Talk:Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18/GA1
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Reviewer: Sainsf (talk · contribs) 10:09, 28 April 2016 (UTC)
Happy to take on this. Sainsf <^>Feel at home 10:09, 28 April 2016 (UTC)
- Lead
- Can we say something like (German for "Just as the rain and snow fall from heaven") in the lead, and also in similar cases in the main article?
- compare BWV 65 --GA
- Fine, if it is not the norm, no need. Sainsf <^>Feel at home 07:56, 30 April 2016 (UTC)
- compare BWV 65 --GA
- Would be good to add "composer" or perhaps "German composer" before Bach.
- compare BWV 65 --GA
- Fine, if it is not the norm, no need. Sainsf <^>Feel at home 07:56, 30 April 2016 (UTC)
- compare BWV 65 --GA
- Would be good to add a word on who Neumeister was.
- will think, that's what links are for, no? --GA
- I looked harder. In the lead, it seems like undue weight, - we don't say who Bach was, why Neumeister? In the body, there's quite a bit already. --Gerda Arendt (talk) 22:07, 28 April 2016 (UTC)
- You have a point. Links are fine, but in many articles they are introduced. There is no rule for this really, so don't worry about this unless it comes up as a FAC quibble :) Sainsf <^>Feel at home 07:56, 30 April 2016 (UTC)
- Link Weimar period.
- Good idea, will think about that also. --GA
- tried now --Gerda Arendt (talk) 22:07, 28 April 2016 (UTC)
- relatively early in Bach's chronology of cantata compositions Would be good to give an idea of how many Bach composed.
- his bio says that in the lead, - why would we repeat it in every cantata? --Gerda Arendt (talk) 16:32, 28 April 2016 (UTC)
- Just a suggestion, and I am not against the norms in these articles. I was interested because you deal with numbers in this line. Sainsf <^>Feel at home 07:56, 30 April 2016 (UTC)
- his bio says that in the lead, - why would we repeat it in every cantata? --Gerda Arendt (talk) 16:32, 28 April 2016 (UTC)
- History and words
- What does "capelle" mean?
- linked to Court chapel now ---GA
- Any link for Gotha?
- yes ;) ---GA
- It is one of few text "texts"
- yes ---GA
- second ovement "movement"
- yes ---GA
- Scoring and structure
- Use any proper source, but do have inline citations at the end of paragraphs. I don't want such a nice article to be littered with "cn" tags.
- For the keys, look at Sources, early version and Leipzig version, - and tell me how I quote that inline without loosing the predictable spot for the links ---GA
- I think you didn't wish to link Leipzig? If it has to be, then better link it in the earlier section, at its first mention.
- link removed ---GA
- Just curious, where do you introduce people and where do you not? For example, Alfred Dürr is introduced even though his name is linked, while Christoph Wolff is not. (Sorry, I am spoiled by FAC nitpicking ;) )
- explained Wolff ---Gerda Arendt (talk) 19:43, 1 May 2016 (UTC)
- Music
- Link accompagnato
- both secco and accompagnato are sections of recitative, hesitating, - would have to link both, sea of blue?
- Better not. Sainsf (talk · contribs) 03:52, 2 May 2016 (UTC)
- both secco and accompagnato are sections of recitative, hesitating, - would have to link both, sea of blue?
- Source for "4"?
- yes ---GA
- Selected recordings
- You may wish to give an idea of who Oron is.
- rather not, see other cantatas ---GA
That should be it. Another masterpiece, as always! Sainsf <^>Feel at home 08:12, 30 April 2016 (UTC)
- Thank you for good points, --Gerda Arendt (talk) 19:31, 1 May 2016 (UTC)
- Why did this have to wait for ages for a review? It won't have to anymore, this is promoted. Cheers! Sainsf (talk · contribs) 03:52, 2 May 2016 (UTC)