User:Eurodog/sandbox329
Founder | Lucien Vogel (fr) (1886–1954) |
---|---|
First issue | 21 March 1938 |
Final issue | 29 May 1940 |
Country | France |
Based in | Paris |
OCLC | 472968350 |
Vu was a weekly French photo magazine founded and edited in Paris by Lucien Vogel (fr) (1886–1954) from March 21, 1938, to May 29, 1940. In 1931, it launched an autonomous supplement entitled LU (fr), international press review translated into French. The influence of this magazine was felt until United States.
History
[edit]The design of the Page is revolutionary, although partly inspired by Berliner Illustrirte Zeitung. The central square given to photography makes it the first large daily systematically illustrated with pictures, while L'Illustration, L'Intransigeant, and Paris-soir, a popular daily, make it a selling point, imitating in this La Vie au Grand Air (fr), and Excelsior (fr), really pioneers (1898 and 1910).
This new form of written journalism offering the primacy to the image benefits from the use in the early 1930s of the photogravure, a high-quality impression process adapted to the high quality prints for the press; But also by the fact that seen responds to a demand for growing images from readers.
The photographers are not called, we come to search.
The editorial is fluctuating: between 1928 and 1937, there are no less than thirty personalities, including Carlo Rim (1930-1934), Louis Martin-Chauffier ...
The premise was located at 65-67 Avenue des Champs-Élysées of Clichy-sous-Bois, in the 93, under the company name, "Les Illustrés bavarois" (The illustrated Bavarian).
Vogel is an experienced and demanding press man. He had launched the Gazette du Bon Ton, L'Illustration des Modes and le Vogue français (Vogue Paris?). In aesthet illuminated by the artistic movements of his time, he had been commissioner of the pavilion Soviet to the International Exhibition of Modern Decorative and Industrial Arts of 1925 and was sensitive to Constructivism. It gives the magazine a modern graphic line. A large format 28 by 37 centimetres (11 in × 15 in), a logotype created by Cassandre, an artistic direction entrusted to Alexander Liberman from 1933,[1] not to mention a bold photomontage (initiated by Marcel Ichac), sometimes of high artistic quality, the use of mise en abyme, the opposition, brief of the rhythm, as much graphic prowess that bring dynamism to layouts.
Perhaps a better translation
[edit]Vu, stylized as VU, was a weekly French pictorial magazine, created and directed by Lucien Vogel, which was published from March 21, 1928 to May 29, 1940; it ran for just over 600 issues. In 1931, Vogel founded a companion magazine named Lu (read), a survey of the foreign press translated into French; this merged with Vu in March 1937. Vu was the first large weekly to systematically feature photographs in essay form, and as such was an important precursor to, and proponent of, the magazine format of photojournalism (which came to prominence a decade after its print run in magazines such as Life and Look). Although inspired in part by the German magazine Berliner Illustrirte Zeitung, VU featured a constructivist aesthetic and was innovative in its layouts, especially in its double-page spreads. Notable contributors included Cartier-Bresson, Man Ray, Brassaï, and André Kertész (1894–1985). It was particularly advanced in its use of photo-essays. The magazine published special issues:
- on the Soviet Union (November 18, 1931)[2]
- Germany (L'énigme allemande, 1932)
- the ascent of technology (Fin d'une civilisation, 1933)
- China (May 5, 1934)[3]
- Spain (VU en Espagne, 1936).
- Colonization (March 5, 1934)[4]
A major retrospective was hosted by the Maison Européenne de la Photographie (MEP) in late 2006/early 2007"
Vu, in May 1933, published photos of the Nazi concentration camp in Dachau – the first photos of a Nazi concentration camp published, anywhere.[5]
Selected articles
[edit]- Photographs by Germaine Krull. Reproduced in Florent Fels. “Dans toute sa force” (In full force). Vu, no. 11 (May 31, 1928). © Estate Germaine Krull, Museum Folkwang, Essen
- Abbaspour, Mitra, Lee Ann Daffner, and Maria Morris Hambourg.
Object:Photo. Modern Photographs: The Thomas Walther Collection 1909–1949 at The Museum of Modern Art. December 8, 2014. moma.org/objectphoto
Contributors
[edit]- Ida Treat (née Ida Frances Treat; 1889–1978), correspondent for Vu, 1930 to 1935. She married three times; first, on June 28, 1916, in Cleveland, to Raymond Newton O'Neil (1887–1957); second, October 31, 1923, in Bobigny, to Paul Vaillant-Couturier (1882–1937); and third, on September 30, 1939, André Bergeret (fr) (1904–1966).
