the lighting shifted to a more sinister red, and the dancers' movements became more erratic and intense. The stage became shrouded in a dense fog, and the dancers moved like frenzied followers of Dionysus, the god of wine and pleasure.

For "Keep Quiet," the lighting softened to a gentle blue, and the dancers' movements became more introspective and contemplative. The stage was shrouded in a misty haze, symbolizing the secrets and hidden information that the song's lyrics explore.

Finally, for "My Pleasure," the lighting shifted to a bright and playful pink, and the dancers moved with a sense of joyful irreverence. The stage became adorned with playful props and set pieces, nodding to Momus, the god of satire. The dancers wore costumes that were whimsical and playful, with touches of gold and silver to reflect Momus' penchant for mischief.

Throughout the act, the instrumentals shifted from moody synth-pop to grunge-influenced alternative rock to playful indie rock, reflecting the diverse themes and styles of the songs. Overall, the Act V was a dramatic and visually stunning journey through the introspective and existential themes of Lena's music, while nodding to the rich mythology of ancient Greece.

Act VI: Insanity

The stage goes dark for a few moments after the intermission, and then a single spotlight illuminates Lena, who is dressed in a black and red corset, black fishnet stockings, and knee-high combat boots. The lighting is dim and moody, with dark purple and red hues filling the stage, creating an eerie and intense atmosphere. As the opening chords of "Cruelty" begin, Lena starts swaying back and forth to the beat.

The song's instrumentals are heavy on the electric guitar, with the driving drumbeat and bassline providing a strong rhythm. Lena's vocals are powerful and intense, as she sings about the destructive nature of humanity. Her movements are aggressive and frenzied, with sharp head snaps and body jerks that match the song's hard-hitting sound.

As "Cruelty" fades out, the stage goes dark again for a few moments. When the lights come back up, Lena has changed into a white toga and gold leaf crown, embodying the goddess Athena. The lighting has also shifted, now brighter and more vibrant, with shades of blue and white. The audience can see dancers in similar togas, performing intricate movements and flowing choreography.

The second song, "Treetop," is a more mellow and introspective track. Lena's vocals are soft and dreamy, with a gentle acoustic guitar providing the main instrumental accompaniment. The dancers perform a flowing, graceful routine, with movements that evoke the feeling of being up in the treetops. The lighting shifts between soft greens and blues, evoking the feeling of being in a forest.

As "Treetop" comes to a close, the lighting shifts to a deep red as Lena changes into a black leather dress and dons a Medusa headpiece. The dancers return, now with snakes adorning their hair. The third song, "Limbo," begins with a haunting synth melody, slowly building in intensity as the drums and guitars kick in. Lena's vocals are intense and powerful once again, singing about the fear and uncertainty that comes with the unknown.

The dancers perform a frenzied, almost chaotic routine, with sharp movements and jerky motions that match the song's frantic energy. The lighting is dim and moody once again, with flashes of red and black adding to the sense of unease.

After "Limbo" comes to a close, Lena changes into a white flowing gown, with her hair loose and flowing. The lighting has shifted to a calming blue, with soft clouds projected onto the backdrop of the stage. The dancers return, now dressed as winged angels, performing gentle, flowing movements that match the mood of the song. "Candle," the fourth song in the set, is a soft and emotional ballad, with Lena's vocals filled with longing and sadness.

As "Candle" comes to a close, the dancers leave the stage and Lena is alone, bathed in a soft blue light. She changes into a sleek black jumpsuit with gold detailing, embodying the god Hermes. The lighting shifts to a bright yellow, with flashes of gold and silver. The final song of the set, "Pool," begins with a driving synth beat and Lena's vocals taking on a more playful, flirtatious tone.

The dancers return, now dressed in colorful swimsuits, performing a lively routine that matches the upbeat energy of the song. The lighting shifts between bright colors, evoking the feeling of being at a pool party. The audience can feel the excitement and energy building as the song reaches its climax, with Lena and the dancers all moving and grooving to the beat.

