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Terry Rusling

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Terry Rusling
BornApril 2, 1931
OriginCanada
DiedNovember 27, 1974
GenresElectronic
OccupationComposer
InstrumentElectronic
Years active1963–72

Terry Rusling (April 2, 1931 – November 27, 1974) was a Canadian electronic music composer, who used graphic notation. Some of his works were used to accompany radio and television broadcasts.

Rusling graphic notation from Notations by John Cage

Introduction to electronic composition

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Terry Rusling worked as an engineer for the Canadian Broadcasting Corporation (CBC). He was on-air engineer for the Gilmour's Albums hosted by CBC broadcaster Clyde Gilmour. In the early 1960s, Morris Surdin, a composer working at the CBC, suggested to Rusling that he try out the electronic studio at University of Toronto, Faculty of Music (UTEMS).[1] Through Surdin, Rusling was introduced to Dr. Myron Schaeffer, to whom he submitted his first electronic compositions. Schaeffer invited Rusling to attend the graduate seminar at the University of Toronto, Faculty of Music, using the renowned electronic music studio (UTEMS) which included instruments designed by Hugh LeCaine such as the Special Purpose Tape Recorder. Rusling was awarded the title of Research Associate at the University of Toronto Faculty of Music. Among the notable composers who studied at University of Toronto's Electronic Music Studio (UTEMS) University of Toronto, Faculty of Music were John Mills-Cockell, Pauline Oliveros, Ann Southam, Gustav Ciamaga, John Beckwith, among others. During this period he was also known to be the recipient of a Canada Council Grant in support of his travel, education and production of electronic music.[2] After receiving the grant he travelled to studios in the US and Europe. He continued his studies and composed music in studios at the Psycho Acoustic Institute at Ghent University, Belgium; the University of Utrecht; and the University of Illinois.[3] He also did work at the University of Rochester with Wayne Barlow as well as in Paris where he studied with Pierre Schaeffer. He spent two months at the Phillips lab in Holland learning about their new electronic equipment. All of Terry's music was precisely notated using mathematics and other symbols. His music was often inspired by his interest in visual art. During this period Terry also reported on an interview on CBC Radio that he worked at the BBC Radiophonic. He specifically mentions Barry Burmage.

Composition No. 5 by Terry Rusling

Broadcasts, exhibitions and performances

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Several of his works, including The Trains, a piece of musique concrète,[4] were broadcast on the CBC and he composed an electronic theme for the nightly news.[5] One of his public performances of electronic music was at the Bohemian Embassy in Toronto October 1964. He also collaborated with visual artist Zbigniew Blazeje in a large multimedia exhibition in 1967 called Audio Kinetic Environment which began at the Art Gallery of Ontario and travelled to other galleries in Canada. The exhibit initially opened with music prepared by Blazeje. In an interview with Terry Rusling on CBC Radio, Rusling said that Blazeje approached him as he found the music he made was not good enough. Rusling stated he spent some time watching the kinetic installation and then proceeded to create a new score for the exhibition in Toronto and this music was used throughout the exhibit's tour of Canada. The installation toured to other galleries including the Montreal Museum of Fine Arts. The music was set to trigger lights in the installation. On March 1 he was part of the crew involved in setting up the famous chess match between John Cage and Marcel Duchamp where a move on the chess board would trigger electronic music, This was part of Sightsoundsystems festival in 1968.[6] There was also a radio program combining Rusling's music with Earle Birney's sound poetry on CBC Radio. After the piece was performed they discussed their personal approaches to their art forms. Birney discussed various approaches he took including sound poetry and using chance techniques, such as cutting phrases from newspapers including comics into bits of paper and finding combinations by chance. A related collaboration with poet Gwendolyn MacEwen, combining poetry with electronic music was also broadcast on CBC Radio. Rusling also worked with performance artist and sound poet Bob Cobbing and dancer Rima Brodie.[7]

Audio-Kinetic Environment

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Audio-Kinetic Environment, in collaboration with Zbigniew Blazeje with Terry Rusling providing electronic music.[8] The exhibition toured 11 cities with 12 showings:[9][10]

