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This section is an excerpt from List of accolades received by Frozen (2013 film).[edit]
Kristen Anderson-Lopez and Robert Lopez garnered many accolades for composing the song "Let It Go".

Frozen garnered awards and nominations in various categories. It won Best Original Song ("Let It Go") and Best Animated Feature at the 86th Academy Awards. Frozen became the first film produced by Disney Animation to win Best Animated Feature.[1] The film won five of ten nominations at the 41st Annie Awards. At the 66th British Academy Film Awards, Frozen won Best Animated Film. It won Best Animated Feature and Best Song ("Let It Go") at the 19th Critics' Choice Awards. The film won Best Animated Feature Film and received a nomination for Best Original Song – Motion Picture ("Let It Go") at the 71st Golden Globe Awards. Various critic circles also picked Frozen as the best animated feature film of the year.

"Consumer Price Index (estimate) 1800–". Federal Reserve Bank of Minneapolis. Retrieved 16 November 2024.

[2]



Downfall: The Case of Boeing begins by highlighting the immense reputation the aircraft manufacturer Boeing has among the general public. However, on October 29, 2018, Lion Air Flight 610 crashed shortly after takeoff; the plane used for the flight was the Boeing 737 MAX, a relatively recent and popular aircraft model at the time. Due to Boeing's reputation and safety concerns over Lion Air, initial blames targeted the airline and pilots. When the flight recorders were retrieved, it was revealed that the aircraft experienced mysteriously rapid changes in pitch and that no pilot error was indicated, hinting design error. Five months later on March 10, 2019, Ethiopian Airlines Flight 302, also operated by a Boeing 737 MAX, crashed with the same conditions as Flight 610.

Early and personal life

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Brian J. Terwilliger was born in Manchester, Connecticut, in May 14, 1978. He became an avid aviation enthusiast when he was young.

He has a sister and a girlfriend, the latter of which is as of 2015.

Career

[edit]

At age 16, Terwilliger and his family moved to Los Angeles as his father moved his job there. He thus got more exposure to the film industry, and made his first short film, Workbench to Runway, for his school's cinematography course, featuring him assembling a model aircraft. Meanwhile in 1995 at age 19, he was introduced to general aviation by aviation enthusiast friend Jon Witkin, who is a captain of the 79th Fighter Squadron as of 2004. Despite parental disapproval, he started joining flight school at Van Nuys Airport; he made his first solo flight at three months later and earning his private pilot license (PPL) at age 20, exactly six months later.[3] He however is unable to continue further as he is color blind.

He thought to himself that he is an "inherently creative" person and does not need film school; to excel more in the business side of filmmaking, he attended California State University, Northridge and majored in business and entertainment, a major he created himself, and graduated in 1999. After that, he was determined to learn more aspects of the film industry, thus worked in various freelance jobs, such as a projectionist; grip; electrician; editor; production manager; first assistant director of independent films like Sordid Lives (2000); and visual effects coordinator on two 2003 films, Big Fish and The Core. Another reason is so that he can get more respect in the film industry and get more opportunities. Feeling that he "didn't want to be an expert or professional" in these trivial occupations and solely get opportunities on them, he decided to stop and start making a film.[4][5]

In 2000, Terwilliger had the idea of a film about Van Nuys while having a conversation with a then-employer of his sister's company. He soon gained huge financial support enough to make a film, later called One Six Right: The Romance of Flying, which was released in 2005. Despite attracting no distributor attention, it quickly amassed a cult following among aviation enthusiasts and people alike worldwide, thanks to a viral marketing strategy performed.[3] This is the first film released by his eponymous Terwilliger Productions, an independent limited liability company (LLC) based in Northridge, Los Angeles. According to OpenGovUS, the LLC started in July 1, 2007.[6]

  1. ^ "Disney's Frozen wins animated feature Oscar". Reuters. 3 March 2014. Archived from the original on 9 January 2016. Retrieved 10 January 2023.
  2. ^ Papotot, Gianfranco S.; Rompies, Ronald; Salendu, Praevilla M. (10 April 2021). "Pengaruh Kekurangan Nutrisi Terhadap Perkembangan Sistem Saraf Anak". Jurnal Biomedik:JBM. 13 (3): 266–273. doi:10.35790/jbm.13.3.2021.31830. ISSN 2597-999X.
  3. ^ a b Blechman, Fred (1 October 2004). "One Six Right Cleared For Takeoff". Airport Journals (National ed.). Archived from the original on 9 July 2021. Retrieved 2 July 2021.
  4. ^ "Brian J. Terwilliger: Wednesday Movie Screening". American Association of Airport Executives. 2016. Archived from the original on 9 July 2021. Retrieved 2 July 2021.
  5. ^ Terwilliger, Brian J. (7 April 2018). "Episode 017 | Brian Terwilliger | One Six Right | Living In The Age of Airplanes". Podcasting On A Plane (Podcast). Interviewed by Brandon. Google Podcasts. Archived from the original on 2 July 2021. Retrieved 2 July 2021.
  6. ^ "Terwilliger Productions LLC". OpenGovUS. Archived from the original on 9 July 2021. Retrieved 2 July 2021.

