Terese Marie Mailhot
Terese Marie Mailhot | |
---|---|
Born | 14 June 1983 |
Occupation | Writer Journalist Memoirist Teacher |
Nationality | Canadian |
Education | New Mexico State University Institute of American Indian Arts Purdue University |
Genre | Memoir |
Years active | 2015-present |
Spouse |
Casey Gray (divorced) |
Children | 3 |
Website | |
TereseMailhot.com |
Terese Marie Mailhot (born 15 June 1983) is a First Nation Canadian writer, journalist, memoirist, and teacher.[1][2]
Early life and education
[edit]Mailhot grew up in Seabird Island, British Columbia, on the Seabird Island First Nation reservation. Her mother, Wahzinak, was a healer, social worker, poet, and radical activist, and her father, Ken Mailhot, was an artist.[3] Her father had been incarcerated and was an alcoholic who molested Mailhot when she was young, and was often violent.[4] Mailhot's mother had a letter-writing relationship with Salvador Agron, and shared the correspondence with musician Paul Simon, who used them for his Broadway musical, The Capeman. The role of Wahzinak was portrayed by Sara Ramirez in the musical.[5] She is one of four children.[6] As a child Mailhot had tuberculosis.[7] She was in foster care periodically and eventually aged out of the system.
Mailhot's background is Nlaka'pamux, part of the indigenous First Nations people of the Interior Salish language group in southern British Columbia.[3] Her maternal grandmother, who she was close to, was raised in the brutal Canadian Indian residential school system.[8]
Mailhot got her GED and attended community college. Mailhot graduated with a bachelor's degree in English from New Mexico State University. In 2016, Mailhot received an MFA in fiction from the Institute of American Indian Arts.[6][9]
Career
[edit]Mailhot was a columnist at Indian Country Today[10] and was Saturday Editor at The Rumpus.[11] She taught English and composition at Dona Ana Community College in Las Cruces, New Mexico.[12]
In 2017, Mailhot became a post-doctoral fellow at the English Department at Purdue University, where she works with the Native American Educational and Cultural Center.[12] Mailhot is also a professor at the Institute of American Indian Arts.[9][13]
In 2018, Mailhot released her debut book, Heart Berries: A Memoir.[14] Heart Berries deals with sexual abuse, trauma, violence, substance abuse, going hungry, being poor, and neglect. Mailhot has said she sees her journey as being one that reflects intergenerational trauma and genocide. She uses the term "Indian sick" to describe the idea of cleansing the heart and mind in a spiritual process, which is how her community often processes these experiences.[15] The title Heart Berries comes from a story about the healer O'dimin, the Heart Berry Boy, that an Ojibwe friend who is a language teacher told her.[16] The book received overwhelmingly positive reviews in both popular and specialist sources.[17][18] In March 2018, actress Emma Watson chose Mailhot's book as one of the monthly selections for her book club on Goodreads.[19] Heart Berries is a New York Times bestseller.[20]
Mailhot began writing her memoir while she was institutionalized in a mental institution.[8][21] Mailhot had committed herself after having a mental breakdown related to dealing with childhood sexual abuse by her father.[14] The book consists of many essays that Mailhot wrote during her years as an MFA student.[2] Some of the book is written from Mailhot to her then-partner, Casey Gray, using an epistolary approach to reflecting on memories of the past.[15]
"Literary non-hottie" controversy
[edit]After the 2022 film Blonde, based on the life of Marilyn Monroe, faced criticism for "failing to break away from the media’s habit of fetishizing and (re-)exploiting women," Mailhot attracted controversy for stating that Joyce Carol Oates, who wrote the novel on which the film was based, was a "literary non-hottie" who "shouldn't have written" the novel and "women who look and act like Oates have no compassion or love for women like [Monroe]."[22] The statement was widely derided for being a cruel misunderstanding of the privilege of attractiveness; according to Molly Bradley of Digg:
There is a lot to unpack in [Mailhot's critique]. First is the assertion that people who aren’t “hotties”—a fairly subjective measure—shouldn’t write about women who are. Second is the implication that women not subjectively assessed as “hotties” know nothing about being sexualized by men, or media, or whoever else. No, not everyone looks like Marilyn Monroe or goes through the experience Monroe did—but that’s exactly the point: different women have different, but equally treacherous, experiences with this kind of thing, whether they’re celebrities or sex workers or anyone else in myriad different walks of life.[22]
Personal life
[edit]Mailhot has discussed that she suffers from both post-traumatic stress disorder and bipolar II disorder.[23]
Mailhot was married as a teenager[24] and later married the writer Casey Gray.[25] She has four sons.[26]
Fellowships
[edit]- 2015: Southwestern Association for Indian Arts (SWAIA), Discovery Fellowship[27][28]
- 2016: Vermont Studio Center, VSC/Institute of American Indian Arts (IAIA) Creative Writing Fellowship[29]
- Writing by Writers, Fellowship
- Elk Writer's Workshop, Fellowship
- 2017: Purdue University, Tecumseh Postdoctoral Fellow[12]
Selected works and publications
[edit]Selected publications
[edit]- Mailhot, Terese-Marie (15 January 2015). "Heart Berries". Carve Magazine.