The installation was described in ArtsCanada February 1967 as follows: "Toronto artist Zbigniew Blazeje's Audio-Kinetic Environment, seen at the Art Gallery of Ontario, Toronto, last year (January 19 – February 2, 1966) consisted of about twenty-two panels and several moving pieces constructed of wood and plastic. All were coated with fluorescent and phosphorescent paints. Their colours were activated by the continuous play of a lighting system synchronized to taped electronic music patterns."[19] A notice of the exhibit travelling throughout Canada was printed in Maclean's magazine.[20] "The one man show by Zbigniew Blazeje, lasted just about the same length of time. At least the demonstration part did. The works themselves, in their undemonstrated state, required much longer. Basically they are constructions of clear rectangular plastic plates, wood strips and bars on several parallel planes, having some of the bars painted in bright, strong luminous colours. Most of the pieces were wall-mounted, but there were some anchored and some suspended mobiles. In the centre of the room there was a cluster of red and blue lights of varying intensities, which were activated by electronic sounds from a tape prepared by Terry Rusling. In the darkened room, the works took on new colours, changing as the lights changed, and new shapes. Sometimes, depending on the rhythms from the track, they seemed to move within themselves. … Residents swamped the gallery on opening night 2000 strong — more than came for Picasso or Canaletto."[21]

Other work

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His compositions are listed in International Electronic Music Catalog compiled by Hugh Davies (M.I.T. 1969). His compositions are also listed in an article in Dimensions magazine about University of Toronto Electronic Music Studios.[22] His scores were submitted to John Cage's Notations project and two items are included in the book and demonstrate his use of graphic notation. He composed incidental music for CBC radio shows such as Trains (1966)[23] a documentary program on the railroads of Canada produced by Allan Anderson and Val Clery. He also composed incidental music for the TV show Telescope (TV series), in particular, an episode on Marshall McLuhan (1967).[24] Another project Terry produced for CBC Radio was "On The Beatles." The show is described in the CBC's magazine RPM Weekly: "The show is a montage of dialogue, musical sound effects and electronic music. Rusling has chosen his own favourite Beatle songs over which he often superimposes electronic effects.[25] addition to this he composed pure experimental music.

Compositions

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Compositions[26]

1964

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  • Composition No. 1[27]
  • Var. 3 Comp. 1
  • Bullet 3
  • on hearing the first sine tone – experiment

1965

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1. Conclusion: piano.
2. Title: timpani, vibes, piano, garbage can, tone signal
3. If I Could Find the Thing to Hate: guitar, human voice, tone signal
4. The Predator?: human voice, garbage can
5. They Marry – They Meet: tone signal, garbage can, square wave, sine tone
6. Three Blind Etc. - tone signal, garbage can, square wave, pulse, vibes, piano
7. In Which Non-Being is Absolution: piano, violin
8. Prelude – tone signals.

  • Black and White'[29]
  • Frag. Des.
  • Freedom
  • Furthermore
  • Haiku No. 1
  • Sans Motion Quickly
  • Spatial Motion
  • Variation
  • Variations on Black and White
  • Comp. K

1966

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  • Untitled
  • Basu Sen (radio)
  • Dag Hammerskold Memorial (radio)
  • The Trains (radio): Created the electronic theme music for the series.[30]
  • Military Mind (radio)
  • Fate vs. Will (radio)
  • Industrial State (radio)
  • Law versus Revolution (radio)
  • Audio Kinetic Environment (Installation) with artist Zbigniew Blazeje. Rusling created music for this installation which was installed in the Art Gallery of Ontario. The music. was set to trigger the lights in the installation. The installation was also shown at the Stable Gallery of the Montreal Museum of Fine Arts, as well as seven other locations.[31] At first Blazeje installed Audio Kinetic Environment at the Art Gallery of Ontario then Art Gallery of Toronto in 1966 using pre-recorded music. He was not satisfied with the music and contacted Terry Rusling to compose music for the installation. Audio Kinetic Environment travelled to 8 cities in all as well as to Expo 67.[32]

1967

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  • Telescope (TV) "McLuhan is the Message"[33]

1968

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  • Musical chess mighty boring opener for Sightsoundsystems. by William Littler, Toronto Star, March 6, 1968, page B41 (Rusling was a technical assistant for this performance).
  • Marcel Duchamp, the old master. by Robert Fulford, Toronto Star, March 6, 1968, page B41. A second review of the same performance.

