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Season 4 (1996–1997)

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The next season began with The X-Files' highest ratings success to that point, with "Herrenvolk".[1] The season premiere introduced several new elements to the conspiracy: "killer bees" designed to unleash smallpox, clones and alien hybrids, United Nations Special Representative Marita Covarrubias (played by Laurie Holden), and the removal of a previous important character. Covarrubias became an informer to Mulder and Scully in several episodes in the season, such as "Teliko" and "Unrequited." However it was the horror episode "Home", signaling the return of Morgan and Wong as writers after their canceled Space: Above and Beyond, that was most noticed. "Home" told the story of an inbred family of murderers in rural Pennsylvania, with references to The Andy Griffith Show and grisly violence contrasted with calm, becoming a hit with many fans ("X-Philes") and dividing others.[2] FOX's Standards and Practices department granted it a rare TV-MA "Parental Advisory" rating and refused to ever air it again,[3] though the episode later went into syndication. Two major changes occurred behind the scenes in the autumn of 1996, during the early part of the fourth season. Chris Carter's new series Millennium, also produced in Vancouver, debuted on Friday nights. As a result, The X-Files was moved from Friday night to Sunday, seen as a key to better ratings success, although Carter was initially wary[4] and the decision was controversial with the show's audience.[5] The first episode to air in the new time period was "Unruhe", written by Vince Gilligan and directed by Rob Bowman. It was one of the series' darkest episodes, dealing with a man (played by Pruitt Taylor Vince) who lobotomizes women and can project his fantasies in "thought photography". Gilligan also wrote "Paper Hearts", an emotional episode for Mulder, twisting his memories of his sister's disappearance with a case involving an unrepentant child killer.

Wong and Morgan contributed their own, possibly non-canon addition to the mythology,[6] "Musings of a Cigarette Smoking Man", which referenced Shakespearian history, tied The X-Files to real life conspiracy theories about the assassinations of President John F. Kennedy and civil rights leader Reverend Martin Luther King, and was the first episode in which neither Mulder or Scully appears on screen (except in flashback). The death of Lone Gunmen member Frohike was originally going to be in the episode, before Carter nixed the idea, but the scene was actually shot by director James Wong.[6] Chris Owens, later to play other roles for the show, first appeared in this episode as the young CSM. The action-oriented "Tunguska" and "Terma" were the more traditional mythology episodes for the autumn sweeps period, sending Mulder and Krycek to a Russian gulag and involving the black oil and the Syndicate closely. X-Files ratings by the middle of the fourth season were as high as they had ever been,[1] and by autumn 1996 it was the FOX network's most popular show.[7]


Many episodes of the fourth season were character driven, such as "The Field Where I Died" and "Demons", both about Mulder trying to recover his past, or past lives. "Never Again", Morgan and Wong's final episode of the series, centered on Scully's personal life, with Jodie Foster providing the voice of a tattoo. It had originally been planned as a collaboration with director Quentin Tarantino,[8] but Tarantino was not allowed to work in network television because he was not a member of the Directors Guild of America.[9] The episode was ultimately directed by Rob Bowman, with an homage to Alfred Hitchcock's Frenzy. FOX had attained rights to broadcast Super Bowl XXXI in January 1997 and planned to showcase The X-Files in the premier post-game slot. As a result, "Never Again" was bumped to the next week, and "Leonard Betts", a stylish and gory monster-of-the-week episode about an EMT (played by Paul McCrane) who was decapitated and could regrow his body, received the coveted spot (episodes of The X-Files were often aired slightly out of production order). "Leonard Betts" became the all time most-watched X-Files episode, with 17.2 Nielsen rating and 29% audience share.[1] It was also the first episode to be written by the team of Vince Gilligan, John Shiban and Frank Spotnitz, who were responsible for many episodes during the show's middle-to-late era.

The air date of "Leonard Betts" became relevant because the final scenes of the episode were central to the ongoing story arc of the show and led directly into the events of "Memento Mori", in which it is revealed that Dana Scully has contracted terminal brain cancer. When originally aired, however, the episode "Never Again" came between these, implying Scully's behavior in that episode was a result of her diagnosis; Gillian Anderson said she would have played the role completely differently if that had been the case.[8] Nevertheless, Anderson's performances during the fourth season "cancer arc" were praised. She won an Emmy for Outstanding Lead Actress in a Drama Series in 1997, as well as her second straight Screen Actors Guild award and a Golden Globe. "Memento Mori" relied on extended emotional voiceovers, a technique that had become increasingly common in the show over the years, as Scully came to grips with her illness while simultaneously investigating its origins, leading back to her own abduction. Mulder, Walter Skinner and the Cigarette Smoking Man all became dramatically involved, which played out in the later episode "Zero Sum", one of the few episodes of the show not to feature Anderson's involvement, although the events were driven by Scully's worsening condition, as well as the Syndicate's plans for unleashing killer bees.

Once Scully had contracted cancer, she continued to work in her former capacity as Mulder's partner investigating X-Files, apparently debilitated only by occasional nosebleeds, though the issue of mortality was again addressed in "Elegy" late in the season. In the intervening time, notable episodes included the two-part "Tempus Fugit" and "Max", in which Max Fenig from season one's "Fallen Angel" returned briefly as the agents investigated mysterious "lost time" in a deadly plane crash, loosely modeled on TWA Flight 800.


Amidst what was considered the show's darkest year, "Small Potatoes" provided a lighter tone.[10] The episode was written by Vince Gilligan, and featured departed X-Files writer and former Flukeman Darin Morgan in the role of Eddie Van Blundht, a shape-shifting self-described "loser" who becomes the focus of Scully and Mulder's investigation of a West Virginia town where children are being born with tails. The final scenes of the episode provided "shippers" with the sight of "Mulder" and Scully finally together, the first of many such jokes by the writers in later seasons. Season 4 ended with "Gethsemane", a resolution which appeared to leave one main character near death and kill off the other one, as well as turning his entire belief system into a house of cards.

  1. ^ a b c Cite error: The named reference RATINGS was invoked but never defined (see the help page).
  2. ^ Cinefantastique, October 1997 (part 1) [1]
  3. ^ Morgan and Wong Online, information about the episode "Home." [2]
  4. ^ Alex Strachan, "Secret of X-Files' success is its secrets." Vancouver Sun, July 25, 1996. [3]
  5. ^ Discussion from alt.tv.x-files news group, 1996. [4]
  6. ^ a b Cinefantastique Interview with James Wong and Glen Morgan, 1997. (part two) [5]
  7. ^ Cite error: The named reference details was invoked but never defined (see the help page).
  8. ^ a b Cinefantastique, October 1997 (part 3) [6]
  9. ^ Daniel Engber (2005-04-08). "Slate: Why not quit the Directors Guild?". Retrieved 2007-01-12.
  10. ^ Review of "Small Potatoes." [7]