User:Annepatriciajones/Glamalot

This is not a Wikipedia article: It is an individual user's work-in-progress page, and may be incomplete and/or unreliable. For guidance on developing this draft, see Wikipedia:So you made a userspace draft.

Find sources: Google (books · news · scholar · free images · WP refs) · FENS · JSTOR · TWL
Easy tools: Citation bot (help) | Advanced: Fix bare URLs
This page was last edited by CommonsDelinker (talk | contribs) 3 years ago. (Update timer)

Finished writing a draft article? Are you ready to request an experienced editor review it for possible inclusion in Wikipedia? Submit your draft for review!

Glamalot: Knights in white satin is a satirical musical originally performed at the Lyric Theatre in Brisbane on 18 January - 3 February 1996.^[1] The show was produced by the Queensland Performing Arts Trust which donated $25,000, the door takings from the final performance, to the Queensland AIDS Council.^[2] The managing artistic director was David Pyle and the director was Sean Mee. The production featured more than 60 performers on stage and a 9-piece rock band.^[3] Glamalot was described as "a wickedly wonderful send-up of the Arthurian legend and the world of phoney political promises".^[4]

History

Glamalot was the final of six musicals staged by ToadShow Pty Ltd between 1985 and 1996. All productions blended two well-known stories and interspersed the story with popular songs while satirising local politics and providing social comment. Glamalot took story elements from the legend of King Arthur and contemporary Queensland politics. The final performance of the production was on 3 February 1996, the same day as the Mundingburra by-election.^[5] The Labor Government lost the by-election which resulted in a change of government. In his farewell speech Premier Wayne Goss quoted Glamalot saying under his leadership for "one brief shining moment" Queensland had experienced good government.^[6]

ToadShow had produced five musicals prior to Glamalot – The Paisley Pirates of Penzance, Conway Christ Redneck Superstar, Hound of Music, SherWoodstock and Phantoad of the Opera.^[5] Theatre critic John Harris said, "The musicals are unique to Brisbane, conceived and written by a combination of talents undoubtedly unlike any to be found anywhere else in the world. They employ music with a rock beat, satire with a light touch, and casts of dozens, scores, or hundreds, depending upon the venue."^[7]

Synopsis

ACT 1

The Black Knight and Mordred are preparing for a challenge. The first man to pull the sword from the stone will win the hand in marriage of Queen Guenevere, become king and win a year's supply of beer. Meantime Sir Kay and her bumbling squire Arthur are the first to arrive at the site of the sword in the stone. Sir Kay is unhappy because Arthur has forgotten to bring her sword. While she goes off to find another weapon, Merlin the magician casts a spell on Arthur who easily pulls the sword from the stone. A crowd arrives to see the contest but it's all over, Merlin declares Arthur the once and future king. Queen Guenevere arrives to meet her king but the situation is awkward. The Black Knight and Mordred immediately begin plotting to overthrow the king. To combat the dark forces, Merlin recommends Arthur implement good government and a jousting competition to be called the All Righteous League (ARL). Arthur calls for all the knights across the land to assemble at Glamalot to audition for the ARL. Following the auditions, Arthur meets Guenevere by the lake but they are interrupted by the knights who are fishing at the lake. Arthur starts fishing but instead of catching a fish, he pulls out the Lady of the Lake who is not happy. The next day the Black Knight and Mordred are still plotting. Famed knight Sir Lancelot arrives to join the ARL. By chance he meets Queen Guenevere and the two fall immediately in love. The Knights of the Round Table assemble for the big game. They think they can't lose but they do. In the ensuing chaos, Mordred stabs Merlin to death.

