User:Kerrymonique/sandbox

== I am working on sources concerning legal graffiti-styles created on canvases exhibited in galleries as “graffiti,” and sold as a new separate derivative of the art form.  I believe this can be added to expand on the synopsis explanation in part three of Draft:The Faith of Graffiti where “Mailer,” diverges from his narrative how art is transmitted into culture. I believe graffiti's recent popularity now seen in art galleries that will help to expand the synopsis explanation in part three on how art is transmitted into culture. It will help to classify and discuss graffiti's recent popularity in commercial art galleries and even the contemporary art auction markets seen across the globe.

Bibliography

1. Almqvist, B. (2011). Graffiti Burners. Arsta, Sweden: Dokument Press. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1084113&site=eds-live&scope=site&custid=ns235467
   
2. BRENNER, L. (2019). The Bansky Effect: Revolutionizing Humanitarian Protest Art. Harvard International Review, 40(2), 34–37. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=fth&AN=136010704&site=eds-live&scope=site
3. Cooper, Martha, and Henry Chalfant. Subway Art. New York, N.Y. : Thames & Hudson, 2015. Print.
4. de Carvalho, L. C. lucascouto-de. carvalho@hioa. n., Sandaker, I. ingunn. sandaker@hioa. n., & Ree, G. gunnar. ree@hioa. n. (2017). An Ethnographic Study of Tagging Cultures. Behavior & Social Issues, 26, 67–94. https://doi.org/10.5210/bsi.v26i0.6621
   
5. ELSTEIN, A. (2015). Is It Graffiti or Street Art? Crain’s New York Business, 31(24), 0026. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=bft&AN=103337994&site=eds-live&scope=site
6. Hard, L. (2018). New Museum of Street Art Is the Canvas. The New York Times, p. A22. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=edsgov&AN=edsgcl.554474651&site=eds-live&scope=site
   
7. HAMANAKA, KARI. 2018. “‘Beyond the Streets’ Examines Street Art And Graffiti Culture: The Roger Gastman-Curated Showcase Includes Works by Shepard Fairey, Retna, Takashi Murakami, Lady Pink and Other Artists.” WWD: Women’s Wear Daily, May, 8. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=bth&AN=130468787&site=eds-live&scope=site
8. Huntington, D. (2018). Sustainable Graffiti Management Solutions for Public Areas. Street Art & Urban Creativity Scientific Journal, 4(1), 46. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=edb&AN=140913042&site=eds-live&scope=site
   
9. Jacobs, D. L. (2012). 6 Things We Can Learn From The Facebook Graffiti Artist. Forbes.Com, 1. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=bth&AN=71397880&site=eds-live&scope=site
   
10. McCORMICK, C. (2009). Hopeful Disobedience. Art in America, 97(3), 51–54. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=fth&AN=37007793&site=eds-live&scope=site
    
11. Milnor, K. (2014). Graffiti and the Literary Landscape in Roman Pompeii (Vol. First edition). Oxford, United Kingdom: OUP Oxford. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=e000xna&AN=706544&site=eds-live&scope=site
    
12. RABINE, L. W. . (2014). “These Walls Belong to Everybody” The Graffiti Art Movement in Dakar. African Studies Quarterly, 14(3), 89–112. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=ofm&AN=95587475&site=eds-live&scope=site
    
13. Riefe, J. (2017). The Man Behind “Hope” Is Going Hollywood. Hollywood Reporter, 423(34), 38–39. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=bth&AN=126167460&site=eds-live&scope=site
14. Schmidt, S. (2018). N.Y. landlord obliterated dozens of graffiti murals. Now he owes the artists $6.7 million. The Washington Post. Retrieved from https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=edsgov&AN=edsgcl.527374869&site=eds-live&scope=site