This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article has been automatically rated by a bot or other tool because one or more other projects use this class. Please ensure the assessment is correct before removing the |auto= parameter.
This article is within the scope of WikiProject Morocco, a collaborative effort to improve the coverage of Morocco on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.MoroccoWikipedia:WikiProject MoroccoTemplate:WikiProject MoroccoMorocco articles
This article is within the scope of WikiProject Jewish history, a collaborative effort to improve the coverage of Jewish history on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Jewish historyWikipedia:WikiProject Jewish historyTemplate:WikiProject Jewish historyJewish history-related articles
How could this book be missing on this page? ;) García-Arenal, Mercedes; Wiegers, Gerard (2007). A Man of Three Worlds: Samuel Pallache, a Moroccan Jew in Catholic and Protestant Europe. Baltimore: Johns Hopkins University Press.
--Aboudaqn (talk) 16:09, 30 August 2016 (UTC)[reply]
There is no "tradition" linking the Rembrandt painting to Pallache. This is a misconception probably created because the English translation of his biography used this picture on its cover (but the book itself doesn't say a word about a portrait by Rembrandt, and the Spanish original used another picture). There is no mention of this identification on the painting's page by the Rembrandt database ([1]), nor on its museum's page ([2]). The ANU-museum page is not a reliable source about Rembrandt's paintings (and may have simply reproduced the information from wikipedia) - not to mention that it confuses the sultans Ahmad al-Mansur and Zidan Abu Maali, so it is also not a reliable source about Pallache. (Besides, one has to wonder why Rembrandt would have made the portrait of a man about 20 years after the latter's death.) Phso2 (talk) 20:04, 17 September 2022 (UTC)[reply]
Yes, it makes sense for me too. Samuel Pallache is a character so complex, that much of the 'history' about him is shrouded in mystery and in legend, I believe. And, for that matter, so is the character of Rembrandt himself. If the attibution does not come from a reliable source, I believe it should be removed. Thank you, warshy(¥¥)22:46, 17 September 2022 (UTC)[reply]