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Discography

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Discography is a little challenging to put together because it's all out of print and because the nature of their music lends itself to limited release promotional work. ...But there's not really a need to include that sort of thing anyway. Nonetheless, here's some stuff:

  • EPs
    • Amana Side-by-Side (Amana Corporation, early 1960s, EP) - not released commercially
    • Peace on Earth and Good Will Towards Men (J. Silvia Associates?, ca. 1967, EP)
  • Singles:
    • Let's Not Be Sensible / One Little World Apart (Columbia, early 1960s, single)
    • Theme from "A Summer Place" / Popsicles in Paris (Columbia, early 1960s, single)
    • For the Last Time / Your Dog, M.O.A. (Columbia, early 1960s, single)
    • Laugh It Up / Nowhere to Go But Up (Columbia, early 1960s, single)
    • This Ole House / London (Is a Little Bit All Right) (Columbia, early 1960s, single)
    • Here's Love / Au Revoir (Columbia, early 1960s, single)
    • The Sound of Money / Momma, Momma, Momma (Columbia, early 1960s, single)
    • Yoshiko / Everybody Says Don't (Columbia, early 1960s, single)


Rhododendrites talk \\ 19:20, 25 October 2016 (UTC)[reply]

I am going to write a separate article on this page about their version of Theme from a Sunmer Place. Carlm0404 (talk) 03:15, 20 January 2021 (UTC)[reply]

sources to come back to

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Rhododendrites talk \\ 21:55, 25 October 2016 (UTC)[reply]

C → Start

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@DanielPenfield: I noticed you downgraded the article from C to Start. It's not typically a big deal, but it's uncommon to see a new assessment overruled (granted the initial assessment was done by the article's creator). Hoping you can elaborate. If you know of other sources or ways to use the sources, I would welcome leads :) — Rhododendrites talk \\ 01:22, 19 November 2016 (UTC)[reply]

Cn

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@The Rambling Man: Are these cn tags about the existence/attribution of the albums or the catalog data? — Rhododendrites talk \\ 02:02, 29 December 2016 (UTC)[reply]

Mr. President

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There's a blurb in the October 3, 1962 issue of Variety, 228(6) that says that their song "Laugh It Up" was written for (and presumably is the one in the credits of) Mr. President (musical), but I can't verify it anywhere else... — Rhododendrites talk \\ 03:26, 19 February 2019 (UTC)[reply]

Similarly, the song "The Sound of Money" from I Can Get It for You Wholesale... (Billboard Music Week (Archive: 1961-1962); Cincinnati Vol. 74, Iss. 17, (Apr 28, 1962): 31, 42.) — Rhododendrites talk \\ 05:20, 19 February 2019 (UTC)[reply]

And "One Little World Apart" from Bravo Giovanni... (Billboard Music Week (Archive: 1961-1962); Cincinnati Vol. 74, Iss. 26, (Jun 30, 1962): 49-50, 56.) — Rhododendrites talk \\ 05:28, 19 February 2019 (UTC)[reply]

And "Come on Strong" from a show by Sammy Cahn and Jimmy van Heusen (?) and "Little Me" from a Sid Caesar show. (Billboard Music Week (Archive: 1961-1962); Cincinnati Vol. 74, Iss. 52, (Dec 29, 1962): 14, 16.) — Rhododendrites talk \\ 05:30, 19 February 2019 (UTC)[reply]

GA Review

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Reviewing
This review is transcluded from Talk:The J's with Jamie/GA1. The edit link for this section can be used to add comments to the review.

Reviewer: Ceranthor (talk · contribs) 16:46, 3 April 2019 (UTC)[reply]


I'll review this. ceranthor 16:46, 3 April 2019 (UTC)[reply]

