Talk:Color temperature/Archive 1

Archive 1

old talk

Right now this article mainly discusses the practical application of color temperature in cinematography -- we need information on the physics of it...

Agreed. But I don't know anything about the physics of it. --Koyaanis Qatsi

Nice work anyway KQ! I really enjoyed reading it (OK, it does need the techie stuff though) - MMGB

yeh. and the prose needs a little work. but i'm off to bed now.  :-) thanks, though. much appreciated. --Koyaanis Qatsi

Added more physics-oriented discussion, made distinction between colour temperature and white balance. -- The Anome

Hehe - Article title "Color Temperature". First sentence "Colour temperature...". God I love this place. - MMGB

Yeh, it's great. Thanks, Anome, for adding the physics stuff. Sorry to use the term "loosely"; it's very common in the film & documentary industry. --Koyaanis Qatsi

Yep, I know -- The Anome

Cinematographers don't/can't "white balance" in the same way as video camera operators: they can use techniques such as filters, pre-flashing, and after shooting, color grading (both by exposure at the labs, and also digitally, where digital film processes are used). This needs to be incorporated into the article. -- Anon.

Yes, it does need to be integrated into it. I've worked with both film and video, and noticed that, but never noticed the lack of coverage in the article. However, I'm off to bed now, so I'm glad to see you've added it. Thanks.  :-) Koyaanis Qatsi 07:20 17 Jun 2003 (UTC)

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Mark Sweep created pure art work from your basic start. I tried to help a little too. I want color temp to link like this, but I'm gettng the wrong words incandescent or incandescance, should link to the section called Incandescent Bulbs but [ "Incandescent" / "Incandescent Bulbs" ]]doesn't give me back my original word.gimma quick lessson please.I want to do this to fluorescence too.[User:Dkroll2|Dkroll2]]--[[User:Dkroll2|Dkroll2]] 04:09, Dec 14, 2004 (UTC)

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All you need to do is write this: [[Incandescent light bulb|incandescent]] he pipe character "|" is used to show different text in a wikilink. Put the article name before the pipe, and the desired text of the link after the pipe. It'll show up like this: incandescent. But please remember that we only need to link the first time each term is used. There's no need to go through articles linking every instance of the term "incandescent". Rhobite 05:17, Dec 14, 2004 (UTC)

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OOPS!//excuse me whilst I go fix a ton of stuff. DKroll2 OK you Color Temp guys got your physics, well some of it. Enough so It it didn't get too complex. I didnt agree about white balance and photography, since there are so many alternative applications, but at least you HAVE applications sections. AND I learned a bit mre about how white balance relates to color temp. thanks DKroll2

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spectral power distributions

The plot showing a spectral power distribution looks representative of older "halophosphate" fluorescents, but not of the majority of modern tubes found in offices etc which use a newer "triphosphor" mix. My personal web page has a measured triphosphor spectrum (don't use as a wikipedia source!) http://www.techmind.org/colour/tld32w84hfsml.gif the key point being that the modern triphosphors have a very spikey spectrum with very little continuum at all. You may find emission spectra graphics from Philips/GE-Lighting/...

For spikey emission spectra, even if the overall colour were equivalent to a blackbody, the way it renders reflective (object) colours will always be "off" [colour-rendering issues - reflected colour arise from the product of the lightsource spectral power distribution and the object spectral reflectance]. Consequently, for photography it can still be impossible to properly colour-correct fluorescent light using filters.

I'll try and explain myself better and edit the article itself sometime.

57.66.65.38 12:58, 23 August 2006 (UTC) Andrew Steer ( http://www.techmind.org )

citations.

Question about citations.

I did 2 with success on those sections I wrote, but:

1: how many sections/paragraphs up from the citation is it valid? problem: I desire to find citations for my contributions, but not to some others, with whom I disagree, etc.

How do I limit my citations to my writings?

A thought: What if my writings are eventually rewritten, or even just editing incorrectly? The citation is invalid and is an insult to the cited author.

Hmmmm.--[[User:Dkroll2|Dkroll2]] 06:23, Dec 23, 2004 (UTC)

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I fixed the link to Planck's Law, but I wondered if that shouldn't be Planck's_law_of_black_body_radiation? --Lemming 21:57, 21 Jun 2005 (UTC)

You're right. I fixed it. PAR 23:02, 21 Jun 2005 (UTC)

warm and cool colors

hmm I've been thinking (not expert, just a question :) ) how does colour temperature relate to cold/warm colours? I mean, red is a "warm colour", and blue is a "white colour" but according to colour temperature, it's the opposite. Is there anyone who sees the problem (and can clear things)?

