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Update: still researching this. Acceptance of Jean Hey as the painter of this body of work seems nearly unanimous, although some sources, such as the Yale Dictionary of Art and Artists (2000) continue to hedge. Their article is called Master of Moulins and explains that he "is sometimes identified with Jean Hey". More typical is The Oxford Companion to Western Art (2001), which crossreferences "Master of Moulins" to the Jean Hey article, and considers the case closed. My research, still fairly skimpy, has found no sources that argue against this identification. Virtually all museums, on their wall labels and websites, have replaced the M of M attribution with Hey. Ewulp23:18, 4 October 2007 (UTC)[reply]