Prose

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Lead
  • "The group's core members were married couple Jamie and Joe Silvia," - I'd move "married couple" to after since I think their names should come first. Thus, it would read as "The group's core members were Jamie and Joe Silvia, a married couple who played with a number of session musicians and other singers"
  •  Done
  • "They worked within the booming mid-20th century Chicago advertising industry, in both radio and television," - don't really need to offset "in both... television" with commas
  •  Done
  • "large consumer goods companies" - Not necessary to list all the company names in the lead, but "consumer goods" might be a bit too general
  •  Done? most that weren't part of the existing list were food companies, so just went with that.
  • "The couple declined invitations to go on tour," - a teensy bit more detail on this would be useful; maybe add "a number of invitations" or clarify that they were spread out over the years?
  • I don't have much more information about this, and re-reading it I wonder if it should just be removed. It's based on this quote from an interview:
"You were nominated for a Grammy for Best New Act in 1964. How much temptation was there to record more albums and go on tour?" "Opportunities did occur, but with two young daughters, I did not want to go on the road anymore."
I took "anymore" as referring to her tour with the Mellowlarks (or other groups), but that may require too much inference.
Might have just been me nitpicking. Reading it again, I think this clearly states that in your own words. ceranthor 12:24, 8 April 2019 (UTC)[reply]
  • "At the 6th Annual Grammy Awards in 1964, The J's with Jamie were nominated in two categories: Best New Artist and Best Performance by a Vocal Group." - might be a nitpick; but maybe worth mentioning explicitly that they didn't win? Not sure though
  • My impression is that just saying "nominated" is standard when they didn't win, and it does specify who they lost to in the body of the article.
Got it. Should be fine. ceranthor 12:24, 8 April 2019 (UTC)[reply]
  • The image contrasts a bit with the lead's description, since it makes it seem like those other two people are regular members, but they're not named. Might be remedied by clarifying in the caption that these are Jamie and Joe with two of the singers they collaborated with over the years?
  •  Done? It's a good point. Had to do a little digging to figure out who was who in the picture (apart from Jamie, of course). Specifying "the group" does make it seem like the core was those four. Since Joe is first and Jamie third, wording it proved difficult to set them apart. I rewrote it simply to say who's in the picture.
Formation
  • "The J's With Jamie" - capitalization isn't standard with article; should it be "with" or "With?"
  •  Done - also noticed this page was created as a subpage of the wrong capitalization. Not sure how that happened, but moved now (and standardized in the article, with the exception of a source title).
  • "Jamie's background was as a dancer, but took up" - should add "she" between "but" and "took"
  •  Done
  • "The J's With Jamie was formed by husband and wife Joe and Jamie Silvia" - any idea when? 1950s perhaps? I see now that it's mentioned later as 1958... maybe change the lead sentence to "consisted of husband and wife..." rather than "formed by"
  • Not sure I follow. It was formed by the two of them, and they worked with several other singers (most often Shelton, but others, too).
Just nitpicking. Should be fine as is. ceranthor 12:24, 8 April 2019 (UTC)[reply]
  • "The couple's break" - Assuming you mean this as "big break," it reads as an idiom and therefore I think should be rephrased. It could easily be confused for the couple separating or breaking up too. Maybe better as "The couple's first success within the industry" or something like that
  •  Done Aha. True. "Big break" is more like "a first big opportunity to achieve success" rather than the success itself. Along with the next two bulletpoints, I rewrote this part.
  • "to record an album of Christmas songs in place of a more traditional Christmas card." - not sure what this sentence is trying to convey
  • In place of the tradition of sending out Christmas cards (which families often send to other family members and friends, often with a photo of the family), they decided instead to make an audio recording for the same purpose. Rewrote this part.
  • "The audio engineer shared the music with a decision-maker at Columbia" - decision-maker??
  •  Done Clarified in this rewrite.
  • "most prominently Don Shelton, a tenor" - perhaps a nitpick, but might be worth linking to tenor or adding a note that you mean a tenor (singer) rather than tenor sax player
  •  Done
  • "Don Shelton, a tenor who was part of The Hi-Lo's, Marshall Gill, and Len Dressler, whose deep bass voice is best known for the Jolly Green Giant's "Ho! Ho! Ho!".[1][3]" - is there a way to better organize this material so it's a bit more readable? At present I had to read it over twice to make sure I understood it correctly.
  •  Done?

More to come, but here's a start. ceranthor 19:11, 3 April 2019 (UTC)[reply]

@Ceranthor: Thanks. I think I've addressed most of the above and left questions/comments about others. — Rhododendrites talk \\ 04:53, 4 April 2019 (UTC)[reply]
Jingles and recordings
  • "The commercial also went on to win a Clio Award.[6][7][4]" - "went on to" is a redundant phrase; why not just "also later won?" Also, I'd be interested in which year they won, if that info is available
  • Removed "also". Sufficiently address redundancy? "Went on to" seems right to me, given making a commercial, it runs, and later wins. The source I have just refers to a "1963 Clio-winning commercial". I presume that means that's when it was recorded/released, though. Surprisingly, I'm having trouble finding a full list of Clio winners from that year.
I just hate the construction "went on to X," but that's a personal nitpick. And darn - if you ever manage to find it, would suggest adding it. ceranthor 12:24, 8 April 2019 (UTC)[reply]
  • "The couple declined invitations to go on tour," - from whom? How many times?
  • See comment about this in the lead.
  • "Shelton and Dresslar remained in Chicago and together formed" - don't think you need "together" here; it's redundant
  •  Done
Reception and legacy
  • "In addition to being successful from a marketing perspective, the musical quality of their songs," - you should restate the subject here, rather than just referring to them as "their."
  •  Done
  • "In addition to being successful from a marketing perspective, the musical quality of their songs, both commercial and noncommercial, was positively received. " - this sentence needs to be rewritten; it sounds like you're saying the musical quality was successful, rather than the band
  •  Done? Took a stab at rewriting.
  • ""one author [who wrote that The J's with Jamie] possessed diction 'that makes poets out of admen,' one of whom said, 'Their words seem to be coming from a foot outside of their mouths in a kind of bas-relief.'"[12] " - This sentence is convoluted! What are you trying to say here? And is this person describing another writer's account of the band? I'm quite lost.
  • Indeed. Largely taken directly from that source. Taking a moment to untangle the language and dig up the footnote in that book (which I didn't have access to before), I see it's referring to something I already have cited. Citing that directly now. I did some reworking of the reception section, too.
  • "A Variety review of Hey, Look Us Over noted that they sound young and "sprightly,"" - Again, "they" should be replaced with the band name
  •  Done