The idea of red as warm and blue as a cool color is psychological, it has to do with the psychological effect of colors, as in "hot-blooded" or "cool-headed". Its not a measure of the physical concept of temperature. This article is concerned with the relationship between the temperature of an object and the visible radiation it emits, that is the physiological, observed color of the object. PAR 11:30, 21 August 2005 (UTC)

Our ideas about hot, warm, cool, and cold temperatures are psycological associations based on the common experiences of man since time immemorial. Red is the color of many things hot: fire, embers, lava, molten steel, even sunburned skin. Something "red-hot" is considered very, very hot. Orange and yellow, other "warm" colors, are also often seen in fire. Blue, on the other hand, is associated with water and ice. It's considered very cold. Green is associated with things like leaves and grass. These things are usually somewhat cool to the touch (they conduct heat away from your skin), but not cold like water and ice. These thermal associations were determined before people understood that, as incandesence goes, red is really very cold. Red-hot was just about as hot as anybody could get anything for a long time. PJA 17:30, 19 December 2005 (UTC)

Though quite late (almost six years after), here some addition. According the German Wikipedia article cold colour the interpretation of blue has changed during the centuries. For the medieval Christian understanding, blue was considered warm, and commonly used as the colour of Maria. Similarly, a blue sky is sometimes associated with warm and sunny weather (especially if accompanied with a saturated green landscape), sometimes with the low temperatures at high altitudes (i.e. blues sky above snow-covered mountains). In connection with lighting it would be interesting to look for studies about the reception of light of different colour temperature. For example, I personally do not associate "warm white" with a warm and cosy atmosphere necessarily. Rather, my primary association is that of cold winter days where such orange-yellow light sources are required even at daytime, and where the sun sometimes hardly penetrates the haze, appearing as a yellowish to reddish, dull and blurry spot on the sky, rather than as the powerful white ball like which it appears in summer. On the other hand, I recently made the experience, that a fluorescent lamp with high color temperature (6500 K) does not necessarily appear "cold", but, in certain circumstances may cause even a tropical feeling (my first association after installing it in the bathroom was that of the beaches of Tenerife). This may also depend on the total lux value (the tropical feeling is much less in the much larger living room, using the same lamp). I have heard of at least a few statements (e.g. as online-posted customer's experiences with lamps, or on blogs about lighting) of people who feel similarly. To avoid original research, the next step would now be to retrieve such a study and post the results.--SiriusB (talk) 08:51, 24 October 2011 (UTC)

Color / Colour

Why used color instead colour? The color is the American spelling. And the colour is the more frequent word then the color (Look at Macmillan English Dictionary, 2002).

Wikipedia does not have a preferred version of English, but it does mandate consistency within articles. (See Wikipedia:Manual of Style. Given that the article is called Color Temperature, color and not colour ought to be used throughout. Nareek 20:04, 7 February 2006 (UTC)

There are not frequent of not frequent word. 'Color' is a american term, colour, an english one. As say Nareek, stay constant; if you use one term, keep it all along your article. -- luxorion

I agree, it should be translated from American into English. It would probabally make more sense to people. J (talk) 14:07, 10 January 2010 (UTC)

The whole of Wikipedia should be so "translated". It is supposed to be an international, geography neutral resource, and like it or not, there are more speakers and writers of "English English" than "American English" in the world. To insist on American spellings is another example of US cultural imperialism. —Preceding unsigned comment added by 93.96.126.212 (talk) 09:57, 14 January 2010 (UTC)

Please see WP:ENGVAR. VMS Mosaic (talk) 23:46, 14 January 2010 (UTC)

Sky Colors

I believe that there is an error in this page. There where some example Kelvins are noted, I don't think the sky colors count as Black bodies. The blue color of the sky and the yellow color of the sun is actually due to refraction.

From Luxorion : see my answer at the end of this page. For short, you are completely right.

Mostly because of the Oxygen in the air, if I remember correctly. The oxygen has higher refration at the blue spectrum. That's why indirect, refracted light from the sun, all over the sky is blue and the rest of the direct light (image of the sun itself) lies in the yellow to orange (substraction of blue from a white light source gives yellow). Of course, if it's a very bright day, more of the unrefracted light comes from the direction of the sun and it looks whiter. The sun actually has about the same color continuously (except if you gonna count solar flares and solar activity changes). It's just its position in the sky (lower means more air, more refraction) and the composition of the sky (the wheather, height, .. ) that makes it change color (and consequently the color of the sky).

