Talk:Diana Scultori

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Untitled

This article is riddled with platitudes and excessive assumptions.

16th century Italian painters did have limitations, but also many expressed themselves with a freedom elsewhere unkown. Very few, if any, were excommunicated or had property confiscated due to the nature of their paintings. Name one please. Paolo Veronese tribulations with

Inquisition in Venice are often cited, but in the end, the difficulty it imposed on the artist was minuscule. Most of the limitations on the artists were not exercised by a tribunal enforcing dogma, but by economics: what people wanted to buy. Since churches and oratories were extravagant buyers, the works they bought needed to satisfy their beliefs. Men also wanted to buy paintings by men; and would have frowned on a women painting some themes. Despite all these limitations, the freedom enjoyed by artists in this day was greater than we can imagine; e.g. Correggio, Caravaggio, etc.

Thematics for women painters were often limited, but on the other hand, there were women painters, which elsewhere in the urbanized world

was exceedingly rare.

Women did join the Academia di San Luca in Rome during this time.

Baroque1700 (talk) 13:40, 6 April 2009 (UTC)[reply]

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