- Mailhot, Terese Marie (May 2015). "Bad Indians". Juxtapose Literary Magazine. 2.
- Mailhot, Terese (7 May 2015). "Happy Mother's Day to the Rez Chicks". Indian Country Today.
- Mailhot, Terese (10 May 2015). "'But My Best Friend Is White': Racism as Satire". Indian Country Today.
- Mailhot, Terese Marie (18 August 2015). "I Know I'll Go". Burrow Press.
- Mailhot, Teresa Marie (7 September 2015). "Dead Letter Office: Indian Sick". The Offing.
- Mailhot, Terese Marie (November 2015). "Diving Duck". Storyscape Literary Journal (15).
- Mailhot, Terese Marie (2 February 2016). "Nlaka'pamux, Immediately". The James Franco Review.
- Mailhot, Terese Marie (2016). "Paul Simon Money". Transmotion. 2 (1&2). University of Kent: 131–135.
- Mailhot, Terese (17 July 2016). "Journey to Starbucks: A White Way of Knowledge". Indian Country Today.
- Mailhot, Terese (1 April 2017). "Self-Help Isn't Enough for Native Women". Indian Country Today.
- Mailhot, Terese (8 June 2017). "Quality and Control: How Native Artists Have Failed to Criticize Each Other". Indian Country Today.
- Mailhot, Terese (14 July 2017). "The Decolonization of My Story". Indian Country Today.
- Mailhot, Terese Marie (29 August 2017). "John Smelcer's 'Stealing Indians' no longer a contender for PEN Center USA prize". Los Angeles Times.
- Mailhot, Terese; Bearhart, Bryan, eds. (Fall 2017). "Yellow Medicine Review". Yellow Medicine Review: A Journal of Indigenous Literature, Art & Thought.
- Mailhot, Terese (8 February 2018). "Original Essays: Writing From Pain Saved Me". Powell's Books.
- Mailhot, Terese (12 February 2018). "I Used to Give Men Mercy". Guernica.
- Mailhot, Terese Marie (Winter 2018). "Tender Thing". West Branch Wired. Bucknell University.
Books
[edit]- Mailhot, Terese Marie; Alexie, Sherman (introduction by); Kane, Joan Naviyuk (afterword by) (2018). Heart Berries: A Memoir. Berkeley, CA: Counterpoint. ISBN 978-1-619-02334-5. OCLC 994578253.
- Mailhot, Terese Marie (21 February 2018). "Getting Through School Let Me Talk About Pain". Literary Hub. – Excerpt
See also
[edit]- Sherman Alexie, Spokane-Coeur d'Alene-American novelist, short story writer, poet, and filmmaker who supported Mailhot's early work.
- List of writers from peoples indigenous to the Americas
- There There (novel), 2018 novel by fellow IAIA alumnus Tommy Orange about urban Indians in Oakland, California
References
[edit]- ^ Sehgal, Parul (30 January 2018). "'Heart Berries' Shatters a Pattern of Silence". The New York Times.
- ^ a b Naimon, David; Mailhot, Terese Marie (13 February 2018). "Episode 104: Terese Marie Mailhot: Heart Berries" (Podcast interview). Between The Covers. Portland, OR: KBOO.
- ^ a b Mailhot, Terese Marie (2 February 2016). "Nlaka'pamux, Immediately". The James Franco Review.
- ^ Mailhot, Terese (4 August 2017). "Terese Mailhot" (Video reading). Fall 2017 IAIA Low Rez MFA Residency.
- ^ Mailhot, Terese Marie (2016). "Paul Simon Money". Transmotion. 2 (1&2). University of Kent: 131–135.