Undated works

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  • Collaborations:
  1. Earle Birney reads poetry with electronic accompaniment by Terry Rusling which was broadcast on CBC Radio.
  2. Gwendolyn MacEwen reads her poem Subliminal over electronic music by Terry Rusling which was broadcast on CBC Radio.
  3. Bob Cobbing

Posthumous notices

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In 2018 Terry Rusling was awarded Associate Composer status posthumously by the Canadian Music Centre. His nomination and profile can be seen there. Also in 2018 Brenda Longfellow made a Documentary about Gwendolyn MacEwen called Shadowmaker, Gwendolyn MacEwen, poet. It features some of Rusling's music from his collaboration with the poet. Musicworks magazine published an online review of the Rusling CD by Nick Storring.[34] In October 2019 Tina Kiik reviewed all 3 of the CDs in the Spurn series in The Whole Note Magazine, pp. 71–72 remarking that "Rusling's early electronic music holds current sound appeal while also, at its very best, foreshadowing future sounds." In 2020 Nova Scotia guitarist and composer Amy Brandon in her article "An Inexhaustible Source of Wild Music" in Musicworks 137 looking over electronic music studios at University of Toronto and McGill University, makes reference to Rusling's work. The CD accompanying the magazine includes a track by Rusling, "If I Could Find A Thing To Hate."[35] A review of "The Machine is Broken" by Dave Madden appeared on Squid's Ear (2019-09-10) who said of the CD: "...the pieces would fit evenly in the subversive, forward-thinking library music of the BBC Radiophonic experimental cadre as well as on a playlist with Louis and Bebe Barron..."[36]

Recordings

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a) Terry Rusling, The Machine is Broken, (2019), Spool (Spurn 3) Produced by David Porter and Daniel Kernohan.
b) Terry Rusling, Rusling Compositions, CD-R (S3CD1), 'List of all items found in EMS Archive, Excel spreadsheet. A list of all items that were originally found in the University of Illinois at Urbana-Champaign Electronic Music Studio archives. (ideals.Illinois.edu/handle/2142/100315).
c) UTEMS tape collection: Rusling, Terry, 1931-1974: "Composition No. 1" Box 4.
d) Canadian Broadcasting Corporation.|University of Toronto. Electronic Music Studio, Box 2 - 7.135 Works : selections Rusling, Terry, 1931-1974 Canadian Broadcasting Corporation.|University of Toronto. Electronic Music Studio.

