Urban realism
 Cliff Dwellers, by George Bellows (1929) | |
| Years active | 1880s–1930s |
|---|---|
| Location | Europe, United States |
| Major figures | George Bellows, John Sloan, Edward Hopper, Robert Henri |
| Influences | |
| Influenced |
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Urban Realism is a cultural and artistic movement that developed in the late 19th and early 20th centuries as a reaction to the rapid urbanization and industrialization of cities, particularly in Europe and the United States. The movement is characterized by its focus on the everyday realities of urban life, often highlighting the struggles of the working class and marginalized communities. Urban Realism sought to present an unvarnished, sometimes gritty portrayal of city life, contrasting with the more idealized representations of the time. Artists associated with this movement, such as those in the Ashcan School, used a dark and muted color palette to emphasize the mood and atmosphere of the urban environment, reflecting the social, economic, and political challenges of modern city living.[1]
Characteristics
[edit]Urban Realism is characterized by its focus on the gritty, often harsh realities of city life. Artists and writers associated with the movement frequently employed a dark and muted color palette, using these tones to emphasize the somber and sometimes bleak atmosphere of urban environments. The movement often highlighted issues such as poverty, labor exploitation, and the struggles of immigrants, using these themes not only to depict reality but also to critique the social conditions of the time.[2]
Influence and legacy
[edit]The Ashcan School, with artists such as Robert Henri, George Bellows, John Sloan, and Everett Shinn played a significant role in the development of American art, particularly within the Urban Realism movement. These artists shifted the focus of their works from the previously idealized urban scenes to the more direct and honest realities of urban life, particularly in New York City and Paris, emphasizing the daily lives of the working class and immigrant communities. Their realistic portrayals provided a fresh perspective on urban life and influenced both public perception and the artistic narrative, contributing to a lasting impact on American art and society.[3][4]
References
[edit]- ^ "Urban realism | arts | Britannica".
- ^ Agathocleous, Tanya (2013). Urban realism and the cosmopolitan imagination in the nineteenth century: visible city, invisible world. Cambridge studies in nineteenth-century literature and culture (First paperback ed.). Cambridge New York Melbourne Madrid: Cambridge University Press. ISBN 978-1-107-66369-5.
- ^ Perlman, Bennard B. (1979). The immortal eight: American painting from Eakins to the Armory show, 1870-1913. Westport Conn. : New York: North Light Publishers ; distributed to the trade by Van Nostrand Reinhold. ISBN 978-0-89134-017-1.
- ^ Weinberg, Authors: H. Barbara. "The Ashcan School | Essay | The Metropolitan Museum of Art | Heilbrunn Timeline of Art History". The Met’s Heilbrunn Timeline of Art History. Retrieved 2024-08-27.
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