- ^ a b Petersen, Anne Helen (22 February 2018). "These Writers Are Launching A New Wave Of Native American Literature". BuzzFeed.
- ^ Gonzales, Matthew (1 February 2018). "Q&A: Terese Marie Mailhot, Purdue's Latest Writer Poised For Fame". Indianapolis Monthly.
- ^ a b Garcia-Navarro, Lulu (11 February 2018). "In 'Heart Berries,' An Indigenous Woman's Chaotic Coming-Of-Age" (Audio interview includes article). Weekend Edition Saturday. NPR.
- ^ a b Orange, Tommy; Mailhot, Terese Marie (1 February 2018). "IAIA MFA Program—Terese Marie Mailhot and Tommy Orange" (Video interview). Institute of American Indian Arts.
- ^ "Terese Marie Mailhot - Indian Country Media Network". Indian Country Today. Retrieved 19 March 2018.
- ^ Siegel, Marisa (21 February 2018). "The Rumpus Book Club Chat with Terese Mailhot". The Rumpus.
- ^ a b c Doty, Tim (14 August 2017). "Native American postdoctoral fellows announced for 2017" (Press release). Purdue University.
- ^ "Low Residency MFA in Creative Writing". Institute of American Indian Arts. Retrieved 19 March 2018.
- ^ a b Mailhot, Terese Marie; Noah, Trevor (7 March 2018). "Terese Marie Mailhot - Sharing an Indigenous Voice in "Heart Berries" (Video Clip)". The Daily Show with Trevor Noah. Comedy Central. Archived from the original (Video interview) on 11 March 2018.
- ^ a b Castenada, Vera (1 June 2018). "The art of a revealing memoir: Terese Marie Mailhot and 'Heart Berries'". Los Angeles Times.
- ^ Bangert, Dave (2 February 2018). "Q&A: Terese Marie Mailhot on tough new memoir, being a native voice at Purdue". Journal & Courier.
- ^ Rooney, Kathleen (2 February 2018). "Review: 'Heart Berries' — Terese Marie Mailhot's searing memoir of Native American experience". Chicago Tribune.
- ^ Mackay, James (Fall 2018). ""Review: Heart Berries"". Transmotion. 4 (2): 222–224. Retrieved 8 January 2019.
- ^ Watson, Emma (6 March 2018). "March/April book! Heart Berries by Terese Marie Mailhot". Goodreads.
- ^ Banger, Dave (23 March 2018). "Bangert: Terese Mailhot makes best-seller list, second Purdue author to do it in past year". Journal & Courier.
- ^ Fassler, Joe (14 February 2018). "The Necessity of 'Willful Blindness' in Writing". The Atlantic.
- ^ a b Molly, Bradley (September 2022). "Rules For Literary Non-Hotties, And More Of This Week's 'One Main Character'". Digg. Archived from the original on 23 July 2024. Retrieved 22 July 2024.
- ^ Chung, Nicole (6 February 2018). "Author Terese Marie Mailhot on Creating Art From Grief". Shondaland.
- ^ "Heart Berries by Terese Marie Mailhot". Kirkus Reviews. 12 November 2017.
- ^ Carter, Sue (16 March 2018). "Terese Marie Mailhot: 'Even if everything is stripped from me I still have my voice'". Toronto Star.
- ^ "When It's Real, The Stakes Are Higher". To The Best of Our Knowledge.
...Mailhot, whose children are 15, 13 and 3, all boys...
- ^ Rubinstein, Audrey Nadia (29 June 2015). "SWAIA Announces Annual Fellowship Winners" (Press release). The Southwestern Association for Indian Arts (SWAIA).
- ^ Roberts, Kathaleen (16 August 2015). "Local artist wins residency fellowship at Santa Fe Art Institute". Albuquerque Journal.
- ^ "Fellowships: Terese Mailhot, Non-fiction, NM". Vermont Studio Center. 15 June 2016.
External links
[edit]- Living people
- First Nations women writers
- First Nations journalists
- 21st-century Canadian women writers
- New Mexico State University alumni
- Institute of American Indian Arts alumni
- Purdue University alumni
- 21st-century First Nations writers
- 1983 births
- Canadian women memoirists
- Journalists from British Columbia
- Canadian women academics
- 21st-century Canadian journalists
- Nlaka'pamux people
- 21st-century Canadian memoirists
- 21st-century Canadian women journalists