Jump to content

User:Inirihamye/sandbox

From Wikipedia, the free encyclopedia

Crystal Wilkinson

[edit]
Bibliography | Sandbox Draft
Article Evaluation
The first section of the article where the summary should be is quite barren.
She has recent works and accolades that are not yet included on this page.
There is not much information about her work within the Affrilachian movement in particular, though mentioned.
There is not much information on the Mythium: A Journal of Contemporary Literature journal publication.
Her professional affiliations are just listed as "Associated Writing Programs (2003–present)", which is not useful information.
Sources
Wilkinson's personal website[1]
Publications with the Herald-Leader[2]
Recent prizes[3][1]
Department activity[4]
Involvement with Affrilachian Poets[5]
Education & Research[6]
Praise for her work[1]
Information To Add

Crystal Wilkinson has also gained recognition form the United States Artists and was awarded a position as a 2020 USA Fellow.[3]

Ann Allen Shockley

[edit]
Bibliography | Sandbox Draft
Looking For:
There is very little about her life after the late 1980s, though there is a brief mention of a book of her coming out in 2005.
There is no mention of her romantic partnerships after her divorce with her ex-husband after she came to terms with her identity as a lesbian.
There is no book by book analysis of plot or themes.
There is little that places her within Black art historical framework which would give us an idea of the cultural ideals she was interacting with. This would especially be useful in understanding how her work may have been interpreted/misinterpreted as a reinforcement of heteronormative and racist ideas about queer relationships and black women, rather than a potentially self-aware piece.
Sources:
General biography[7][8][9]
Class Issues in Loving Her[10]
Revolutionary Nature of Loving Her[11]
Personal critical analysis work[12][13][14]
Anathology work[15]
Recent Work & Awards[16][17]

Agaseke

[edit]
Bibliography | Sandbox Draft
Article Evaluation
This article does not yet exist, so looking for official information on construction, uses, and symbolic significance.
Sources
Uses and Symbolism[18]
Role of Tourism in Post-Conflict Peacebuilding in Rwanda[19]
History and Symbolism[20]
Financial freedom for women[21]
k'Amahoro Cooperative, construction pictures, cooperative conditions[22]
Results of cooperative initiatives in Kigali[23]

Where We At

[edit]
Bibliography | Sandbox Draft
Article Evaluation
This article contains no pictures, which seems relevant considering it's on a visual arts movement, and there are pictures available on a quick search.
Sources
Current exhibition about WWA Inc.[24]
Dindga McCannon and “Where We At”[25]
Newspaper from the time[26]
Groups origins[27]
Work in prisons, hospitals, and low-income areas[28]
Newspaper coverage the year after (pg. 26)[29]