Footnotes

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  1. ^ "The Electronic Music Studio of the University of Toronto" by Myron Schaeffer, Journal of Music Theory, Vol. 7, No. 1 (Spring, 1963), pp. 73-81
  2. ^ Canada Council 1964-65: Eighth Annual Report, p. 62. This is also recorded in a Canada Council press release for June 21, 1965. It is subtitled "Council Scholarships granted to "89 Young Canadian Artists who have shown exceptional promise..." A further document provided my McMaster University Library included an untitled list including a listing for Terry Rusling amongst others which states: "Mr. Rusling (32) a sound engineer with the CBC, plans to visit electronic music laboratories in England and the French National Radio in Paris, and to spend additional time in Holland: to become an acknowledged "tonemeister" (one who works with a composer and operates complex technical equipemt to produce electronic sound.
  3. ^ University of Illinois @ Urbana Electronic Music Studio Archive: List_of_All_Items_Found_in_EMS_Archive: http://hdl.handle.net/2142/100315
  4. ^ CBC Archives Accession number 1990-0110; production date November 24, 1966; catalogue number 661124-9. Production credit: producer, Alan Anderson & Val Clery, music, Terry Rusling. "The tenth program in a series of thirteen documentary programs on the railroads of Canada and the people who work on them, including top executives and engineers." Also: Beatle show idea developed by fan,Regina Leader-Post, 5 February 1970, p. 18.
  5. ^ "The CBC's daily National TV newscast for some years used a theme by Louis Applebaum and later employed an electronic composition by Terry Rusling." Encyclopedia of Music in Canada, ed. by Kallmann, Potvin & Winters (University of Toronto Press, 1981, Toronto, ISBN 0802055095) p. 478. [full citation needed]
  6. ^ Littler, William (March 6, 1968). "Musical chess mighty boring opener for Sightsoundsystems". The Toronto Star. p. B41.
  7. ^ The piece Rusling made with Bob Cobbing was broadcast on CBC during the same show where Birney and Rusling also collaborated. They also discussed Rusling's collaboration with Rima Brodie. CBC Archives.
  8. ^ Regina Leader-Post, February 17, 1966, p. 3.
  9. ^ "A Tone Meister Indeed!". Ottawa Journal. August 27, 1966. p. 48.
  10. ^ "Crucially, Smith proposed and realized a series of exhibitions in the three short years he was at the Art Gallery of Ontario, including Zbigniew Blazeje's Audio-Kinetic Environment (January 19–February 6, 1966)..."
  11. ^ New Brunswick Museum Archives & Research Library in their file contains a letter from Dorothy Cameron Gallery signed by Cameron which refers to the show at Albright-Knox and that Andy Warhol had said that he thought Blazeje was better than anyone in New York in the kinetic art field.
  12. ^ Kriztweiser, Kay (January 20, 1966). "Ziggy turns on art plus electronic score". The Globe and Mail. p. 10.
  13. ^ Toronto Star, January 22, 1966, p. 27.
  14. ^ The show was originally to be exhibited at the Dorothy Cameron Gallery. The Cameron Gallery was forced to close and the Art Gallery of Toronto picked up the show. Dorothy Cameron continued to seek new venues for this show even after closing. This is documented in a letter in the New Brunswick Museum archives from Brydon E. Smith, Assistant Curator of the Art Gallery of Toronto (now the Art Gallery of Ontario to Barry Lord, Curator of Art, New Brunswick Museum.
  15. ^ Regina Leader-Post, February 17, 1966"Sounds? Light Being Combined," "'The exhibition is in concert form, the music has been specially composed by Terry Rusling," Mr. Blazeje said. The same issue of the Regina Leader-Post also has an advertisement for the exhibit which adds 'New Improved' added to the title which likely refers to the addition of Terry Rusling's music.
  16. ^ In a letter from the New Brunswick Museum archives, Ronald J. Bloore, curator, reported that the exhibit "is breaking all attendance records at this gallery."
  17. ^ "Toronto Gallery's Mondrian Exhibit, The Gazette (Montreal, Quebec, Quebec, Canada), Sat, Feb 19, 1966, Page 14. "In the centre of the room was a cluster of red and blue lights of various intensities, which were activated by electronic sounds from a tape prepared by Terry Rusling.
  18. ^ Press Release. Retrieved November 15, 2018 from Mary Kuna, Archives & Research Library, New Brunswick Museum, dated February 17, 1966. "Tape 1 features Terry Rusling's electronic music..."
  19. ^ ArtsCanada February 1967
  20. ^ "Who They? People talked about... that's who," Maclean's, February 19, 1966, p.2
  21. ^ The Gazette (Montreal, Canada) 19 February 1966, p. 14.
  22. ^ "University of Toronto Electroacoustic Music Studios" by Kevin Austin, dimensions i p.18.
  23. ^ CBC Times, October 8–14, 1966 pp. 4–5
  24. ^ CBC Archives, Item number (ISN) 103464; Accession number 1986-0810, October 8–14, 1966 pp. 4–5.
  25. ^ RPM Weekly, volume 12, issue 25, February 7, 1970, page 9. Regina Leader-Post, 6 Feb. 1970, p. 7.
  26. ^ Davies, Hugh (1969). International Electronic Music Catalog. MIT Press. ISBN 978-0-262-04012-9.
  27. ^ A Provisional List of Electronic Music Compositions, by Sven Hostrup Hansell (University of Illinois, School of Music, Experimental Music Studio, 1967), p. 114
  28. ^ Davies, pp. 12, 13 & 187
  29. ^ A Provisional List of Electronic Music Compositions, by Sven Hostrup Hansell (University of Illinois, School of Music, Experimental Music Studio, 1967), p. 114
  30. ^ Ottawa Journal, 12 Oct. 1966, p. 43
  31. ^ p. 18, The Globe and Mail, January 20, 1966, p. 10. Fonds Musee des beaux-arts de Montreal 1960–2009: "Audio-Kinetic Environment" June 29 – August 14, 1966.
  32. ^ Artscanada, Vol. XXIV No. 5 May 1967 Canada at Expo. Includes a flexi-disc with "Music for Audio-Kinetic Environment" credited to Blazeje though this undoubtedly Terry Rusling's music as shortly after opening at the then Art Gallery of Toronto (Art Gallery of Ontario) the music was changed form pre-recorded music to Rusling's music created especially for the installation as he mentioned in interviews on CBC. In the Audio-Kinetic Environment file in the AGO archives there are bills of lading describing Rusling's music tapes and his tape recorders which were included with Blazeje's sculptures when the show toured 10 cities in Canada ending at Expo 67. "AT THE GALLERIES: "Venerable age and downey youth join forces," Kay Kritzweiser, The Globe and Mail, 20 January 1966, p. 15. Here it refers to "his own score," of Bach and Stockhausen, which indicates chosen music rather than music by composed by Blazeje. This confirms the truth of Terry Rusling's description of events where the initial music was replaced by Rusling composition as Blazeje worked with Rusling at CBC radio and both attended the electronic music seminar at University of Toronto music department as was mentioned in interviews on CBC radio.
  33. ^ CBC Archives: This episode was broadcast on April 13, 1967, and was narrated by Fletcher Markle
  34. ^ "Terry Rusling. The Machine is Broken. | Musicworks magazine".
  35. ^ "An Inexhaustible Source of Wild Music," Musicworks 137, Fall 2020.
  36. ^ Review by Dave Madden on http://www.squidsear.com/cgi-bin/news/newsView.cgi?newsID=2163

