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The Notebook Trilogy

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The Notebook Trilogy
1997 paperback book cover
The Notebook (1986), The Proof (1988), and The Third Lie (1991)
AuthorÁgota Kristóf
TranslatorAlan Sheridan, David Watson, and Marc Romano
CountryFrance
LanguageFrench
PublisherGrove Press
Published in English1997
Media typePrint, E-book, Audio
No. of booksThree in one volume
OCLC36739625
WebsitePublisher's website

The Notebook Trilogy is a collection of books by Hungarian writer Ágota Kristóf, written in the French language. It tells the story of originally unnamed identical-twin brothers who live with their grandmother in a small village and border town of a war-torn country during an unspecified war. Throughout their journey, the boys express a singularly naïve ethical stance that is simultaneously amoral and generous. The second and third books reveal the names of the twins as Claus and Lucas. The setting in the first and second novels is most likely a fictitious Hungarian village and the unspecified war is believed to be World War II.[1][2]

Plot summary

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Twin boys Claus and Lucas go with their mother to live with their grandmother in the countryside. While living in their grandmother's village, the boys witness and experience a number of horrors related both to war and to the darkness that exists within those around them. Unburdened by moral precepts, the brothers survive using their pragmatism and naivety.

Entries

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  • The Notebook (Le Grand Cahier; 1986)
  • The Proof (La Preuve; 1988)
  • The Third Lie (Le Troisième Mensonge; 1991)

Structure and style

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The novels were originally written in French.[3] The first novel is written in a stark, laconic style, partly on account of Kristóf's unfamiliarity with the French language when writing it. The second and third novels use more literary language as Kristóf became more comfortable writing in French.[4]

The setting, Hungary during WWII, is based on Kristóf's own life experiences. It deals with the prevalence of violence and deprivation in war.[5]

The trilogy is characterized by a surreal metafictional quality. Its simple direct language brings the harsh circumstances of life in Europe during the war into relief.[5] It is simultaneously objectively descriptive and contradictory, filtered through the perspective of the boys.[6][7] The story includes a succession of "slippery doubles, falsehoods, and jolting narrative tricks."[8]

Critics have compared it to fairy tales.[8] The comparison to Brothers Grimm fairy tales stems from the boys' abandonment by their mother, who is forced to leave them with their grandmother on the outskirts of a village. The opening premise is particularly similar to the fairy tale Hansel and Gretel, with their grandmother playing the role of the "witch".[9]

Publication history

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Each book of the trilogy was written in French in the nation of Switzerland, where Kristof resides, and published in France,[3] in the following sequence: Le Grand Cahier (The Notebook; 1986), La Preuve (The Proof; 1988), Le Troisième Mensonge (The Third Lie; 1991). Each book of the trilogy was later translated from the original French language into English. The Notebook was translated by Alan Sheridan in 1991, The Proof by David Watson in 1988, and The Third Lie by Marc Romano in 1996. Grove Press brought together and published the translated trilogy into one volume in 1997.[1][2][10]

Reception

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Slovenian philosopher Slavoj Žižek described the book as life changing, and discussed the boys' example of spontaneity and ethical abandonment. To Žižek, the boys are "thoroughly immoral – they lie, blackmail, kill – yet they stand for authentic ethical naivety at its purest."[11]

Sydney Morning Herald critic Andrew Reimer considered the trilogy to be singularly original.[4]

Adaptations

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The first book of the trilogy, The Notebook, was made into a 2013 Hungarian drama film directed by János Szász.[12]

This work is also a literary inspiration behind Shigesato Itoi's RPG Mother 3.[13]

See also

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References

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  1. ^ a b Park, Ed (August 17, 2023). "Deprivation Exercises". New York Review of Books.
  2. ^ a b Wiese, Annjeanette (2013). "Narrative Palimpsest: The Representation of Identity in Agota Kristof's "The Notebook", "The Proof", and "The Third Lie"". Journal of Narrative Theory. 43 (2): 137–159. doi:10.1353/jnt.2013.0015. JSTOR 24484800. S2CID 161583788.
  3. ^ a b Szekeres, Dóra (March 19, 2011). "Ágota Kristóf: 'We can never express precisely what we mean'". Hungarian Literature Online.
  4. ^ a b Riemer, Andrew (2016-06-09). "The Notebook Trilogy review: Agota Kristof's startlingly original fiction". The Sydney Morning Herald. Retrieved 2024-02-29.
  5. ^ a b Krasinski, Jennifer (2023-06-27). "Ágota Kristóf and the Uses of Illiteracy". The New Yorker. ISSN 0028-792X. Retrieved 2024-02-29.
  6. ^ Williams, Missouri (2023-08-14). "Ágota Kristóf and the Agony of the "Enemy" Language". ISSN 0027-8378. Retrieved 2024-02-29.
  7. ^ "#RivetingReviews: Ulysse Roche reviews THE NOTEBOOK by Agota Kristof | European Literature Network". www.eurolitnetwork.com. Retrieved 2024-02-29.
  8. ^ a b Park, Ed. "Deprivation Exercises | Ed Park". ISSN 0028-7504. Retrieved 2024-02-29.
  9. ^ "The Notebook Trilogy | The Proof | The Third Lie | Ágota Kristóf". Sydney Review of Books. Retrieved 2024-02-29.
  10. ^ Grove Atlantic. 2024.
  11. ^ Žižek, Slavoj (2013-08-12). "Ágota Kristóf's The Notebook awoke in me a cold and cruel passion". The Guardian. ISSN 0261-3077. Retrieved 2024-02-29.
  12. ^ Rainer, Peter (August 29, 2014). "The Notebook is alternately powerful and perplexing". Christian Science Monitor. Boston. Retrieved February 3, 2024.
  13. ^ "STARMEN.NET - EarthBound / Mother 3 Goodness". starmen.net. Retrieved 2024-02-29.
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