This can also be confirmed by the spectrum of the sky (the indirect light from the sun), it isn't a temperature color on itself! It's rather a refracted part of the spectrum of the sun. Can someone (confirm &) correct ?

R U Bn @ e-builds 13:24, 10 February 2006 (UTC)

This article explains it, its up to you to copy paste :) http://members.shaw.ca/jimht03/light.html -Anon

While it may be true that the blue colour of the sky is due to a specific phenomenon not related to temperature (namely Rayleigh scattering), the fact remains that light colours can be correlated to black-body temperatures, and so it is still useful to speak of 'colour temperature' in relation to the appearance of the sky. The fact that photographers have produced the results desired by using reference to colour temperature in relation to daylight (and have done so for decades) merely reinforces the utility value of the concept, even though what is taking place here is a conceptual mapping from one physical phenomenon to another. Science and technology is, after all, replete with such useful conceptual mappings! Calilasseia 21:36, 16 March 2006 (UTC)

As you say, the underlying physics is different, but pale blue skies could be a reasonable approximation to a black-body colour, and thus be assigned a Correlated Colour Temperature. Deep blue skies however are simply nowhere near the blackbody locus and cannot be assigned a CCT. 57.66.65.38 09:32, 24 August 2006 (UTC) Andrew Steer http://www.techmind.org/

Thanks, Calilasseia, you are very right. Though I also agree with Andrew Steer and I would add that the clear midday sun is also not very near BB. But maybe we need to reflect this. Proposal: Let's just put between ( ) which resemble BBs and are not really a (appr.) BB source with for example (approc.) and (no BB source). Wayathink ?R U Bn @ e-builds 13:34, 24 August 2006 (UTC)

Clear midday sun is not far off a blackbody for most practical colour-matching purposes. I took a nice spectrum from Surrey in England a few days ago - hopefully I can get that on the web sometime as it's a nice illustration :-) As to your last point, real BBs vs approx... recall "D65" is NOT the same as 6500K; 6500K is a blackbody colour while "D65" is a "standardised" daylight spectrum with colour close to a BB at 6500K. Similarly other "Dxx" colours - specified spectral power distributions defined by the CIE way back when! Fluorescents and discharge lamps are the ones which are nothing like BBs (and cause real headaches for colour-matching) - and it's the spikiness of the spectrum which prevents smooth filters from being able to balence the light. An arbitrary non-blackbody-colour source, as long as the spectrum is smooth, could be perfectly colour-corrected with a smooth-response filter on a camera. 80.189.152.198 22:01, 24 August 2006 (UTC)Andrew Steer http://www.techmind.org/

From Luxorion (ex-weatherman and pro-photographer among others) : I changed the text about black body and color of the sun in the paragraph were the previous author compared the color of the sun and the sky with the one of a BB brought over 6000 K... It is a non sense ! Only the effetive sun color depends on the BB. The color of the sun seen from the earth surface is only affected by refraction of sunlight and the color of the sky by Rayleigh scattering. See the text for comments. The rainbow graph of the sky from 0-15000 K or so should also be removed of moved elsewhere because it not related to the sky color but only to a black body. More explanations in French on LUXORION website How is it possible to let such errors on wiki !

An additional note: While it is correct that the sky colour is not caused by blackbody radiation, there is an interesting mathmatical similarity: Rayleigh scattering is proportional to the fourth power of the frequency (thus wavelength^-4). This, however, is exactly the shape of the Planckian law of radiation for the limit of infinite temperature (which has a well-defined locus in the CIE colour space). For this reason, the blue sky can indeed be treated as a good approximation to a very hot blackbody resp. its shine on a distant white surface. This relationship would be exact for an equal-power spectrum. Since the Sun has a near-Planckian spectrum itself, the shape of the resulting spectrum is different (more green, less steep ascent towards blue, i.e. lower colour temperature at the blue end). But as the cited references in Standard Illuminant (in particular, Fig. 2 in Judd, MacAdam, Wyszecki (1964) on the sky colour spectra show, the approximation is still valid, and most sky colours are quite close (and typically slightly above, i.e. green-shifted with respect) to the Planckian locus curve.--SiriusB (talk) 09:15, 24 October 2011 (UTC)

An addition to this addition: The λ^-4 law is actually the Rayleigh-Jeans law which is valid for wavelengths much longer (i.e. frequencies much lower) than that at the Wien peak. For infinite temperature this is always the case, and therefore the RJ law exactly describes the spectral energy distribution for the case of infinity.--SiriusB (talk) 12:57, 16 February 2012 (UTC)

Xenon, fluorescent, etc

I suppose we can't say xenon arc has color temperature because it is not produced by a back body.

