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Talk:Madonna in media/Draft

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Lead

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Additional sources

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Coverage/scope/intellectual response

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  • Madonna, a palpable sign of growing global celebrity | Michael Jackson: Grasping the Spectacle (2017), pag 93
  • Ann Powers (1998) from The New York Times: Intellectuals have described her as embodying [...] celebrity itself]
  • We Gotta Get Out Of This Place (2001): "Madonna's was the most scrutinized female life of the 20th century—with the possible exceptions of Diana Spencer and Jacqueline Kennedy Onassis"
  • "academic studies and college courses dealing with Madonna's work benefited from the aura of her celebrity through the mid-1990s" | Madonna's Drowned Worlds pag. 188, by Santiago Fouz-Hernández (Durham University verified profile)
  • Humanitarianism and Modern Culture (2010): longevity of her career, now spanning generations / global celebrity since 1985 / she has rarely been absent from appearance in the media environment and has thus become a more or less natural, or at least inevitable, component of modern culture. She is simply there...
  • The Guardian: the template for modern pop stardom
  • Vice: she didn't set the template alone... but more than anyone else, Madonna created the rules of engagement now followed by everyone
  • The Oxford Handbook of Religion and the American News Media (2012): Midway through the Clinton two-term presidency, many of the established features of celebrity coverage in the news remained the same, and Madonna was still embodying all of them.
  • Lucy O'Brien in She Bop II (2002): "Madonna has proved to be the most enduring of the modern pop divas"

Celebrity-fame influence on others

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  • Forbes: 1991, Monica Seles taken inspirations from her idol Madonna to create "continuing media event out of a one-time happening".
  • Wanted to be as famous as Madonna (various)
  • Madonna's interest in Kabbalah has been covered intensely by the media | Changing Fashion 2007
  • Georges-Claude Guilbert (2002): "gay magazines regularly use her to boost their sales, even when no particular breaking news justifies it"

Comparisons

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Criticisms/relation and an aged Madonna

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  • Media and Memory (2011) by Joanne Garde-Hansen, an aged Madonna on online platforms
  • Michelle Goldberg: the "notion of celebrity as an art form that Madonna helped propagate has hideous consequences"
  • Michael Golden as cites by John A. Walker: "artistic output has become a by-product of fame instead of the reason for it"
  • Who's That Girl? Who's That Boy? (1998): "In short, she is famous because she is a bitch and a slut" (referring to gender bias)
  • so much has been written about her it is impossible to tell fact from fiction
  • Guilbert: some journalists enjoy being particularly venomous when writing about Madonna, revealing more about themselves than anything else"
  • Karlene Faith (1997, pag 35): Madonna invites observers , but she has no control over how she will be read or written . Marilyn Monroe , who , like Madonna , invited the attention of the press but was often disappointed in the results , let it be known that she didn't appreciate being judged by them : ' I don't think I've ever met a writer I'd like as my judge
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  • Eric Weisbard (2021): in the 1990s, "only Madonna books proliferated" (Jackson and Prince)

Others

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  • Settling the Pop Score (2017): Madonna's extraordinary celebrity status must be linked to her ability to grasp the rapidly changing technologies and styles of a multimedia industry and apply them creatively to her texts.
  • The Daily Telegraph: The antithesis of the manufactured pop star
  • The History of Rock and Roll (2010): Her success opened doors for female musicians in the male-dominated world of rock and roll | pag 34.