- Jean d'Erleigh aka Brassaï (pseudonyms of Gyula Halász; 1899–1994), writer
- André Kertész (1894–1985), photographer
- Man Ray (1890–1976), photographer
- Robert Capa (1913–1954), photographer
- Henri Cartier-Bresson (1908–2004), photographer
- Marie-Claude Vaillant-Couturier (1912–1996), photographer and daughter of Lucien Vogel, who, in 1934, married Paul Vaillant-Couturier (1882–1937)
Archival access
[edit]Title Update: View: The French Illustrust. May 12, 1937 absorbs: "read in the universal press" and appears until Decou. 1937 under the title of: "Seen and read." The mention "Journal of the Week" disappears with No. 96, 15 January 1930.
Covers
[edit]Bibliography
[edit]Notes
[edit]References
[edit]
- Vu: The Story of a Magazine that Made an Era. Retrieved June 22, 2021 – via YouTube.
- Frizot, Michel [in French]; de Veigy, Cédric (2009). Vu: The Story of a Magazine. Thames & Hudson. LCCN 2009-902119; ISBN 978-0-5005-4383-2, 0-5005-4383-6; OCLC 317920045 (all editions).
- Kurkdjian, Sophie (author's website) (May 2011). "Représenter et penser l'affrontement: le magazine Vu face à la Guerre d'Espagne et à la menace d'une deuxième guerre mondiale" [Representing and Thinking of Confrontation: Vu Magazine in the Face of the Spanish Civil War and the Threat of World War II]. Amnis: Revue d'études des sociétés et cultures contemporaines Europe-Amérique (open access). → Series: Culture de guerre. Représenter et penser l’affrontement (XIXe siècle à nos jours) [Culture of War. A Review and Reflection of Confrontation (19th century to the present day)] (in French). Vol. 10. University of Western Brittany (publisher). doi:10.4000/amnis.1317. Retrieved June 24, 2021 – via OpenEdition Journals.
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- Le Mée, Isabelle-Cécile (October 15, 2018). "Les archives photographiques de presse, pratiques comparées et enjeux méthodologiques" [Press Photographic Archives, Comparative Practices, and Methodological Issues]. In Situ: Revue des patrimoines (open access) (in French). Vol. 36. Paris: Ministry of Culture, Directorate of Architecture and Heritage (fr), Sub-Directorate of Studies, Documentation, and Inventory (publisher). doi:10.4000/insitu.17487. Retrieved June 24, 2021 – via OpenEdition Journals.
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has extra text (help) ISSN 1630-7305 (publication); OCLC 8667261867, 8081466479, 7999642603, 8081466479 (article).
- d'Erleigh, Jean (pseudonym of Gyula Halász; 1899–1994) (June 26, 1930). "Rope and Faggot". Vu: journal de la semaine (fr) (Parait Le Mercredi; 3ème Année; N° 106) (in French). 3 (106) (the article, among other things, reviews Walter Francis White's 1929 book, Rope and Faggot: A Biography of Judge Lynch. → Mi-Carême (fr) caricature on the cover.)
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: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) CS1 maint: postscript (link) OCLC 472968350 (all editions)
- New York Times, The; Farago, Jason (April 30, 2021). "Art Review: The Vanished Glamour of Midcentury Print Media" (online edition dated April 29, 2021) (New York ed.). p. 8 (section C). Retrieved June 22, 2021.
- "Vu: Journal de la semaine". Object:Photo → Modern Photographs, 1909–1949, from the Thomas Walther Collection. MoMA. Manhattan. June 5, 1940 [March 21, 1928] (the Moma shows the covers of the first and last editions.)
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- "Vu" "journal de la semaine" "26 juin 1930"
- Heller, Steven; Pomeroy, Karen (1997). "Vogue, Alexander Lieberman". Design Literacy: Understanding Graphic Design. Allworth Press. p. 47. Retrieved June 22, 2021 – via Internet Archive. LCCN 96-79695; ISBN 1-8805-5976-5; OCLC 634624360 (all editions).
- Supplemental edition:
- Heller, Steven (1999). "Picture Magazines of the 1930s". Design Literacy (continued): Understanding Graphic Design. Allworth Press. p. 65. Retrieved January 13, 2013 – via Internet Archive ("Paris Match was arguably the most popular picture magazine, but the newsweekly Vu ... was the most innovative".)
{{cite book}}
: CS1 maint: postscript (link) LCCN 99-42995; ISBN 1-5811-5035-0; OCLC 883592407 (all editions).
- Frizot, Michel (curator), Photography Historian and Director of Research at the French National Centre for Scientific Research [in French]; De Veigy, Cédric (curator), Lecturer and Researcher in Photography and Cinema (November 2, 2006). "Regarder Vu: Un Magazine Photographique 1928–1940" [Looking at Vu: A Photographic Magazine, 1928–1940] (in French). Paris. Retrieved January 18, 2013 (exhibited November 2, 2006, through February 25, 2007 → co-produced by MEP and the Nicéphore Niépce Museum in Chalon-sur-Saône)
{{cite web}}
: CS1 maint: multiple names: authors list (link) CS1 maint: postscript (link) ISBN 978-2-7324-3751-4, 2-7324-3751-4 (2009 exhibition book); OCLC 644622672 (all editions) (2009 exhibition book).