Fluorescent lamps shouldn't not be referred as having color temperature. They do not have. One can say they have light characteristics that look like (?) another black body light source, but that's all. HMartins

Both do have what is known as correlated color temperature. From the work of MacAdam, we can measure just how close two colors are to each other. For any color then, we can find the black body color that is closest to it. The correlated color temperature of that color is then the color temperature of that closest black body color.

Daylight

The "common examples" of color temperature needs either citation, cleanup, or further explanation. Right now it lists:

1. 5000 K: Daylight°
2. 5500 K: average daylight, electronic flash (can vary between manufacturers)
3. 5770 K: effective sun temperature
4. 6500 K: Daylight°

... listing Daylight as *two* different colors, "average daylight" (whatever that means) as a third, and "effective sun temperature" as yet a fourth. That's confusing enough to be utterly unhelpful.

CIE defines a series of "daylight" (D-class) illuminants, among which are D50 (5003 K CCT), D55 (5503), D65 (6504) and D75 (7504). The color temperature of the Sun simply equals the temperature of its surface (5778 K), because the Sun itself is true black body. There is no confusion with multiplicity of values, because perceived color of daylight is obviously varying due to atmosphere conditions: from reddish sunrise to bluish evening and silver-white clouds. 217.172.21.161 18:32, 31 July 2007 (UTC)

It doesn't make much sense to talk about the color temp of the sun; only sunlight as received on earth is relevant, unless you want to talk about photography in outer space. Dicklyon 19:00, 31 July 2007 (UTC)

Practically, you're right. But this value helps to understand the enormous influence of the atmosphere, as actual CCT on Earth's surface can be much lower and much higher than original, greatly varying across the day. I think it's good to know the true unbiased value, at least for theoretic meditations. :) 217.172.21.161 06:41, 10 August 2007 (UTC)

OK, but then what is the source for it being a "true black body"? The ref'd source for the temp calls it "Effective temperature: 5778 K" and shows different higher and lower temps at different levels of the sun's atmosphere. Doesn't sound much like a black body to me. Does "effective" here mean the CCT? Or something different? Dicklyon 06:54, 10 August 2007 (UTC)

No, the "effective" 5778 K temperature is real temperature of the solar surface, and no chemical reactions go on this surface, so it is the "true" (purely planckian) color temperature of the Sun itself. But all other "apparent temperatures" are CCTs, because they refer to atmosphere-modified spectrum of black body. As solar surface doesn't heat up or cool down, they just can't be "true" color temperatures.

No, that's wrong on several counts. The temp does change. And a lot of the light is from hot gasses, so has narrowband spectral lines. It's overall not too far from a blackbody, but certainly not near an ideal one. Dicklyon 15:29, 11 September 2007 (UTC)

By the way, while we discussed this, the article almost completely lost its connection to physics, including the mentioned reference to "effective" (true) Sun temperature. This ain't good, I think. 213.234.235.82 15:16, 11 September 2007 (UTC)

Color temperature is more of a color topic than a physics topic. Of course, the connection to an ideal blackbody radiator should be made clear, too. Dicklyon 15:29, 11 September 2007 (UTC)

I have reverted your edit because it introduced a lot of misinformation. The characterization of blackbody in the lead was not accurate, not required. The word "perceived" detracts from the objective definition of what we're talking about. The introduction of a human body as a blackbody is neither correct nor relevant to color temperature. etc. There may have been a few good links or something reverted, too. Please try again, being more careful to get it right. Dicklyon 16:45, 11 September 2007 (UTC)

Please be consistent in your judgements. Are we talking about color perception or pure physics?