As the song fades out, the stage goes dark once

Act VII: Darkness / The Light

As Act VII begins, the stage is plunged into darkness, with only a faint purple spotlight illuminating Lena as she steps forward. The spotlight fades, and a deep red light engulfs the stage as the opening chords of "Death" reverberate through the theater. Lena is dressed in a black gown with a flowing train, reminiscent of the Greek goddess of the night, Nyx. She moves with a slow, mournful grace, emphasizing the song's haunting and experimental nature. The stage lighting shifts between dim, flickering red and blue hues, reflecting the contrast between the grungy verses and the sparkly chorus.

As the final notes of "Death" fade away, Lena moves to the piano at the center of the stage, which is bathed in a soft blue light. She begins to play the opening chords of "Blue," and the stage lighting shifts to a pale, icy blue. Lena's outfit is now a simple white dress that evokes the purity and clarity of the song's emotions. The dance performance that accompanies the song is understated, with slow and graceful movements, emphasizing the song's intimate and raw nature.

The stage lighting transitions to a deep purple as Lena moves back to the microphone stand, where she begins to sing "Echoes." The song's minimalist arrangement is reflected in the understated dance performance, with subtle movements that evoke the feeling of being haunted by the past. Lena's outfit is now a flowing purple dress that accentuates the song's haunting and atmospheric qualities.

As the final chords of "Echoes" fade away, the stage explodes into a burst of light, with strobes and neon flashing in time to the opening chords of "Shadow." Lena's outfit is now a black and silver jumpsuit with sparkling sequins, matching the song's upbeat and energetic nature. The dance performance is similarly energetic, with frenetic movements and neon light effects that reflect the song's electronica and synth-pop influences.

The stage lighting transitions to a soft golden glow as Lena moves back to the piano to play the opening chords of "Valley." Lena's outfit is now a simple but elegant gold dress, evoking the warmth and comfort of the song's lyrics. The dance performance is similarly warm and comforting, with gentle and reassuring movements that reflect the song's message of hope and resilience.

As the final notes of "Valley" fade away, Lena steps forward to address the audience. She thanks them for being a part of this journey through the Greek mythological world, and tells them that the final act is about to begin. The stage lighting fades to black, and the audience waits in anticipation for the last act of the show.

Act VIII: The Return

As Act VIII begins, the stage is illuminated with bright, dazzling lights, creating a feeling of excitement and anticipation among the crowd. Lena appears on stage wearing a white, flowing dress that billows behind her as she walks towards the microphone. She is accompanied by her band and backup dancers, who are dressed in black and white ensembles that contrast with her flowing gown.

The opening notes of "Falling Down" begin, and the stage is filled with energy and movement as the dancers perform intricate choreography, moving in sync with the music. The stage lighting shifts to a warm orange hue, casting a romantic and intimate atmosphere. Lena's vocals are powerful and emotive as she sings about the joy and excitement of falling in love.

As the song ends, the lights dim and shift to a deep blue color, and Lena moves to center stage to perform "Sunken Treasures". The song's moody and introspective lyrics are reflected in the atmospheric production and dimly lit stage, with Lena's vocals soaring over the ethereal instrumental.

The stage lighting then shifts to a fiery red for the opening of "Watch Me", which features an upbeat and energetic rock sound. Lena is joined by her dancers, who move with the rhythm of the music, adding to the energy and excitement of the performance.

As "Sparks" begins, the stage lighting transitions to a bright white, creating a feeling of optimism and happiness. The dancers perform an intricate routine with precise movements, perfectly timed to the beat of the music. Lena's vocals are light and airy, perfectly capturing the feeling of falling in love.

For the final song of the concert, "Olympus", the stage lighting transforms to a deep purple hue, creating a feeling of grandeur and power. Lena's outfit has also changed to a more regal-looking gown, reflecting the song's themes of the gods and their power. As the music builds, the dancers perform a dramatic routine, moving in sync with the powerful beats and soaring vocals.

As the song comes to a close, the stage erupts in a burst of confetti and streamers, and the crowd erupts in applause and cheers. Lena takes a final bow and thanks the audience for joining her on this musical journey through the mythology of the gods. The lights fade out, and the concert ends with a feeling of excitement and awe.