ACT 2

It's the off-season of the ARL jousting competition and the knights are bored. Arthur hears the voice of God telling him to send the knights on a quest to find the Holy Grail. Hoping to strike while the Knights of the Round Table are away, the Black Knight and his followers meet with Sir Rupert the Blackhearted who has plans to set up a rival jousting competition called the Supertable. With the dark forces gathering, the knights away and his plans in disarray, Arthur is dejected. The Lady of the Lake appears. She summons Merlin back from the dead. Together, the Lady of the Lake and Merlin summon back the Knights of the Round Table. The knights arrive just in time to do battle with the dark forces but there are many deaths. Surrounded by carnage, his kingdom lost, Arthur must travel to Avalon. Arriving in Avalon, Arthur finds all the good and bad knights have revived and are enjoying a barbecue together.

Music

Nobody Does It Better

I Think I Love You

Play That Funky Music, White Boy

Blame it on the Boogie

Great Gig in the Sky

Avalon

I've Got the Music in Me

Cast

The Black Knight - Paul Sugars

Mordred - Mark Williams

Morgana Le Fey - Toni Mott

Lady Morgause - Helen Howard

Sir Kay - Alison St Ledger

Arthur - Donald MacKee

Merlin the Magician - John Kenny

Queen Guenevere - Justine Anderson

Sir Bedevere - Andrew Buchanan

Sir Percival - David Brown

Lady of the Lake - Caroline Kennison

Sir Lancelot - Simon Burvill-Holmes

Lady Elaine - Karen Anderson

Sir Galahad - Russell Dykstra

Sir Rupert the Blackhearted - Pat Leo

Reception

Paul Galloway said Glamalot was an "ungainly hybrid of pantomime and rock eisteddfod with a broad larrikin streak…"^[8] Alison Cotes said "The theatrical year has started with a bang – a very silly bag, but a wonderfully entertaining one at that."^[4] Writing in The Courier-Mail, Des Partridge said "It's tough, sitting there and having to constantly fight the urge to leap into the aisles and start dancing."^[9]

References

^ Eccentric voices : a scrapbook of Brisbane cultural history 1965-1995. Jones, Anne,, Whyte, Robert,. [The Gap, Queensland]. ISBN 978-0-6485191-1-9. OCLC 1130085066.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: others (link)
^ "Glamalot donates to AIDS Council". Brother Sister. No. 65. February 23, 1996. {{cite journal}}: |volume= has extra text (help)
^ ToadShow. Glamalot Program (1996). Print.
^ ^a ^b Cotes, Alison (January 25, 1996). "Relics revived for rewrite of history". City News: 8.
^ ^a ^b Houghton, Kris (January 7, 1996). "Knight moves". Sunday Mail Magazine: 3.
^ Emerson, Scott (February 16, 1996). "Premier records one brief shining moment". The Australian: 2.
^ Harris, John (July 27, 1989). "Chance to hit the big time". The Sun.
^ Galloway, Paul (January 31, 1996). "Knight life". Brisbane News.
^ Partridge, Des (January 20, 1996). "Raunchy knights you'll remember". The Courier-Mail: 18.

[1] Eccentric voices : a scrapbook of Brisbane cultural history 1965-1995. Jones, Anne,, Whyte, Robert,. [The Gap, Queensland]. ISBN 978-0-6485191-1-9. OCLC 1130085066.{{cite book}}: CS1 maint: extra punctuation (link) CS1 maint: others (link)

[2] "Glamalot donates to AIDS Council". Brother Sister. No. 65. February 23, 1996. {{cite journal}}: |volume= has extra text (help)

[3] ToadShow. Glamalot Program (1996). Print.

[:1-4] Cotes, Alison (January 25, 1996). "Relics revived for rewrite of history". City News: 8.

[:0-5] Houghton, Kris (January 7, 1996). "Knight moves". Sunday Mail Magazine: 3.

[6] Emerson, Scott (February 16, 1996). "Premier records one brief shining moment". The Australian: 2.

[7] Harris, John (July 27, 1989). "Chance to hit the big time". The Sun.

[8] Galloway, Paul (January 31, 1996). "Knight life". Brisbane News.

[9] Partridge, Des (January 20, 1996). "Raunchy knights you'll remember". The Courier-Mail: 18.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]