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Comments

[edit]

Gallery settings (re this discussion) - please leave comments here:

A) Portraits

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  • Me: 150 is best, 160 just missing right edge, at 250 1 whole pic not seen
  • Natural (just clips extreme right picture). Otherwise scrolling necessary on low res screen. Tyrenius (talk) 14:11, 8 December 2007 (UTC)
  • Natural fits best on my computer and makes a clear uncrowded four. Modernist (talk) 14:15, 8 December 2007 (UTC)
  • I have a 16x9 format laptop at 1280px wide. 250 doesn't fit in my screen, but all the others do. 150 looks most balanced. And BTW, all of the images are 120px wide, all that changes is spacing. (IE 6, WinXP). - PKM (talk) 17:44, 8 December 2007 (UTC)
  • The screen I am using is about 12" by 15". All of first three modes fit, but I think I prefer 'natural'; in every other format the space between images is wider than the image itself. JNW (talk) 18:35, 8 December 2007 (UTC)
  • Natural displays all four images, with the fourth just inside the window. The spacing at this setting looks fine to me. Ewulp (talk) 01:42, 9 December 2007 (UTC)

B) Mixed vertical & horizontal

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  • Anything apart from natural doesn't display well on my screen, low res 800 x 600. Tyrenius (talk) 12:34, 11 December 2007 (UTC)

A) Portraits

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150

natural

160

250

B) Mixed vertical & horizontal

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Added post-comments above

150
  • Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
    Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Saskia as "Flora", 1635
    Saskia as "Flora", 1635
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8

natural

  • Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
    Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Saskia as "Flora", 1635
    Saskia as "Flora", 1635
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8

160

  • Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
    Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Saskia as "Flora", 1635
    Saskia as "Flora", 1635
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8

250

  • Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
    Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Saskia as "Flora", 1635
    Saskia as "Flora", 1635
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8

200

  • Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
    Rembrandt and Saskia pose as "The Prodigal Son in the Tavern" - a portrait historié, 1635
  • The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
    The Blinding of Samson, 1636, which Rembrandt gave to Huyghens
  • Saskia as "Flora", 1635
    Saskia as "Flora", 1635
  • Belshassar's Feast, 1636-8
    Belshassar's Feast, 1636-8
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