Documentary

"The Mythological Tour: A Concert Film" is a documentary film directed and produced by Chipp, the boyfriend and longtime collaborator of singer-songwriter Lena. The film chronicles Lena's extensive tour in support of her album "Mythology" and features concert footage from various shows, behind-the-scenes moments, and interviews with Lena and her team.

Production and Release

The documentary was filmed during the "Mythological Tour," which spanned over a year and a half from 2031 to 2032, and visited several countries in North America, Oceania, Latin America, and Europe. Chipp served as the director and producer of the documentary and used various cameras to capture the footage, including handheld cameras and drones.

In January 2033, Lena announced on her social media that "The Mythological Tour: A Concert Film" would be released in February 2033. The film premiered on streaming platforms, including Netflix and Amazon Prime Video, on February 14, 2033.

Content

The documentary features concert footage from various shows throughout the tour, including performances of songs from Lena's "Mythology" album, such as "Thrills," "Death," and "Nihilism." The footage showcases Lena's stage presence, elaborate set designs, and costume changes, as well as the energy and enthusiasm of the audience.

In addition to the concert footage, the film includes behind-the-scenes moments, such as rehearsals, soundchecks, and meetings with the tour crew. The interviews with Lena and her team provide insight into the creative process behind the tour, as well as Lena's personal life and motivations.

Reception

"The Mythological Tour: A Concert Film" received positive reviews from critics and audiences alike. Many praised Lena's performance and energy on stage, as well as the film's production values and pacing.

Some critics noted that the documentary provided a unique and intimate look into the life of a touring musician and the challenges that come with it, such as homesickness and fatigue. Others appreciated the film's focus on Lena's personal growth and creative vision.

Commercial Performance

"The Mythological Tour: A Concert Film" was a commercial success, debuting at number one on several streaming platforms and receiving high viewership numbers. The documentary helped maintain Lena's popularity and fanbase during her year-long break from music and touring.

Shows

Date (2031)	City	Country
North America
June 20-21	Toronto, ON	Canada
June 27-28	Detroit, MI	United States
July 4-5	Chicago, IL
July 11-12	Minneapolis, MN
July 18-19	Denver, CO
July 25-26	Salt Lake City, UT
August 8-9	Seattle, WA
August 15-16	Vancouver, BC	Canada
August 22-23	Portland, OR	United States
September 5-6	San Francisco, CA
September 12-13	Los Angeles, CA
September 19-20	Phoenix, AZ
September 26-27	Dallas, TX
October 3-4	Houston, TX
October 17-18	New Orleans, LA
October 24-25	Atlanta, GA
October 31-1	Miami, FL
November 7-8	Tampa, FL
November 14-15	Charlotte, NC
November 21-22	Washington, DC
November 28-29	Philadelphia, PA
December 5-6	New York, NY
December 12-13	Boston, MA
December 19-20	Montreal, QC
(2032)	Oceania
January 16-17	Perth	Australia
January 23-24	Adelaide
January 30-31	Melbourne
February 6-7	Sydney
February 13-14	Brisbane
February 20-21	Auckland	New Zealand
March 5-6	Honolulu, HI	United States
Latin America
March 12-13	Mexico City	Mexico
March 19-20	Bogota	Colombia
March 26-27	Buenos Aires	Argentina
April 2-3	São Paulo	Brazil
April 9-10	Santiago	Chile
April 16-17	Lima	Peru
Europe - Leg 1
April 30-1	London	United Kingdom
May 7-8	Manchester
May 21-22	Cardiff
May 28-29	Glasgow
June 4-5	Dublin	Ireland
June 11-12	Paris	France
June 18-19	Barcelona	Spain
June 25-26	Madrid
July 2-3	Lisbon	Portugal
Europe - Leg 2
October 1-2	Milan	Italy
October 8-9	Munich	Germany
October 15-16	Berlin
October 22-23	Hamburg
October 29-30	Amsterdam	Netherlands
November 5-6	Stockholm	Sweden
November 12-13	London	United Kingdom