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This article was the subject of a Wiki Education Foundation-supported course assignment, between 5 September 2019 and 4 December 2019. Further details are available on the course page. Student editor(s): Soldejaneiro. Peer reviewers: Water392, Sivan 99.
Hi there! What I liked most about your article was how much you were able to convey Sistach's cultural importance while remaining neutral. She clearly has contributed a lot to Mexican's film industry and the subject of feminism and women's issues so it is great that you highlighted that.
Clearly Sistach's films have some more controversial topics, and you touch on this briefly in the "career and legacy" section. I think if you delved into this more, it could add a bit more context to your article. Maybe by outlining one or two of her most well-known/ successful films, the reader would be able to see exactly some of her interests as a filmmaker apart from the generality of women's issues.
As well, in your introductory paragraph in which you say "Scholars have stated that Sistach is a significant part of third-wave, prolific female directors in Mexican cinema," what does this mean? Perhaps in a different paragraph you could elaborate a bit more on this third-wave, female directorship era, as I am sure many readers are unaware of this phenomenon, especially if you're unfamiliar with Mexican filmmaking history. This could add additional validity to Sistach as a filmmaker, too.
Other than that, your grammar and overall layout flowed really well and was an easy and engaging read, good job! — Preceding unsigned comment added by Sivan 99 (talk • contribs) 05:00, 5 November 2019 (UTC)[reply]
This article was the subject of a Wiki Education Foundation-supported course assignment, between 5 September 2019 and 4 December 2019. Further details are available on the course page. Student editor(s): Soldejaneiro. Peer reviewers: Water392, Sivan 99.