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*These are the groups I found in publisher_other.
, Egmont Manga & Anime Tonkam Norma Editorial Seoul Media Group
The article only covered France and Germany. If you don't have information on ALL the publishers of this manga, reword the sentence to something like "The One I Love has received localizations in other languages such as XXX in France and XXX in Germany" Afterwards, delete publisher_other.
"... illustrations of the female protagonists did not did not to reflect the manga's targeted demographic of young women, and resembled junior high students." Clarify.
Still unclear. Does the author mean they wanted to appeal to to young women with their art style but it was too kiddish so it appealed to junior high students instead? DragonZero (Talk·Contribs) 18:34, 11 March 2013 (UTC)[reply]
Let's see... With The One I Love, Clamp was targeting a "slightly older audience", being published in a magazine for young women (Young Rose); (lead artist) Nekoi felt that her drawings of the women in the collection, including those of working/professional women, all looked as if they were junior high students. Does that help? Rapunzel-bellflower (talk) 01:09, 12 March 2013 (UTC)[reply]
*The development section does not need reviewer's opinions.
"According to Okhawa, The One I Love focuses on "girls' love and the insecurity, happiness, regret, and satisfaction that accompanies that love."" Is this noteworthy? Was that the goal they had in mind when creating the stories?
External link is dead. Wayback machine reveals the website was closed down.