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Why are there no pictures of Gego or any of her public pieces of art?

Currently this wiki article fails to mention that upon arriving in Venezuela Gego worked as an architect and designed several buildings. Perhaps the only surviving building is the house she built for herself and her 1st husband. This house/building is an amazing structure. If possible, pictures of this work of art should be added.

There is no mention of Gego life a as woman. She was married twice (Gunz & Leufert) She had several children with her first husband, all who grew up to be fantastic Venezuelans.

Stan Osborne (talk) 13:36, 22 February 2008 (UTC)[reply]

Pronunciation of Gego

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A note on pronunciation:

"Gego" impresses itself on the memory: two short syllables and a single, repeating consonant (pronounce it halfway between Geh-go and Gay-go).

from

http://www.thefreelibrary.com/%22GEGO+1955-1990%22.-a079826073

Bookshrine (talk) 23:05, 27 September 2014 (UTC)[reply]

gegobyte

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There should be some disambiguation on gego. This is used as an unofficial scientific size prefix, as in gegobyte, similar to bronto as in brontobyte. See http://blog.seagate.com/business/a-gegobyte-hard-drive-would-cover-the-earth-23000000-times-2/ 66.155.23.67 (talk)

Done. -- BrillLyle (talk) 19:55, 17 October 2016 (UTC)[reply]
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CV laundry list

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Moved mainly unsourced material off main space. This does not add to our understanding of this artist. --WomenArtistUpdates (talk) 00:54, 19 June 2024 (UTC)[reply]

