User:Dquinlan27/sandbox
Victor Clyde Forsythe | |
---|---|
Born | |
Died | May 24, 1962 | (aged 76)
Known for | Drawing, painting, illustrating |
Victor Clyde Forsythe, also known as Clyde or Vic Forsythe, (August 24, 19885 - May 24,1962), was an American artist, most known for his illustrations and desert paintings. He is the illustrator of many different comics, including his most noteworthy Joe Jinks comic. He is also believed to be considered one of the original "Desert Painters".[1]
Personal life
[edit]Clyde Forsythe was born on August 24, 1885, in Orange, California, to W.B. and Alice Chandler-Forsythe. Prior to his birth, Clyde's parents had live in Tombstone, Arizona, where they owned a store near the O.K. Corral, known as "Chandler & Forsythe's C.O.D. Store". According to Clyde's father, both W.B. and Clyde's uncle, Ira Chandler, were present at the time of the shootout that occurred between Wyatt Earp and his men and the Clanton-McLowery gang.[2] Clyde's parents would eventually move to Southern California but this event would later influence Clyde's work.
In the 1890's his family moved to Los Angeles, California. While living in California, Clyde would often take camping trips out to the desert and spent his time as a youth on a ranch in the Coachella Valley which would inspire his fascination with the desert landscape.[1]
In terms of his training, Forsythe spent his youth training at the Los Angeles School of Art & Design under the direction of Louise Garden MacLeod. In 1904, Forsythe would leave Los Angeles and travel to New York to study at the Art Students League, under the tutelage of Frank DuMond.[1] While in New York, Forsythe was hired as an illustrator for the New York World. On June 12, 1906, Clyde married Cotta Owen. Together the couple lived in New Rochelle, New York.Cite error: The <ref>
tag has too many names (see the help page). While living in New Rochelle, Forsythe met a young artist by the name of Norman Rockwell. Forsythe and Rockwell would become good friends and even shared a studio together in New Rochelle which had previously been owned by the artist Frederick Remington.[1]
In 1920, Clyde and Cotta moved out to California where he would remain for the remainder of his life. Clyde died on May 24, 1962, in Pasadena, California.[1]
Career
[edit]Forsythe's career began when he moved to New York and found work at the New York World. Here he illustrated various articles and comics, such as "The Great White Dope", a comic about boxing, and a western comic called "Tenderfoot Tim".[1] Due to his early success, Forsythe began to catch the eye of William Randolph Hearst. Hearst was the publisher of New York World's rival magazine, the New York Journal and recruited Forsythe to work as a cartoonist. Here, Forsythe met fellow painter and cartoonist, Jimmy Swinnerton, with whom he became close friends with.Cite error: The <ref>
tag has too many names (see the help page). He would also meet Norman Rockwell in 1914.[3]
During World War I, Forsythe was recruited by the Division of Pictorial Publicity, for whom he created a number of war propaganda posters, including his famous "And They Thought We Couldn't Fight" poster. This poster, which was created for the Victory Loan drive, features an American soldier, with a bandaged head, celebrating his victory over the Germans and carrying a German helmet as souvenir. This poster was thought to be intended to silence the Germans who claimed that the American soldiers were weak.[3]
Forsythe was also responsible for various illustrations to war stories found in Boy's Life magazine throughout World War I and into the 1920's.[4]
After World War I, Forsythe continued to work as a cartoonist. In 1918, he created his most famous cartoon, "Joe's Car", which was a comic about a man obsessed with his car.[1] Joe was depicted as a balding, agitated, everyman with an overbearing wife which made the cartoon relatable to the public and made Forsythe successful.[3] In 1928, Forsythe renamed the cartoon from "Joe's Car" to "Joe Jinks", the name of the character. This was done since Joe had gone from being a car-obsessed man to a airplane pilot as well as a boxing manager.[1] Even though Forsythe moved out to California in 1920, he continued to create the "Joe Jinks" comics until 1933 when he quit. But after pressure from the public to return, Forsythe started creating the "Joe Jinks" comic again in 1937. This did not last long as he officially retired from the comic the following year in 1938.Cite error: The <ref>
tag has too many names (see the help page).
After moving out to California in 1920, Clyde continued to work on his art. He moved out to Alhambra, California, where he set up a studio with his friend and fellow artist Frank Tenney Johnson.[3] In 1923, Forsythe and Johnson helped found a cooperative gallery in downtown Los Angeles, known as the Biltmore Salon, also known as the Biltmore Art Gallery. The art gallery was located at the Biltmore hotel and was designed as a place for artists to showcase their work.[3] While he lived in California, Forsythe began to focus more on desert paintings. These paintings were focused on the desert landscape and features scenes of prospectors and burros, as well as a focus on the sky. After quitting comics in 1938, Forsythe focused his attention on easel painting.[1] Forsythe is often considered one of the fathers of "Desert Painting" along with Maynard Dixon and Jimmy Swinnerton . Forsythe would often paint in groups in the desert with these fellow artists.[5] These artist are believed to have influenced a large number of "Desert Painters" and helped influence the desert painting movement.
References
[edit]- ^ a b c d e f g h i "Clyde (Victor Clyde) Forsythe". Askart.com. Askart. Retrieved 10 November 2014.
- ^ De Haas, David D. "Victor Clyde Forsythe- Art of the West". Historynet.com. Wild West Magazine. Retrieved 10 November 2014.
- ^ a b c d e Solomon, Deborah (2013). American Mirror: The Life and Art of Norman Rockwell. Macmillan. p. 67. ISBN 9780374711047.
{{cite book}}
:|access-date=
requires|url=
(help) - ^ "United States Congressional serial set" (Issue 8105). University of California. 1922: 77.
{{cite journal}}
:|access-date=
requires|url=
(help);|issue=
has extra text (help); Cite journal requires|journal=
(help) - ^ Hagerty, Donald J. (2010). The life of Maynard Dixon (1st ed. ed.). Layton, Utah: Gibbs Smith. p. 217. ISBN 9781423603795.
{{cite book}}
:|edition=
has extra text (help)