Talk:Marianna Simnett
| This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
 | This article is rated C-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||
| |||||||||||||||
Quotations without context
[edit]I have tried to make the article easier to read. A particular challenge came from the large number of quotations that didn't have any accompanying text to put them into context. I have pasted these below for anyone to return them to the article.
"Her recent work explores female subjectivity and bodily integrity as they relate to the power dynamics of the medical profession".[1] "employed the forensic and macabre to elicit a visceral reaction from viewers" [2] Simnett focuses on the dystopic consequences of technology through a psychosexual lens[2] Simnett's work elicits a physical response though its depiction of physiological processes and techniques such as dreamlike sequences contrasted with hyper-real scenarios[3] and the use of music.[4] Simnett induces the same emotions, such as fear, that she enacts in her work.[5] Her work has been said to combine mythic structures with the aesthetics of medical documentaries.[2] "Simnett composes fanciful narratives, employing leaps of logic while creating intentional slippages among her characters’ identities, genders, and physiognomies".[6] References Donna Haraway and Paul B. Preciado.[6] Simnett's consideration of self-preservation mobilizes feminist concerns without becoming prescriptive.[6]
"Transformation is much more my message than amputation—transformation is through and through my work. Everyone is always becoming something other than themselves.” [7]
--Mgp28 (talk) 18:31, 9 July 2023 (UTC)
References
- ^ "Hazmat: Charlie Fox and Marianna Simnett •". Mousse Magazine (in Italian). 2017-10-13. Retrieved 2020-02-14.
- ^ a b c "When Body Horror Meets Fairy Tale: The Films of Marianna Simnett |". Flash Art. 2019-10-25. Retrieved 2020-02-14.
- ^ "Marianna Simnett talks about her films". atractivoquenobello. 2015-08-20. Retrieved 2020-02-14.
- ^ Eastham, Ben. "In Focus: Marianna Simnett". Frieze. No. 176. ISSN 0962-0672. Retrieved 2020-02-14.
- ^ Cite error: The named reference
:3was invoked but never defined (see the help page). - ^ a b c Cite error: The named reference
:7was invoked but never defined (see the help page). - ^ Cite error: The named reference
:8was invoked but never defined (see the help page).