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Sydney Mortimer Laurence (1865–1940) was an American Romantic landscape painter and (as of 1923) Alaska's most prominent.[1]
Early life
[edit]Sydney Laurence was born in Brooklyn, New York, and studied at the Art Students League of New York. He married his first wife, Alexandrina Fredricka Dupre, in 1889.
Exhibiting regularly by the late 1880s with the National Academy of Design in New York, Laurence eventually settled in 1889 at the English artists' colony of St. Ives, where he was shown at the Royal Society of British Artists. He entered at the Paris Salon in 1890, 1894, and 1895, winning an award from his 1894 showing.[2]
Laurence came to Alaska in 1903. Most sources wrongly claim that he abandoned his wife and daughter at this time. The Cornwall Artists Index instead states that the couple separated in 1899 and that Alexandrina remained active in the arts community afterward, being recorded as a guest at the St Ives Arts Club in 1912 and 1916.[3]
Alaska
[edit]Laurence was the first professionally trained artist to make Alaska his home. He moved to Alaska in 1904 for reasons still unknown. Records from 1907 show he lived in the village of Tyonek on the North Shore of Cook Inlet in Southcentral Alaska, about 60 miles from Ship Creek where Anchorage would begin years later.[4] Living the hard life of the pioneer prospector, he painted little in his first years in the then-District of Alaska, but between 1911 and 1914 he began to focus once again on his art. He moved from Valdez to the nascent town of Anchorage in 1915 and by 1920 was Alaska's most prominent painter.
Laurence painted a variety of Alaskan scenes in his long and prolific career, among them sailing ships and steamships in Alaskan waters, totem poles in Southeast Alaska, dramatic headlands and the quiet coves and streams of Cook Inlet, cabins and caches under the northern lights, and Alaska Natives, miners, and trappers engaged in their often solitary lives in the northern wilderness.
But the image of Denali from the hills above the rapids of the Tokositna River became his trademark. It is this image more than any other which personifies Laurence for his many admirers and collectors in Alaska and beyond.
Laurence forged a uniquely personal style by applying the tonalist techniques he had learned in New York and Europe to the wilderness of the North. He, more than any other artist, defined for Alaskans and others the image of Alaska as "The Last Frontier".
In May 1927, Laurence married Jeanne Kunath, a French-born artist who had emigrated to the United States in 1920. He died in Anchorage on December 10, 1940.
Several places were named for Laurence in his adopted hometown. Laurence Court is a short street in the Bootleggers Cove neighborhood of Anchorage. Perhaps the most significant was the Sydney Laurence Auditorium, which sat downtown at the northwest corner of West Sixth Avenue and F Street. This structure was replaced during the 1980s by the Alaska Center for the Performing Arts in what Anchorage called "Project 80s", a large-scale civic improvement program carried out under mayors George M. Sullivan and Tony Knowles; now the Sydney Laurence theater is smallest of three stages at the Performing Arts Center.
References
[edit]- ^ Sydney Laurence biography at alaskahistory.org Accessed 9 September 2017
- ^ https://www.askart.com/artist/Sydney_Mortimer_Laurence/5444/Sydney_Mortimer_Laurence.aspx.
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(help) - ^ https://cornwallartists.org/cornwall-artists/alexandrina-t-laurence http://www.sydneylaurence.com/biography.html.
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(help) - ^ "Biography at sydneylaurence.com". www.sydneylaurence.com/biography.html. Archived from the original on 4 February 2012. Retrieved 10 August 2014.
- Woodward, Kesler E. (1990). Sydney Laurence, Painter of the North. Seattle, Washington: University of Washington Press.