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The Raven and the First Men

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The Raven and the First Men
ArtistBill Reid
Year1978 (1978)
TypeLaminated yellow cedar
Dimensions1.88 m × 1.92 m (6 ft 2 in × 6 ft 4 in)
LocationMuseum of Anthropology at UBC, Vancouver
Coordinates49°16′10″N 123°15′35″W / 49.269366°N 123.259596°W / 49.269366; -123.259596

The Raven and the First Men is a sculpture by Haida artist Bill Reid. It depicts the Haida creation myth. It was carved from a single block of laminated yellow cedar, beginning in the fall of 1978, and took two years to complete, with work completing on April 1, 1980.[1][2] Raven and the First Men is depicted on the reverse of the former Canadian twenty dollar bill of the Canadian Journey series.

Background

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Main article: Raven Tales § Haida

Raven and the First Men depicts the creation myth of the Haida people. According to the myth, the Raven, the Haida Trickster,[3] wound up on Haida Gwaii's Rose Spit Beach. He was alerted by some sounds to a large clamshell that had little creatures dwelling inside, reluctant to emerge from their shell. With some coaxing from Raven using his beak, and their curiosity about the outside world, the beings emerged from the clamshell to become the first Haida people.[4][5]

Raven came to realize that the beings that emerged were only men. He grew bored of seeing them play and exploring the world. Raven attempted to find women for the men within the clam. Finding a chiton, he opened one up and found little women living within them. He brought the women to the men, and enjoyed watching them and their behavior. They began to elope and move across to the other parts of the island. Raven never grew bored again with the humans and their families around.[6][7]

Creation

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While living in Montreal, Reid began the sculpture with a miniature carving made of boxwood.[8] The piece was inspired by the works of Haida artist Charles Edenshaw. The piece was entitled The Raven Discovering Mankind in a Clamshell, and was carved in 1970.[9] Businessman Walter Koerner noticed the miniature and commissioned Reid to create a larger version for the Museum of Anthropology at the University of British Columbia.[10] Reid travelled from Montreal to Vancouver in 1972 to start the commission.[8] Another scale version of the sculpture made in onyx exists and both carvings are held in the Bill Reid Gallery of Northwest Coast Art.[2] A miniature cast in gold was later auctioned off in 2005 for over $100,000.[11]

Work proved difficult, as a singular block of red cedar log was difficult to find without imperfection. 2.1 meter blocks were difficult to find because of the presence of rot and defects. A donation by Rayonier Canada of multiple yellow cedar beams which were laminated together with the assistance of Koppers International became the final medium for the sculpture.

Carving began in the fall of 1978, the initial roughing of the shape was done with the assistance of Gidansda Guujaaw and George A. Norris. The men within the clamshell were carved by George Rammell and the final tool finishing being done by Reg Davidson and Jim Hart.[10][2]

Reception

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Charles, Prince of Wales unveiled the Raven and the First Men on April 1, 1980.[12] The sculpture was celebrated by the Haida people and their guests on June 5, 1980.

It has since become a popular attraction to the visitors of the museum.[13] Raven and the First Men was featured on the Canadian twenty-dollar bill in the Canadian Journey series of bills from 2004 to 2011.[14] Reception has been positive, with one critic remarking that Reid combines European sculpture tradition with native Haida art.[15]

Many experience delight while others are awed by the hovering supernatural Raven. Their responses affirm the power of Northwest Coast art to touch the emotions of people from different cultures.

— Karen Duffek, Bill Reid: Beyond the Essential Form (1986)[16]
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Wikimedia Commons has media related to The Raven and the First Men.
  • Front view
    Front view
  • Back view
    Back view
  • Within the rotunda of the Museum of Anthropology
    Within the rotunda of the Museum of Anthropology

References

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  1. ^ "Raven and the First Men carved by Bill Reid". www.eldrbarry.net. Retrieved 1 December 2020.
  2. ^ a b c "THE RAVEN AND THE FIRST MEN". www.billreidfoundation.ca. Bill Reid Foundation. Retrieved 1 December 2020.
  3. ^ McMaster, Gerald (2020). Iljuwas Bill Reid: Life & Work. Toronto: Art Canada Institute. ISBN 978-1-4871-0242-5.
  4. ^ "The Raven and the First Men From Conception to Completion" (PDF). UBC MOA. UBC Museum of Anthropology. Retrieved 1 December 2020.
  5. ^ "Origins Story". www.virtualmuseum.ca. CHIN-Canadian Heritage Information. Retrieved 1 December 2020.
  6. ^ Crossley, Byron. "Raven and the First People: Reading Comprehension". web2.uvcs.uvic.ca. University of Victoria. Retrieved 1 December 2020.
  7. ^ Gosford, Bob. "Raven finds the first men – the art of Bill Reid". Academia.edu. Retrieved 1 December 2020.
  8. ^ a b McMaster, Gerald (2020). Iljuwas Bill Reid: Life & Work. Toronto: Art Canada Institute. ISBN 978-1-4871-0242-5.
  9. ^ McMaster, Gerald. "The Raven Discovering Mankind in a Clamshell, 1970". Art Canada Institute - Institut de l’art canadien. Retrieved 13 April 2022.
  10. ^ a b "The Raven and the First Men: From Conception to Completion". Museum of Anthropology at UBC. UBC. 9 January 2020. Retrieved 1 December 2020.
  11. ^ "Tiny raven sculpture expected to grab huge price | CBC News". CBC. 24 November 2005. Retrieved 1 December 2020.
  12. ^ "Unveiling of the Raven and the First Men by Prince Charles". open.library.ubc.ca. UBC Library. Retrieved 1 December 2020.
  13. ^ Watson, Bridgette. "Legacy of late Haida artist Bill Reid remembered in exhibition to mark 100th birthday | CBC News". CBC News.
  14. ^ "Canadian Journey Series $20 Note". www.bankofcanadamuseum.ca. Bank of Canada Museum. Retrieved 1 December 2020.
  15. ^ Gladue, Yvonne Irene (1999). "Learn about the work of Bill Reid". Ammsa.com. Aboriginal Multi-Media Society. Retrieved 1 December 2020.
  16. ^ Duffek, Karen (1986). Bill Reid : beyond the essential form. Vancouver: University of British Columbia Press in association with the UBC Museum of Anthropology. ISBN 978-0774802635.

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