References

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  • CBC Archives
  • Terry Rusling Archives
  • The National Gallery of Canada Archives
  • Canada Council 1964-65: Eighth Annual Report, p. 62. This is also recorded in a Canada Council press release for June 21, 1965. It is subtitled "Council Scholarships granted to "89 Young Canadian Artists who have shown exceptional promise..."
  • University of Illinois at Urbana–Champaign- Champaign Electronic Music Studio archives
  • Art Gallery of Ontario Archives (documents related to the Audio-Kinetic Environment)
  • New Brunswick Museum Archives (documents related to the Audio-Kinetic Environment)
  • Davies, Hugh (1968). International Electronic Music Catalog. New York: MIT Press. ISBN 978-0-262-04012-9.
  • Cage, John; Knowles, Alison (1969). Notations. New York: Something Else Press. ISBN 0-87110-000-2. OCLC 33372429.
  • CBC Times, October 8–14, 1966 pp. 4–5
  • Globe & Mail, Saturday October 3, 1964.
  • "University of Toronto Electroacoustic Music Studio" by Kevin Austin from Dimensions i.
  • Library & Archives Canada
  • University of Toronto Electroacoustic Music Studios (UTEMS) Archive: Terry Rusling Correspondence.
  • UTEMS tape collection: CA OTUFM 54; 5.121 Composition no. 1 University of Toronto. 1964 Electronic Music Studio.
  • UTEMS tape collection: 7.135 Works : selections; Canadian Broadcasting Corporation.|University of Toronto. Electronic Music Studio 1964-1966 Box 7.
  • Encyclopedia of Music in Canada, ed. by Kallmann, Potvin & Winters (University of Toronto Press, Toronto, 1981).
  • Terry Rusling page at the Canadian Music Centre: https://www.musiccentre.ca/node/154971
  • Musicworks Magazine: https://www.musicworks.ca
  • Brydon Smith fonds: https://www.gallery.ca/library/ngc140.html7
  • Abstract of "Borderline Research: Histories of Art between Canada and the United States, c. 1965–1975" by Adam Douglas Swinton Welch, 2019.
  • A Bibliography of Electronic Music, Compiled by Lowell Cross, (University of Toronto Press, Toronto, 1967, Reprinted 1968, 1970).
  • Review by Dave Madden on Squid's Ear.
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