User:Coaster Lover 18/Streaming media
 | This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
DRAFT READY FOR REVIEW
NO FEEDBACK
READY FOR GRADING
Article Draft
[edit]Lead
[edit]Distinguishing delivery method from the media applies specifically to telecommunications networks, as most of the traditional media delivery systems are either inherently streaming (e.g. radio, television) or inherently non-streaming (e.g. books, videotape, audio CDs).
Article body
[edit]Judge Beezer, the judge for this case, noted that Napster claimed that its services fit "three specific alleged fair uses: sampling, where users make temporary copies of a work before purchasing; space-shifting, where users access a sound recording through the Napster system that they already own in audio CD format; and permissive distribution of recordings by both new and established artists."
In 2018, video was more than 60% of data traffic worldwide and accounts for 80% of growth in data usage.
Both "hard" and "soft" infrastructure are necessary in order for digital media, including streaming media, to exist.[1]
Advances in computer networking, combined with powerful home computers and operating system advances, made streaming media practical and affordable for the public.
Covid-19 Pandemic
[edit]By August of 2020, the Covid-19 pandemic had streaming services busier than ever. In the UK alone, twelve million people joined a new streaming service that they had not previously had.[2]
The Covid-19 pandemic has also driven an increase in misinformation and disinformation, particularly on streaming platforms like YouTube and podcasts.[3]
References
[edit]- ^ Lobato, Ramon (2019). Netflix nations: The geography of digital distribution. New York: NYU Press. pp. Chapter 3.
- ^ "TV watching and online streaming surge during lockdown". BBC News. 2020-08-05. Retrieved 2021-10-31.
- ^ Hsu, Tiffany; Tracy, Marc (2021-11-12). "On Podcasts and Radio, Misleading Covid-19 Talk Goes Unchecked". The New York Times. ISSN 0362-4331. Retrieved 2021-11-16.