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Talk:Cross Fire (film)

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My name is Heidi Pusey and I am a paid student employee of Rachel Helps (BYU) at the Harold B. Lee Library. The library has a collection of Merian C. Cooper's papers, which can be found here. Because this is one of Cooper's films, I thought I'd work on improving the page. If you have any questions or concerns, feel free to reach out. COI declarations on userpage. Heidi Pusey BYU (talk) 23:25, 4 November 2024 (UTC)[reply]

Feedback request

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@Rachel Helps (BYU): I have added everything I can find to the article. It turns out there isn't much out there about the film. Could you check over what I added? Could you also make sure my plot summary doesn't have close paraphrasing? I couldn't find the film to watch it, so I had to rely on TCM for the synopsis. Thanks, Heidi Pusey BYU (talk) 20:24, 7 November 2024 (UTC)[reply]

Hi Heidi, it sounds like a complicated plot with a lot of characters. I agree that ideally, someone who has seen the film would summarize it for us, but we make do with what information we have. There is a cool tool you can use called Earwig's copyvio detector. It doesn't show close paraphrasing, but it does show what phrases are the same. I used this to find a few phrases to change. Rachel Helps (BYU) (talk) 20:31, 8 November 2024 (UTC)[reply]
I read the reception section. I just have one question--why did Variety say that it didn't matter that the action was stereotyped? Rachel Helps (BYU) (talk) 20:39, 8 November 2024 (UTC)[reply]
Okay, so I'm going to take a look at some of those similar phrases and see what I can do to change them up. Also, the connection with sterotyped acting isn't super explicit in the review, so I'll see what I can do about concocting an explanation that does not brink on original research. Heidi Pusey BYU (talk) 20:45, 8 November 2024 (UTC)[reply]
Here's what the Variety review says:
  • "In the proper spot this film cannot hurt any program. Caught on the bottom half of a double bill picture fitted okay. It's a hybrid for plot, but it has several moments of hard riding, machine gun shooting, and a couple of killings. Dialogue isn't smart but understandable and if the acting is stereotyped it doesn't matter. Starts with the hero..." (cited in article)
Here is what I currently have:
  • "Variety called the acting "stereotyped" but added that it 'doesn't matter'. The magazine also stated that the 'dialogue isn't smart but understandable'."
Here are some ideas for clarifying this part. Let me know which work best, if any.
  • "According to Variety, the "stereotyped" acting "doesn't matter" in comparison to the film's high-energy action." (This one I'm not so sure about)
  • "Variety stated that the film's 'acting is stereotyped', though it contains sequences of high-energy action."
  • "Variety stated that the 'dialogue isn't smart but understandable' and the 'acting is stereotyped'."
Heidi Pusey BYU (talk) 21:06, 8 November 2024 (UTC)[reply]