User:Candyo32/Sandbox3

The album sees Brown dropping his boy next door image for an edgier ego, as he experiments with rock, new wave, and Euro music, in addition to his pop and R&B flavored sound Graffiti received negative to mixed reviews from critics. While most critics universally complimented the album's production and music, most condemned its lyrical content.

Ciara

As well as a vocalist, Ciara is known for being an accomplished dancer, garnering comparisons to Janet Jackson and Aaliyah,^[1] as well as being dubbed the female counterpart of Chris Brown.^[2] She is also noted for her whispery soprano vocal style, also compared to Jackson.^[3]

Composition

"Breaking Point" is a Contemporary R&B song that infuses soul music. It features drum sounds and organ chords. The backdrop of the song is reminiscent of doo-wop music. Near the end of the song, Hilson performs a spoken interlude, which includes the line "Now ladies, we really should be mad at ourselves, cause see, some women just tolerate too damn much."

Critical reception

After noting No Boys Allowed to the work of Rihanna, Ben Ratliff said that "Breaking Point" was the better of the non-dance songs, complimenting its production, notably its "kick-drum sounds and funhouse soul caricatures."

NE

Background

"We both came up and were raised in the same camp. We've known each other for a long time. We actually just have this natural chemistry that I don't even have with some of my own artists. I understand her and I understand what she should be doing. I look at it like this: When I work with her, I'm a fan, and this is what I want her to be doing."

"I make her sound like a vocalist versus the other stuff she may do that's more performance, where she can get on the dance floor. It's kind of the same thing with Aaliyah. She may not have been the best singer, but her voice was so unique and her sound — she had her own lane, and I think Ciara is like that same thing."

In an interview with MTV News Polow da Don also called the song a "hard midtempo", calling it an R&B version of a hard rap track, commenting, "where dudes can ride around in their cars and listen to R&B and not feel like a girl." Polow went on to call it "hard like a rap record", and sid that was the reason why Young Jeezy didn't have a featuring on i

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References

^ Cite error: The named reference NY was invoked but never defined (see the help page).
^ Reid, Shaheem (2008-06-25). "Kanye West, UGK Win Big At BET Awards, But Ne-Yo, Alicia Keys, Lil Wayne Performances Steal The Show". MTV News. MTV Networks (Viacom). Retrieved 2010-07-20. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
^ Lamb, Bill. "Ciara – The Evolution". About.com. The New York Times Company. Retrieved 2010-07-20. {{cite web}}: Italic or bold markup not allowed in: |work= (help)

[NY-1] Cite error: The named reference NY was invoked but never defined (see the help page).

[2] Reid, Shaheem (2008-06-25). "Kanye West, UGK Win Big At BET Awards, But Ne-Yo, Alicia Keys, Lil Wayne Performances Steal The Show". MTV News. MTV Networks (Viacom). Retrieved 2010-07-20. {{cite web}}: Italic or bold markup not allowed in: |work= (help)

[3] Lamb, Bill. "Ciara – The Evolution". About.com. The New York Times Company. Retrieved 2010-07-20. {{cite web}}: Italic or bold markup not allowed in: |work= (help)

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