- Steven Heller, "Photography Changes the Look and Content of Magazines", Click! Smithsonian Photography Initiative, retrieved 18 January 2013.
- Heller, Steve (212). "Photography Changes the Look and Content of Magazines". In Heiferman, Marvin (ed.). Click! Photography Changes Everything. New York: Aperture. London: Thames & Hudson. Archived from the original on March 27, 2009. Retrieved January 18, 2013 – via Wayback Machine (originally published around March 2009)
{{cite book}}
: CS1 maint: postscript (link) LCCN 201200428 201-200428; ISBN 1-5971-1199-6, 978-1-5971-1199-7; OCLC 818622087 (all editions).
- Richard Davies and G. S. Smith, "D. S. Mirsky: Twenty-Two Letters (1926–34) to Salomeya Halpern; Seven Letters (1930) to Vera Suvchinskaya (Traill)", Oxford Slavonic Papers N.S. 30 (1997) 89–, p. 110, note 100.
- Mirsky, D.S. (1997). "D. S. Mirsky: Twenty-Two Letters (1926–34) to Salomeya Halpern". In Davies, Richard (MBE; 2003), Archivist, Leeds, Brotherton Library, Russian Archive; Smith, Gerald Stanton, PhD (born 1938), Professor of Russian, University of Oxford (eds.). Oxford Slavonic Papers (Mirsky's letter 17, October 20, 1929, from his Gower Street address → "Душенька". pp. 109–110; note 100). New Series. Vol. Vol. 30. Oxford: Clarendon Press. pp. 89–122. Retrieved January 13, 2013 – via Internet Archive [for info on Salomeya Halpern (1888–1982), see Mark Slonim].
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(help)CS1 maint: multiple names: editors list (link) CS1 maint: numeric names: editors list (link) CS1 maint: postscript (link) LCCN 52-18936; ISSN 0078-7256; ISBN 0-1981-5954-4, 978-0-1981-5954-4; OCLC 1245622914 (all editions).|type=
- "Vu Magazine: Photos, Robots and Cutting-Edge Design", Global Moxie blog, 19 February 2007, updated 13 June 2007.
- Clark, Josh (February 19, 2007) [updated June 13, 2007]. "Vu Magazine: Photos, Robots and Cutting-Edge Design" (blog of Josh Clark). Asheville, North Carolina: Big Medium. Retrieved November 23, 2012.
- Leenaerts, Danielle (2010). Petite Histoire du Magazine Vu (1928–1940): Entre Photographie d'Information et Photographie D'Art [A Brief History of Vu Magazine (1928–1940): Between Information Photography and Art Photography]. Brussels: Presses Interuniversitaires Européennes (P.I.E.) – Peter Lang. p. 115. Retrieved June 22, 2021 – via Google Books. ISBN 978-9-0520-1585-9, 9-0520-1585-6; OCLC 690329730 (all editions) (print), 739050136 (print), 764627239 (online).
- Leenaerts, Danielle (2009). "Le Magazine Français Vu (1928–40): Naissance de L'Information Visuelle et Utopie de la Substitution de L'Image Photographique au Texte Écrit" [The French Magazine Vu (1928–40): The Birth of Visual Information and Utopia of the Substitution of Photographic Image for Written Text]. In MacLeod, Catriona, PhD, University of Chicago; Plesch, Véronique, PhD, Colby College; Schoell-Glass, Charlotte, University of Hamburg [in German] (eds.). Elective Affinities: Testing Word and Image Relationships. Word & Image Interactions 6 (in French). Amsterdam: Editions Rodopi BV. pp. 159–172. Retrieved January 20, 2013 – via Google Books.
{{cite book}}
: CS1 maint: multiple names: editors list (link) ISBN 978-9-0420-2618-6 (hardback); ISBN 978-9-0420-2619-3 (e-book); OCLC 897034082 (all editions).
Vu references
[edit]- Vu (November 18, 1931). "Enquête: Au Pays des Soviets" [Investigation: In the Land of the Soviets] (cover story) (in French). n° 192.
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- Vu; preface by Louis Roubaud (1884–1941), Ida (1889–1978) (May 5, 1934). "Interrogatoire de la Chine" [Interrogation of China] (cover story). Numéro Spécial Hors Série (in French).
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- Vu (May 5, 1934). "Colonization" (cover story). Numéro Spécial Hors Série (in French).
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- Vu (June 3, 1931). "Les Français de Couleur" [The French of Color] (in French). n° 168: 818 ("Question subsidiaire : Classer dans l'ordre les trois plus beaux types humains de notre concours et nous indiquer le nombre de suffrages qu'ils auront respectivement obtenus.")
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- Vu (May 3, 1933). "Vu explore incognito le IIIe Reich" [Vu Explores Incognito the Third Reich] (in French). n° 268.
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