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Ulrich Tadday

From Wikipedia, the free encyclopedia

Ulrich Tadday (born 1963) is a German musicologist, a professor at the University of Bremen.

Career

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Born in Gelsenkirchen, Tadday studied musicology, music pedagogy, philosophy and German literature at the University of Dortmund and University of Bochum 1983 to 1988.[1][2] He achieved a Ph.D in 1992 and completed his habilitation in 1998.[2]

In 2002, Tadday was appointed professor of music history at the University of Bremen.[2] He has been the sole editor of the quarterly Musik-Konzepte from 2004.[2][3]

Publications

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Tadday's publications include:[2]

  • Die Anfänge des Musikfeuilletons: der kommunikative Gebrauchswert musikalischer Bildung in Deutschland um 1800.[4] J. B. Metzler, Stuttgart 1993.
  • Das schöne Unendliche. Ästhetik, Kritik, Geschichte der romantischen Musikanschauung. Metzler, Stuttgart/Weimar 1999, ISBN 978-3-476-01664-5.[5]
  • as editor: Schumann-Handbuch. Metzler / Bärenreiter, Stuttgart/Weimar/Kassel 2006, ISBN 978-3-476-01671-3.

References

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  1. ^ "Ulrich Tadday". etk-muenchen.de (in German). Retrieved 21 June 2019.
  2. ^ a b c d e "Univ.-Prof. Dr. Ulrich Tadday" (in German). University of Bremen. Retrieved 21 June 2019.
  3. ^ "Branche: Personalia – Prof.Dr. Ulrich Tadday neuer Alleinherausgeber der "Musik-Konzepte"". www.buchmarkt.de (in German). 30 September 2003. Retrieved 21 June 2019.
  4. ^ Die Anfänge des Musikfeuilletons: der kommunikative Gebrauchswert musikalischer Bildung in Deutschland um 1800.
  5. ^ Falke, Gustav (21 July 1999). "Rezension: Sachbuch : Der fröhliche Landmann sät Ideen" (in German). FAZ. Retrieved 21 June 2019.
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