Selected exhibitions

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Solo exhibitions
  • 1958 - Gego: Sculptures and Gouaches, Liberia Cruz del Sur, Caracas, 9–24 May
  • 1964 - Lines and interlines: Engravings and Drawings by Gego, Museo de Bellas Artes, Caracas, 2–16 February
  • 1967 - Gego: Sculptures. 1957-1967, Biblioteca Luis Angel Arango, Bogotá, 8–30 June
  • 1968 - On Paper: Lithographs by Gego, Museo de Bellas Artes, November
  • 1969 - Reticulárea, Museo de Bellas Artes, June–July
  • 1970 - Gego Drawings, The Graphic Gallery, San Francisco, 1–17 May
  • 1971 - Gego: Sculpture and Drawing, Betty Parsons Gallery, New York, 13 April – 1 May
  • 1972 - Structures Double Curves, Galeria Conkright, Caracas
  • 1973 - Recent Drawings, Galeria Conkright
  • 1975 - Gego: Drawings for Projects, Instituto de Diseno, Fundacion Neumann, Caracas, 6–20 May
  • 1977 - Gego, Museo de Artes Contemporaneo de Caracas Sofia Imber, September
  • 1980 - Variations on Reticuláreas, Sala Cadafe, Museo de Arte Contemporaneo de Caracas Sofia Imber, May
  • 1981 - Reticulárea (permanent installation), Sala Gego, Galería de Arte Nacional, Caracas
  • 1982 - Watercolors by Gego, Galería de Arte Nacional, 4 Jul – 8 Aug
  • 1984 - Gego: Drawings without Paper, Museo de Bellas Artes, June–August
  • 1988 - Gego: Recent Works, Galeria Sotavento, Caracas, March
  • 1994 - Gego: A Look at Her Work, Museo de Arte Contemporaneo de Caracas Sofia Imber, November
  • 1996 - Gego: Drawings, Engravings, Weavings, Centro Cultural Consolidado, Caracas, September–November
  • 2000-01 - Gego: 1955-1990, Museo de Bellas Artes, October–March
  • 2002-03 - Questioning the Line: Gego, a Selection, 1955-1990, Museum of Fine Arts, Houston[1]
  • 2005 - Gego: Between Transparency and the Invisible, Museum of Fine Arts, Houston, 26 June – 25 September
  • 2007 - Gego: Between Transparency and the Invisible, The Drawing Center, New York, 21 April – 21 July
  • 2011 - Gego: Prints and Drawings 1963-1991, Frederico Seve Gallery, New York, 24 May – 18 August 2011
  • 2012 - Gego: Origin and Encounter, Mastering the Space Archived 19 August 2014 at the Wayback Machine, Americas Society, New York, 29 September – 8 December
  • 2014 - Gego: Line as Object, Henry Moore Institute, Leeds, 21 July- October 19[2]
  • 2017 - Between the Lines: Gego as Printmaker, Amon Carter Museum of American Art, Fort Worth, 7 February – 6 August 2017
  • 2022 - Gego: Measuring Infinity, Museo Jumex, Mexico City, October 19, 2022 - February 5, 2023
  • 2023 - Gego: Measuring Infinity, Solomon R. Guggenheim Museum, New York City, March 31 - September 10, 2023
Group exhibitions
  • 1954: XV Salón Oficial Anual de Arte Venezolano, Museo de Bellas Artes, Caracas
  • 1955: Venezolanische Impressionen 1954, Galerie Wolfgang Gurlitt, Munich
  • 1959: Pintura y escultura de profesores de la Faculdad de Arquitectura, Universidad Central de Venezuela, Caracas
  • 1960: Recent Sculpture, David Herbert Gallery, New York
  • 1960/1961: Section Eleven (New Names), Betty Parsons Gallery, New York
  • 1963: Pintura geométrica venezolana 1950–1960, Galería de Arte del INCIBA, Caracas
  • 1964: One Hundred Contemporary Prints – Pratt Graphic Art Center, Jewish Museum, New York
  • 1965: The Responsive Eye, The Museum of Modern Art, New York
  • 1966: Art of Latin America since Independence, Yale University Art Gallery, New Haven
  • 1967: Recent Latin American Art, The Museum of Modern Art, New York
  • 1968: New Dimension in Lithography. An Exhibition Recently Selected from the Tamarind Lithography Workshop, Fisher and Quinn Galleries, Southern California University
  • 1969: El arte cinético y sus orígenes, Ateneo de Caracas, Caracas
  • 1969/1970: Latin America. New Paintings and Sculpture. Juan Downey, Agustín Fernández, Gego, Gabriel Morera, Center for Inter-AmericanRelations Art Gallery, New York
  • 1971: Tamarind. A Renaissance of Lithography. A Loan Exhibition from the Tamarind Lithography, International Foundation, California
  • 1975: Relaciones y contrastes en la pintura venzolana, Museo de Bellas Artes, Caracas, Gego, Otero y Negret, Galería Adler Castillo, Caracas
  • 1976: Las artes plásticas en Venezuela, Museo de Bellas Artes, Caracas
  • 1978: Pequeña historia del dibujo en Venezuela, Estudio Actual, Caracas
  • 1982: Spielraum – Raumspiele, Alte Oper, Frankfurt am Main
  • 1986: Caracas urbana, Museo de Arte La Rinconada, Caracas
  • 1988–1990: The Latin Spirit. Art and Artists in the United States 1920–1970, The Bronx Museum of Art, New York
  • 1992: Latin American Artists of the Twentieth Century, Plaza de Armas, Sevilla
  • 1996/1997: Inside the Visible. An Elliptical Traverse of 20th Century Art (in, of, and from the Feminine), The Institute of Contemporary Art, Boston
  • 1997–1999: Re-Aligning Vision. Alternative Currents in South American Drawing, The Neighborhood Museum, New York
  • 1999/2000: The Experimental Exercise of Freedom. Lygia Clark, Gego, Mathias Goeritz, Hélio Oiticica and Mira Schendel, The Museum of Contemporary Art, Los Angeles
  • 2000: Force Fields. Phases of the Kinetic, Hayward Gallery, London
  • 2000/2001: Heterotopías. Medio siglo sin lugar 1918–1968, Museo Nacional Centro de Arte Reina Sofía, Madrid[3]
  • 2001: Geometric Abstraction. Latin American Art in the Patricia Phelps de Cisneros Collection, Fogg Art Museum, Harvard University.
  • 2004: Ruth Vollmer & Gego: Thinking the Line, ZKM Center for Art and Media Karlsruhe, Karlsruhe
  • 2013: "Zero" Museu Oscar Niemeyer (in collaboration with D.O.P. Foundation and The Goethe Institut), Curitiba, Brazil.[4]
  • 2013/2014: Zero Iberê Camargo Foundation (in collaboration with D.O.P. Collection and The Goethe Institut), Porto Alegre, RS, Brazil.[4]
  • 2014: Zero Pinacoteca do Estado de São Paulo (in collaboration with D.O.P. Foundation, The Goethe Institut, Prohelvetia & Alliance), São Paulo, Brazil.[4]
  • 2016: Revolution in the Making: Abstract Sculpture by Women, 1947–2016, Hauser, Wirth & Schimmel, Los Angeles
  • 2016: Unfinished: Thoughts Left Visible, The Met Breuer, New York

References

  1. ^ "Questioning the Line", Museum of Fine Arts, Houston, Retrieved online 11 November 2018.
  2. ^ "Gego. Line as Object", Henry Moore Foundation, Retrieved 11 November 2018.
  3. ^ "Versiones del Sur: Cinco propuestas en torno al arte en América. Heteropías. Medio siglo sin-lugar: 1918 - 1968.", Museo Reina Sofia, Retrieved 11 November 2018.
  4. ^ a b c "ZERO" - exhibition catalog of the most important travelling exhibition in America of Zero Group, edited by Heike van der Valentyn, with essays by Otto, Piene, Paulo Venencio Filho, Heinz-Norbert Jocks, Heike van den Valentyn, published by Museu Oscar Niemayer, Iberê Camargo Foundation & Pinacoteca do Estado de São Paulo and printed in São Paulo, Brazil, 2013, ISBN 978-85-60638-37-6