The Turning Point (1952 film)
The Turning Point | |
---|---|
Directed by | William Dieterle |
Screenplay by | Warren Duff |
Story by | Horace McCoy |
Produced by | Irving Asher |
Starring | William Holden Edmond O'Brien Alexis Smith |
Cinematography | Lionel Lindon |
Edited by | George Tomasini |
Color process | Black and white |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 85 minutes |
Country | United States |
Language | English |
The Turning Point is a 1952 American film noir crime film directed by William Dieterle and starring William Holden, Edmond O'Brien and Alexis Smith. It was inspired by the Kefauver Committee's hearings dealing with organized crime.[1]
Plot
[edit]John Conroy is a Special Prosecutor given extraordinary powers to break up the crime syndicate in a large midwestern town. His investigation will focus on Neil Eichelberger and his criminal operation. A local journalist, Jerry McKibbon, is sympathetic to this but feels Conroy isn't experienced enough to handle the task. Matt Conroy, John Conroy's father, is a local policeman assigned to be his chief investigator.
McKibbon discovers that Matt Conroy is a crooked cop who works for Eichelberger. McKibbon demands that Matt break with the mobster or he'll inform his son, John Conroy, of the duplicity. To vindicate himself, it is decided that Matt Conroy will procure a damning file from the D.A.'s office that Eichelberger has requested, but he will retain a copy.
Even before this double-cross is exposed, Eichelberger decides to have Matt Conroy murdered in order to instill fear in his operation showing that Eichelberger is in control of the situation, since John Conroy's investigation is more serious than expected. Matt Conroy is killed during a phony robbery, and his assassin, Monty LaRue, is immediately killed in turn.
John Conroy's investigation is systematically uncovering Eichelberger's crimes, and in anticipation of having their books subpoenaed, Eichelberger has the building housing them burned. He has callous disregard for the people renting there, and all but 1 or 2 are killed. An expose of Matt Conroy's murder reveals that Eichelberger had LaRue killed also.
His widow Carmelina LaRue can prove this. She contacts McKibbon in order to exact revenge but is chased away by Eichelberger's henchmen. Since McKibbon is the only one that can identify Carmelina LaRue, her husband's murderer, Roy Ackerman, demands that McKibbon be killed, but Eichelberger refuses. Ackerman then hires a hit man himself whereby McKibbon is lured to a boxing match where he can be shot.
Meanwhile, Carmelina manages to reach John Conroy. Her testimony is sufficient, along with already acquired information, to topple Eichelberger. The hired gun, Red, shoots McKibbon. As he lies dying, Eichelberger and his crew are arrested. McKibbon dies before John Conroy can arrive.
John Conroy's epitaph for McKibbon is something McKibbon himself has previously said: "Sometimes someone has to pay an exorbitant price to uphold the majesty of the law."
Cast
[edit]- William Holden as Jerry McKibbon
- Edmond O'Brien as John Conroy
- Alexis Smith as Amanda Waycross
- Tom Tully as Matt Conroy
- Ed Begley as Neil Eichelberger
- Danny Dayton as Roy Ackerman
- Adele Longmire as Carmelina LaRue
- Ray Teal as Clint, Police Captain
- Ted de Corsia as Eamon Harrigan
- Don Porter as Joe Silbray
- Howard Freeman as Fogel
- Whit Bissell (uncredited) as police photostat clerk
- Neville Brand as Red
- Carolyn Jones (uncredited) as Miss Lilian Smith
- Russell Johnson (uncredited) as Herman
- Tony Barr as Monty LaRue (uncredited)
- Gretchen Hale as Mother Conroy (uncredited)
- Ralph Sanford as Harry, Man On Phone in Detroit Poolroom( uncredited)
- Eugene White as Pinky (uncredited)
Production
[edit]Several locations of historical interest in Downtown Los Angeles can be seen in this film. The original Angel's Flight funicular railway is part of one scene. The Hotel Belmont can also be seen. Other buildings that can be seen are the San Fernando Building in the Bank District and a Metropolitan Water District building at 3rd and Broadway. The final scene is at the Olympic Auditorium, the premiere boxing arena in Los Angeles for many years.
Actress Carolyn Jones made her motion picture debut in the film.[2]
Radio adaptation
[edit]The Turning Point was presented on Broadway Playhouse May 13, 1953. The 30-minute adaptation starred Dane Clark.[3]
References
[edit]- ^ Spicer, Andrew (2010). Historical Dictionary of Film Noir. Scarecrow Press. p. 48. ISBN 978-0-8108-7378-0.
- ^ "Carolyn Jones Is Dead at 50; A TV Actress". The New York Times. United Press International. August 4, 1983.
- ^ Kirby, Walter (May 10, 1953). "Better Radio Programs for the Week". The Decatur Daily Review. The Decatur Daily Review. p. 50. Retrieved June 27, 2015 – via Newspapers.com.
External links
[edit]- 1952 films
- 1952 crime drama films
- 1950s political drama films
- American black-and-white films
- American crime drama films
- American political drama films
- Film noir
- Films about journalists
- Films about organized crime in the United States
- Films directed by William Dieterle
- Paramount Pictures films
- 1950s English-language films
- 1950s American films
- English-language crime drama films