SP references

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Critical response

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Professional ratings
Aggregate scores
SourceRating
Rotten Tomatoes94%
Review scores
SourceRating
AwardsDailyB
Roger Moore
The MacGuffinA-
South China Morning Post3.5/5
Common Sense Media
Cultura
Mashable5/5
Movfreak
The Review Geek8.5/10

Review aggregator Rotten Tomatoes sampled 18 reviews and deemed A Sun generally well-received by critics, many of whom called it among, or even the, best film of 2019/2020; Tony Rayns, writing for Sight & Sound, called it "the most impressive film of recent times",[1] and Deburge called it "a world-cinema stunner" built on mastery.[2]

Many critics came to enjoy the film's treatment of its themes. The good and the evil are given balanced coverage,[1] and the variety of subgenres, including crime, drama, and comedy are found to coalesce smoothly, allowing for good pacing and compelling narrative, making the film "a riveting moral odyssey", as written by David Ehrlich of IndieWire. The story was also praised for its organic flow and richness in nuance, with A-Hao's suicide sequence compared to the films of Lee Chang-dong.[3] Many have also highlighted the violent opening sequence, compared to the works of Quentin Tarantino, providing a preface to the film's spectrum of emotions.[2][4] Its nature motifs[5] and slight emotional ambiguity were also praised. Chung's style has been compared to those of Edward Yang,[1][6][3][7] Ang Lee,[2] Hirokazu Kore-eda, Barry Jenkins, and Lulu Wang;[8] the film was also compared with Yang's A Brighter Summer Day (1991) and Yi Yi (2000),[1][3] and many opined that A Sun makes Chung a possible successor for the New Taiwanese Cinema.[7][2][8] The camera framing, which attempts to give the characters a sense of disconnection from the surrounding environment, is compared to the films of Michael Haneke.[3]

The cast performances are widely praised for their embodiment of the characters they portray, further uplifting the film's emotional weight.[3][7][9] Pramit Chatterjee of Mashable praised Wu's performance as "heavy" and Hsu's as impacting.[10] Chen's performance is also said to add more depth into his short-tempered character,[7][11] depicting his ambivalent personality accurately. Liu's performance gives Radish's character a distinct menacing impression.[12] Ko is said to add to the kindness strength of Qin's character, with Kevin L. Lee of Film Inquirer equating her to Regina King's performance as a mother in If Beale Street Could Talk (2018).[8] The female cast are also praised for their uniqueness.[1] Additionally, the remaining supporting cast were praised as equally as the ensemble,[7][10] with Liu said to successfully portray the manipulative Radish.[5]

  1. ^ a b c d e "A Sun review: a Taipei family's thunder and loss". BFI. Retrieved 4 April 2022.
  2. ^ a b c d Debruge, Peter (23 November 2019). "Film Review: 'A Sun'". Variety. Archived from the original on 2 December 2019. Retrieved 2 December 2019.
  3. ^ a b c d e Ehrlich, David. "Buried on Netflix, Taiwanese Crime Epic 'A Sun' Demands Serious Oscar Consideration". IndieWire. Archived from the original on 16 December 2020. Retrieved 16 December 2020.
  4. ^ Cite error: The named reference :8 was invoked but never defined (see the help page).
  5. ^ a b Kao, Anthony (29 November 2019). "Review: "A Sun" Is A Meticulous Family Drama Worthy of Its Golden Horse Awards". Cinema Escapist. Archived from the original on 2 December 2019. Retrieved 2 December 2019.
  6. ^ Young, Deborah (8 November 2019). "'A Sun' ('Yang Guang Pu Zhao'): Film Review". The Hollywood Reporter. Archived from the original on 18 November 2019. Retrieved 23 November 2019.
  7. ^ a b c d e Alexander Knoth (9 June 2020). "Film Review: A Sun (2019) by Chung Mong-Hong". Asian Movie Pulse. Retrieved 8 April 2022.
  8. ^ a b c Lee, Kevin L. (26 March 2020). "A SUN 陽光普照: Bloated But Moving". Film Inquiry. Retrieved 4 April 2022.
  9. ^ Moore, Roger (30 December 2020). "Netflixable? A Taiwanese family is tested through crime, tragedy and inept parenting — "A Sun"". Movie Nation. Retrieved 4 April 2022.
  10. ^ a b Chatterjee, Pramit (18 February 2021). "'A Sun' Review: This Oscars 2021 Shortlisted Drama From Taiwan Is On Netflix And Deserves All Your Attention". Mashable India. Retrieved 4 April 2022.
  11. ^ Faithful, Emily (15 February 2020). "Review: A Sun". Redbrick. University of Birmingham. Retrieved 4 April 2022.{{cite web}}: CS1 maint: url-status (link)
  12. ^ Cite error: The named reference :2 was invoked but never defined (see the help page).
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