Talk:Molly S. McGlennen

Honouring Indigenous Writers Wikipedia Edit-a-thon

This author appears on the Honouring Indigenous Writers author list. This Wikipedia event seeks to improve the coverage and raise the profile of Indigenous writers on Wikipedia. Our planning group has had a number of discussions to figure out a way to ensure this project is working in good faith with Indigenous writers. At the core of our discussions was the desire to ensure the project respected cultural integrity and to ensure Indigenous perspectives and experiences guided the decision-making processes. As a part of our event, we asked authors what kind of information they would like to see represented in their article. This is what Molly sent (rtimmed to what might be relevant for a WP article):

Awards

• Beatrice Medicine Award for Outstanding Scholarship in American Indian Studies, for my book Creative Alliances: The Transnational Designs of Indigenous Women’s Poetry

Articles/Book Chapters

• “Writing a Pathway: The Importance of Kimberly Blaeser’s Poetry,” in “Not All Indians Dance:”: Essays on Contemporary Indigenous Writers, Eds. Connie Jacobs and Debra Barker, University of Arizona Press, forthcoming
• “Inuit Agencies: Artic Art Cooperatives and Indigenous Resistance,” in Visualities:Volume II, Ed. Denise Cummings, Michigan State University Press, 2019
• “Chasms and Collisions: Native American Women’s Decolonial Labor,” in Transmotion, Eds. James MacKay et. al, special issue “Indigenous Genocide in America,” Fall 2018, Vol. 4:2. (Finalist for the Beatrice Medicine Award for Best Essay in American Indian Studies)
• “Poetry as Discovery,” in Reflecting Pool: Poets and the Creative Process, Codhill Press, Ed. Larry Carr, August 2018. (Finalist 2019 Next Generation Indie Book Awards)
• “Fibrous Future: Beyond Erasure in the Works of Brian Jungen, Velma Kee Craig, and Ashley Browning,” Institute of American Indian Arts’ exhibition Connective Tissue: New Approaches to Fiber in Contemporary Native Art, July 2017-January 2018
• “By My Heart”: Gerald Vizenor’s Almost Ashore and Bear Island: The War at Sugar Point,” in Transmotion, Eds. James MacKay et. al., Fall 2015, Vol. 1:2
• “Crow Commons: Creative Correspondences and Virtual Affiliations,” in Mediating Indianess, Ed. Cathy Waegner, Michigan State University Press, 2015
• “Horizon Lines, Medicine Painting, and Moose Calling: The Visual/Performative Storytelling of Three Anishinaabeg Artists” in Centering Anishinaabeg Studies: Understanding the World Through Stories, Eds. Jill Doefler, Niigon Sinclair, and Heidi Stark, Michigan State University Press and University of Manitoba Press, 2013
• “Face, Footnotes, and Alexie’s Language of Subversion,” in The Shawngunk Review, Spring 2012
• “Text-Messaging Prayers: George Longfish and His Art of Communication” in Visualities: Native American Art and Film, Ed. Denise Cummings, Michigan State Press, 2011
• “Diane Glancy’s Creative/Critical Poetics” in The Salt Companion to Diane Glancy. Ed. James MacKay, Salt Publishing, 2010
• “Ignatia Broker’s Lived-Feminism: Toward a Native Women’s Theory” in Stories Through Theories / Theories Through Stories: Native American Storytelling and Critique. Eds. Gordon Henry, Silvia Martinez-Falquina, and Nieves Pasqual, Michigan State University Press, 2009

Aquilessa (talk) 16:11, 22 February 2021 (UTC)

• “Re-Waging the Battles: Native American Women’s Poetry and the Re-interpretation of War” in Birthed From Scorched Hearts: Women Respond to War. Ed. MariJo Moore. Fulcrum Publishing, 2008
• “Indigenous Cultures: North America” in Oxford’s Encyclopedia of Women in World History. Ed. Bonnie Smith. New York and Oxford: Oxford University Press, 2008
• Contributing Editor, The Encyclopedia of Native American Literature, Eds. Alan R. Velie and Jennifer McClinton-Temple, Facts on File of American Literature, First Edition 2007
• “Seasonal Reverberations: Kimberly Blaeser’s Poetry of Place” in Midwestern Miscellany, Vol. 32, 2004
• “Displacing the Lies: The Artwork of George Longfish,” Smithsonian’s National Museum of the American Indian’s exhibition "Continuum 12 Artists," 2004
• “Adjusting the Margins: Locating Identity in the Poetry of Diane Glancy,” in Studies in American Indian Literature, Vol. 15.4, 2003

Poetry

• ”A Cento for Remembrance,” in Heart Wounds, Dead Lines, and Frontier Missives: A Gang of Good Words Inspired by Louis Owens, Eds. Jesse Peters and Gordon Henry, Michigan State University Press, forthcoming winter 2019
• ”Our Lives Are Made of Recipes,” in Native Voices: Indigenous American Poetry, Craft and Conversation, Eds. Dean Rader and C. Marie Fuhrman, Tupelo Press, 2019
• “Snake River IV,” in Ghost Fishing: An Anthology of Eco-Justice Poetry,” Ed. Melissa Tucky, University of Georgia Press, 2017
• ”Composition,” in Tending the Fire, Ed. Chris Felver, University of New Mexico Press, 2017
• “Vigilance,” in Poems for The World After January 20 Exhibition, Palmer Gallery, Poughkeepsie New York, January 2017
• ”Snake River III” and “Snake River IV,” Red Ink, Spring 2015
• “Bonfire I,” “Bonfire III,” and “Bonfire IV,” Yellow Medicine Review, Spring 2014
• ”Snake River V,” As/Us: A Space for Women of the World, Issue 3, 2014
• “Snake River II” and “Bonfire II,” Yellow Medicine Review, Spring 2012
• “Snake River I,” Natural Bridge Literary Journal, No. 26, Fall 2011
• “Interwoven,” Sing: Poetry from the Indigenous Americas (Sun Tracks): University of Arizona Press, Allison Adelle Hedge Coke (Editor), Nov. 2011
• “Three Poems for Ellia,” Sentence, Jan. 2010
• “10 Little Indians,” and “Dream Song,” Yellow Medicine Review, Spring 2008
• “I Learned Irony in Order,” “Coming Back Round,” “Epilogue,” Studies in American Indian Literatures: Special 30th Anniversary Issue, Vol. 19, No. 4, 2007
• “The Dance,” and “To-Do List Before Writing a Poem,” Frontiers: A Journal of Women Studies, Vol, 28, Nos. 1 & 2, 2007
• “Interwoven,” To Topos Poetry International: Ahani: Indigenous American Poetry, Fall 2006
• “Shanawdithit” and “War Curio,” Shenandoah: The Washington & Lee University Review, Vol. 54, no. 3, 2004
• “Living the Language” and “War Curio,” Atlantis: A Women’s Studies Journal –- Special Indigenous Issue, Winter 2004
• “Synonymous,” Santa Clara Review, Spring, 2004
• “She’s Nothing Like We Thought,” Genocide of the Mind: New Native American Writing, Thunder’s Mouth Press, Fall 2003, pp. 243-250
• “Untitled” and “Wine Tasting,” Walrus: A Literary Review, Spring, 1998
• “Rivers Bend,” “Remember When,” “It is This Time,” “It is Enough,” and “I Am My Favorite Color,” Almanor: Manifest Press, Spring, 1997