Talk:Taisha paggett

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Capitalizing name?

The subject has more often then not spelled their name in all lowercase. should the title of the article be in all lower case? or capitalized like most names?Bipandboppop (talk) 05:54, 15 March 2015 (UTC)[reply]

I think if that is how she presents herself, we should follow suit. The relevant manual of style guideline is MOS:LCITEMS. gobonobo ⁺ ^c 23:59, 15 March 2015 (UTC)[reply]

Request for editing help

I can't edit because of conflict of interest, but can someone please edit. — Preceding unsigned comment added by Carolefranceslung (talk • contribs) 19:15, 3 February 2018 (UTC)[reply]

Additional peer-reviewed info about paggett's whitney performance

paggett’s underwaters was intended to be “immersive” and involved paggett interacting with the space as four different characters during a period of five days. paggett did not provide viewers with the context for each character and each had demographic differences. paggett transitioned into these different characters in front of viewers and let each character or persona speak for themselves, with paggett herself remaining silent. Ultimately, paggett aimed to create a space that was not confined by space and time and could engage both with viewers present and with “spirits and other nonpresent entities” ^[1]

Kittenhumyn (talk) 17:40, 23 March 2018 (UTC)[reply]

References

^ Shearn Coan, Jaime (2017). "How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial". The Drama Review. 61 (3): 93. doi:10.1162/DRAM_a_00674. {{cite journal}}: More than one of |pages= and |page= specified (help)

[1] Shearn Coan, Jaime (2017). "How to See Black Space in Total Whiteness: taisha paggett's underwaters (we is ready, we is ready) and the 2014 Whitney Biennial". The Drama Review. 61 (3): 93. doi:10.1162/DRAM_a_00674. {{cite journal}}: More than one of |pages= and |page= specified (help)

[1]