User:Georgiahilton/Books/Making and Managing a Feature FIlm

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Making and Managing a Feature FIlm

Development,Pre-production,Production,Post-Production,Delivery,Distribution

Introduction: User:Georgiahilton; Film; Film industry; Cinema of the United States; Hollywood; Film school; Box office; Academy Award; AFI Conservatory; Internet Movie Database; Film grammar
Making a Movie: Feature film; Filmmaking; Film adaptation; Scenario; Screenwriter; Screenwriting; Screenwriting software; Spec script; Screen direction; Screenplay; Feature length; Final cut privilege; Credit (creative arts); Movie projector; Projectionist; Movie studio; List of motion picture terminology
Financing and getting off the ground: Executive producer; Limited liability company; Crowd funding; Film finance; Hedge fund; Movie production incentives in the United States; Negative cost; Independent film; Low-budget film; No budget film; Guerrilla filmmaking; Product placement; Scriptment; Outline (summary); Outline of film; Film rights; Copyright; Trademark; Intellectual property; WGA screenwriting credit system; Legal release; Pitch (filmmaking); Documentary film techniques; Business plan; International co-production; Completion guarantee; Green-light
Project Development: Above the line (filmmaking); Below the line (filmmaking); Act structure; Beat (filmmaking); Beatscript; Hook (filmmaking); Homage; MacGuffin; Distancing effect; Oneiric (film theory); Screenplay slug line; Film treatment; Marketing; Film poster; Narrativity
Pre-Production: Pre-production; List of film formats; Digital Cinema Package; 35 mm film; Step outline; Shooting script; Storyboard; Film crew; Film producer; Unit production manager; Line producer; Film director; Directorial debut; Artistic control; Assistant director; Best boy; Production designer; Art department; Casting (performing arts); All-star; Ensemble cast; Billing (filmmaking); Stunt casting; Shooting ratio; Breaking down the script; Script supervisor; Script breakdown; Location scouting; Film budgeting; Production budget; Shooting schedule; Production schedule; Production board; Production strip; Day Out of Days; Daily call sheet
Production: Set construction; Principal photography; Cinematography; Cinematic techniques; Clapper loader; Production report; Daily production report; Daily progress report; Cost report; Location shooting; Digital asset management; Digital cinematography; Improvisation; Setpiece; Camera angle; Arri Alexa; Red Digital Cinema Camera Company; Single-camera setup; Multiple-camera setup; Camera dolly; B-roll; Full frame; POV Videography and VholdR; Establishing shot; Master shot; Close-up; Medium shot; Point of view shot; American shot; Dolly zoom; Shaky camera; Low-angle shot; Dutch angle; Reaction shot; Over the shoulder shot; Tracking shot; Follow shot; Money shot; Trunk shot; Shot reverse shot; Boom shot; Crane shot; High-angle shot; Bird's-eye shot; Aerial shot; Aerial image; Shooting in the round; Stunt; 30 degree rule; 180 degree rule; Long shot; Footage; Found footage; Physical effects; Production sets; Theatrical property; Sugar glass
Post-Production: Post-production; Pick-up (filmmaking); Film editing; Image editing; Cut (filmmaking); Digital Negative; ProRes 422; Daily editor log; Creative geography; Cutaway (filmmaking); Cutting on action; Film transition; L cut; Slow cutting; Fast cutting; Match cut; Jump cut; Dissolve (filmmaking); Fade (filmmaking); Pace (speed); Cross-cutting; Long take; Montage (filmmaking); Freeze frame shot; Insert (filmmaking); Hardcore insert; Ken Burns effect; Eyeline match; Axial cut; Smash cut; Kuleshov Effect; Pre-credit; Soviet montage theory; Sequence (filmmaking); Visual effects; Reframing (filmmaking); Wipe (transition); Day for night; Dry for wet; Stop trick; Miniature effect; Time-lapse; Slow motion; Split screen (filmmaking); Stock footage; Chroma key; Matte (filmmaking); Motion graphics; Digital video effect; Computer-generated imagery; Compositing; Digital compositing; Fxguide; Go motion; Photoanimation; Editor's cut; Rough cut; Online editing; Picture lock; Color correction; 3D LUT; Alternate ending; Film title design; Sound-on-film; Audio engineering; Synchronization; 2-pop; Audiography; Director of audiography; Sound effect; Sound editor; Stock sound effect; Sync sound; Sound design; Foley (filmmaking); Walla; Acousmatic sound; Non-diegetic insert; Film score; Dubbing (filmmaking); Re-recording (filmmaking); Dolby Laboratories; DTS
Delivery: Movie packaging; Film promotion; Film festival; Motion picture credits; Television film; Alternative title; Soundtrack; Making-of; Trailer (film); Closing credits; Director's cut; Re-edited film; Film-out; Telecine; Frame line; Digital cinema; Photographic processing; Optical printer; Answer print; Release print; 16:9; Letterbox; CinemaScope; Anamorphic format; Codex Digital; Television; HBO; Pan and scan; Direct-to-video; High-definition video; 1080p; DVD; Blu-ray Disc; Dub localization; Web film; Multimedia; Digital media; Delayed release
Distribution: Film distribution; Film distributor; Motion Picture Association of America film rating system; Motion Picture Production Code; First look deal; Negative pickup deal; Four wall distribution; Tent-pole programming; Freestyle Releasing; Roadshow theatrical release; Hollywood accounting; List of film distributors by country; Action International Pictures; IFC Films; Cinema International Corporation; First Independent Pictures; Celluloid Dreams; Ayngaran International; Anchor Bay Entertainment; Film Ventures International; Filmverlag der Autoren; Eternal Pictures; Eagle-Lion Films; Icon Productions; Diffusion Pictures; Compass International Pictures; KDK Factory; Hannover House; Janus Films; HanWay Films; Howco; IM Global; Lions Gate Entertainment; Lucasfilm; Magnolia Pictures; Maple Pictures; Metro-Goldwyn-Mayer; Nordisk Film; Pan-Européenne; Pathé; Rogue (company); PIAS Entertainment Group; Polybona Films; PolyGram Filmed Entertainment; Selznick International Pictures; Solar Entertainment Corporation; Walt Disney Studios Motion Pictures; Sony Pictures Entertainment; StudioCanal; The Weinstein Company; United Artists; The Walt Disney Company; Warner Bros.
The Financial Good, Bad, and Ugly: Blockbuster (entertainment); List of biggest opening weekends; Lists of box office number-one films; List of highest-grossing films; Lists of highest-grossing films; List of highest-grossing films in Canada and the United States; List of highest-grossing animated films; List of films that received the Golden Film; List of films that received the Platinum Film; List of film sequels by box-office improvement; Box Office Mojo; Box office bomb; List of biggest box office bombs; List of cinema of the world; World cinema
Actors and Acting: Actor; Acting; Baby plate; On Acting; An Actor Prepares; Leading actor; Title role; Leading lady; Leading man; Cast member; Supporting actor; Cross-gender acting; Dual role; Child actor; Character actor; Bit part; Supernumerary actor; Extra (actor); Screen test; Acting and accents; Presentational acting and Representational acting; True and False: Heresy and Common Sense for the Actor; Off-book; Voice acting; Voice Foley; Mummerset; Typecasting (acting); Acting instructor; Stage name; Stand-in; Understudy; Dance Double; Stunt double; Acting age; Overacting; Strolling players; Equity Card; Blocking (improv); Blocking (stage); Scene study; Esau Wood; Scenic bios; Speak the speech
Unions and Guilds: Screen Actors Guild; Cinema Audio Society Awards; Motion Picture Sound Editors; Motion Picture Association of America; Directors Guild of America; Stage Directors and Choreographers Society; International Alliance of Theatrical Stage Employees