References

[edit]
  1. ^ a b c "Crystal Wilkinson". Crystal Wilkinson. Retrieved 2020-10-28.
  2. ^ Chethik, Neil. "Save the University Press so Kentucky can tell its own stories".{{cite web}}: CS1 maint: url-status (link)
  3. ^ a b "UK's Crystal Wilkinson Wins Prestigious United States Artists Fellowship". UKNow. 2020-01-27. Retrieved 2020-11-02.
  4. ^ "UK Gaines Center for the Humanities Videos Explore How Kentucky Creatives are Weathering COVID-19". UKNow. 2020-06-19. Retrieved 2020-11-03.
  5. ^ Umar, Akhira. "'We're here': Affrilachian Poets make visible the African Americans in Appalachia". The Kentucky Kernel. Retrieved 2020-11-03.
  6. ^ "Crystal Wilkinson | English". english.as.uky.edu. Retrieved 2020-11-03.
  7. ^ Dandridge, Rita B. (1984). Shockley, Ann (ed.). "Shockley, The Iconoclast". Callaloo (22): 160–164. doi:10.2307/2930483. ISSN 0161-2492. JSTOR 2930483.
  8. ^ "Shockley, Ann Allen (1927-) | Amistad Research Center". amistadresearchcenter.tulane.edu. Retrieved 2020-11-03.
  9. ^ "Ann Allen Shockley". Oxford Reference. Retrieved 2020-11-03.
  10. ^ Van Ausdall, Mimi limuro (2010). ""Loving Her" Without Class: The Politics of Feminist Love in Ann Allen Shockley's Lesbian Novel". Feminist Formations. 22 (1): 57–75. ISSN 2151-7363. JSTOR 40835344.
  11. ^ Melancon, Trimiko C. (2008). "Towards an Aesthetic of Transgression: Ann Allen Shockley's "Loving Her" and the Politics of Same-Gender Loving". African American Review. 42 (3/4): 643–657. ISSN 1062-4783. JSTOR 40301259.
  12. ^ Shockley, Ann Allen (1965). "The Negro Woman in Retrospect: Blueprint for the Future". Negro History Bulletin. 29 (3): 55–70. ISSN 0028-2529. JSTOR 24767010.
  13. ^ Shockley, Ann Allen (1972). "Pauline Elizabeth Hopkins: A Biographical Excursion into Obscurity". Phylon (1960-). 33 (1): 22–26. doi:10.2307/273429. ISSN 0031-8906. JSTOR 273429.
  14. ^ Shockley, Ann Allen (1974). "American Anti~Slavery Literature: An Overview~1693-1859". Negro History Bulletin. 37 (3): 232–235. ISSN 0028-2529. JSTOR 44175170.
  15. ^ "Back Matter". Callaloo (36): 656–658. 1988. ISSN 0161-2492. JSTOR 2931553.
  16. ^ Society, Golden Crown Literary. "Winners Announced for 15th Annual Golden Crown Literary Society (GCLS) Awards". www.prnewswire.com. Retrieved 2020-11-03.
  17. ^ McKoy, Sheila Smith (2016). "Surviving Sisterhood in the Academy". CLA Journal. 60 (1): 62–77. ISSN 0007-8549. JSTOR 44325520.
  18. ^ "Agaseke Crafts". kigalicity.gov.rw. Retrieved 2020-11-02.
  19. ^ "The Role of Tourism in Post-Conflict Peacebuilding in Rwanda on JSTOR". www.jstor.org. Retrieved 2020-11-02.
  20. ^ "KNOW YOUR HISTORY: Agaseke: What does it really symbolise?". The New Times | Rwanda. 2015-09-01. Retrieved 2020-11-02.
  21. ^ "Rwanda's agaseke baskets hold promise for financial inclusion". Alliance for Financial Inclusion | Bringing smart policies to life. Retrieved 2020-11-02.
  22. ^ "Agaseke k'Amahoro Cooperative – Azizi Life". azizilife.com. Retrieved 2020-11-02.
  23. ^ "Effects of Project Resource Planning Practices on Project Performance of Agaseke Project in Kigali, Rwanda". EA Journals. Retrieved 2020-11-02.
  24. ^ "We Wanted a Revolution: Black Radical Women, 1965–85 | Albright-Knox". www.albrightknox.org. Retrieved 2020-10-28.
  25. ^ "Exhibition Spotlight: Dindga McCannon and "Where We At" Black Women Artists in We Wanted a Revolution: Black Radical Women, 1965–85".{{cite web}}: CS1 maint: url-status (link)
  26. ^ Kay Brown, et al. Feminist Art Journal, vol. 1, no. 1, 1972. JSTOR, jstor.org/stable/10.2307/community.28036280. Accessed 2 Nov. 2020.
  27. ^ Dallow, Jessica. “Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood.” Feminist Studies, vol. 30, no. 1, 2004, pp. 75–113. JSTOR, www.jstor.org/stable/3178559. Accessed 2 Nov. 2020.
  28. ^ Chiarmonte, Paula L. “Women Artists: A Resource and Research Guide.” Art Documentation: Journal of the Art Libraries Society of North America, vol. 1, no. 5, 1982, pp. A1–A20. JSTOR, www.jstor.org/stable/27947012. Accessed 2 Nov. 2020.
  29. ^ Kay Brown, et al. Feminist Art Journal, vol. 1, no. 1, 1972. JSTOR, jstor.org/stable/10.2307/community.28036280. Accessed 2 Nov. 2020.
Retrieved from "https://en.wikipedia.org/w/index.php?title=User:Inirihamye/sandbox&oldid=1141182217"