Talk:Double Concerto (Brahms)

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The article says: "...and which can be analyzed using the triadic transformations proposed by Bernhard Riemann." The person to be credited is the Musicologist Hugo Riemann, not the mathematician Bernhard Riemann. — Preceding unsigned comment added by 84.185.155.153 (talk) 21:28, 2 April 2012 (UTC)[reply]

That this piece can be, or has been, anlaysed from a "Riemannian perspective" tells us absolutely nothing about it, unless the results of the analysis are also discussed. At present we are told only of "progressions that divide the octave into three parts", which is not illuminating. If Cohn's work is worth including in this article at all, then it is worth describing its application to the Double Concerto in more detail. JBritnell (talk) 07:53, 3 October 2021 (UTC)[reply]

"Frei aber einsam" - F-A-E permutation in double concerto?

I doubt that numerologist interpretation. The cello's theme begins A-G-E, the violin replies with F-E-A. Could somebody clear that up please? — Preceding unsigned comment added by 91.47.246.172 (talk) 11:11, 8 June 2017 (UTC)[reply]

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