References

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  • Note 1: "This citation mistakenly calls the group "The Jamies", " the comma should be inside the quotation mark for consistency with the punctuation throughout the article
  •  Done
  • Note 2: "Jacket has text: "Special presentation record to the Music Operators of America, Inc. 11th annual convention from the J's with Jamie and Columbia Records. - missing the second quotation mark at the end
  •  Done
  • "All of the albums by The J's with Jamie are out of print and were never released on compact disc. For most of their recording career, the group worked with Columbia Records, which released three LPs, several singles, and promotional albums. In the late 1960s, as Jamie and the J. Silvia Singers, they issued two more LPs with ABC." - no citation for this?
  • Most of this is just a summary of the information inherent to the albums themselves. That they are out of print should have a citation, indeed, and I'm having trouble finding where I saw that, unfortunately. Worst come to worst I can remove it, but I'll look a bit more.
  • "A WFMU blog noted that although the Columbia records are long out of print, bootlegs in Japan have had a "substantial" influence on J-pop.[3]" - Is a blog a reliable source for historical arguments, though?
  • A fair point. WFMU are hard core music nerds, and their blog was pretty well known/respected for what it was. I don't know that that should extend to claims about influence on JPop, though. There's another entry which mentions "It's also the song that Pizzicato Five fans often cite as an influence" -- so it may be based entirely on anecdote. Wouldn't be opposed to removing it. I haven't found something better yet.
  • What makes JazzWax a reliable source?
  • It's a SPS, but it's the SPS of a well known music critic/expert in the field, Marc Myers.
  • What makes The Star a reliable source?
  • What makes awardsandshows.com a reliable source?
  • Only being used to verify an old award. I found it when looking at some other articles about old awards shows. We use it a few hundred times. That doesn't justify it as a reliable source, granted. The official site only has a summary with winners for the early ceremonies. This is a curious one so maybe I'll start an RSN thread about it.
  • Actually, I was about to go start a thread at RSN when I found an official source to replace it with.  Done
  • What makes Jazz Profiles a reliable source?
  • Less clear. On closer inspection of its author, it doesn't actually look so good. Barely used here and easily replaced, so I've done so.

I'm fine with WFMU blog if there's a strong argument that it is respected. Definitely think you still need a citation for the out of print statement. Otherwise, this is ready to pass. ceranthor 12:27, 8 April 2019 (UTC)[reply]

@Ceranthor: That's my impression of WFMU anyway. I'd certainly defer to their knowledge over most radio stations when it comes to obscure music knowledge. As for the out of print line, either I've lost track of where I saw that or it was an unwitting inference I made (yikes). Either way, since it's not all that important of a claim, I just went ahead and removed it. — Rhododendrites talk \\ 23:25, 8 April 2019 (UTC)[reply]
Great - passing now. ceranthor 12:38, 9 April 2019 (UTC)[reply]

Images

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Once the second round of comments is addressed, I'll go back to all of the replies and clarify. ceranthor 18:25, 5 April 2019 (UTC)[reply]

@Ceranthor: More or less done replying to the above. Mostly fixed, with a few comments. Thanks. — Rhododendrites talk \\ 00:03, 6 April 2019 (UTC)[reply]

LONG MESSAGE -- Their version of "Theme from A Summer Place"

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I am hereby advised that this is long out of print, further hampering me in learning of old listening experiences. Because of various details, I am guessing that this is the version I heard on radio station WDEL in Wilmington, Delaware in summer 1964, with me being interested enough to wait for it to come on, and being disappointed when summer came to a close and I didn't hear that song again including in subsequent years. Apparently I missed a half-step-up key change, but I did remember hearing the name "Jimmy and the Jays", along with introductory lyrics (discovered by me in the meantime in Cliff Richard version), no vocal harmony, key of G major (which I used for my arrangement on cmooremusic.org), filler riff containing extra flourish in its highest notes (which I used for my arrangement on cmooremusic.org) , use of xylophone for that filler riff (my arrangement on cmooremusic.org used distortion-guitar waveform but I later provided 2nd version, with chorused piano, sounding like xylophone, used for this), and "summer place" sung in fadeout.

I am sending this because I got interested in this without friends or family, and this is the first version of Summer Place I remember hearing. Also, I am too young to remember the Summer Place movie when it was new. Carlm0404 (talk) 04:02, 20 January 2021 (UTC)[reply]