• The main thing to know about black-body radiator in context of color theory, I think, is the fact that emission is caused solely by thermal radiation. The other fact, that is usually considered primary in scholarship, — that no transmission and reflection is present — is not of great concern here, as we are talking of self-luminous objects and discounting any light actually reflected by them. This is exactly why I put human body in the examples: no matter that it can reflect (and even transmit) light, the point is that in a dark room it emits some thermal radiation, just as any black body would. This radiation is only defined by temperature of skin, not the chemical and biological processes under it. If our eyes could register such a weak emission at least in visible wavelength range, we would perceive 310 K as highly saturated red (according to plot of planckian locus on xy cromaticity diagram).
• Of course, there is no perfect black-body radiator in the real world. So, for the purpose of this article, any object whose emission is near-planckian, can be named to have "true" color temperature. Some small spikes on the spectral plot don't make great deal, as long as much more power is carried by wideband radiation. Yes, maybe I was wrong by having put no disclaimer about this approximation, but the sense change little in this context.
• The Sun. In the corresponding article I found no reference to some kind of temperature fluctuation. Even if it really goes on, it has no connection with terrestrial atmospherical modification (absorption) of solar light. Temperature of solar surface is really about 6000 K. As I understand it, the emission of light (well, of bigger part of it) is not done by chemical reaction — no gas burns there, almost no oxygen for it — but is defined by thermal state of photosphere.
• The word "perceived" is inevitable in context of color perception by living organisms, especially by human being with his sophisticated perception mechanisms, especially when we talk about correlated color temperature. Chromaticity is about perception and nothing else, as long as neither objects nor emissions are "red" or "bluish white" or "saturated green". All those color models (CIE RGB, XYZ) are built upon experimental data with human observers trying to match two colors. Other animals have very different chromaticity perception, because their eyes consist of different number of receptors with different spectral sensivity and stimulus adaptation, and their minds (which are the main color recognition units) work completely differently.

I just don't like that this article loses connection with science. I think that the main thing to know about color temperature is its nature, for the people to understand the difference between black-body and artificial illuminants. Whithout this understanding, the term CRI makes no sense, along with some other publishing-related issues. And as to the physics, it is good to understand that the black body abstraction is used because it gives the unique ability to describe emitted spectrum (and apparent color) with a single number — the temperature. It is good to understand that the temperature of, let's say, match flame is not 1700 K, but much lower. That the Moon seems invisible without reflected light, because our eyes don't sense its own "red" ("infra-red") emission.

For the moment, this article is very "shallow", doesn't give deep view of the problem; unfortunately, most of color theory articles in Wikipedia are too. I think, simplifying the content further is a wrong way. —Preceding unsigned comment added by 62.118.220.182 (talk) 09:31, 12 September 2007 (UTC)

Oh, by the way. Early you asked about the meaning of "effective" temperature. There is an article in Wikipedia of the same name: Effective temperature. According to it, 5780 K is of course CCT, not theoretically "true" temperature. But having in mind the aforementioned approximation of "near black-body" objects, and that the actual temperature of surface is almost equal, what's the difference? In context of color topic, there is none, I suppose. The goal is to show that Sun is not like a fluorescent lamp or display screen. 213.234.235.82 13:11, 12 September 2007 (UTC)

Unindenting.

Yep, unindenting has dramatic power. It helps to loose the line of sight. :)

Colorimetry is related to perception, but translated to objective physical measurements and calculations. Perception is variable and subjective; chromaticity and color temperature are not. But it's not really about physics per se, either, just a representation of a 3D subspace of spectrum space.

You mess different types of "perception". General everyday perception under arbitrary conditions is of course variable (but not too "subjective", as it's widely considered). Perception within fixed "colorimetric conditions" is very uniform between individuals, and that makes possible the creation of colorimetic models such as RGB and XYZ. Then measurements are formalized and formulae are strict, but they still reflect human vision model under certain conditions. Thus, correlation of apparent color to a reference (black-body or wharever) stimulus is also a colorimetic issue, not just abstract mathematics.

I think it's great that you're interested in working on improving the article. But improving it with information from reliable sources will be a better contribution; sourced material is usually correct, and usually lasts better, than stuff made up from what's in you head.

As to the "purely thermal" explanation of blackbodies, I think you made that up. It's not enough. Emissions from a low-pressure gas will be in discrete lines, nothing like a blackbody spectrum. That's why the sun has so many well known solar spectrum lines (actually the Fraunhofer lines are mostly absorption lines from cooler gases higher up in the solar atmosphere). Also see Solar variation.

I wasn't aware of the atronomical term effective temperature, but I see it's about stellar luminosity, not color. I don't think it has any place in this article, but if you find a source that connects it, then please do cite it.

As for importance of spectrum to Color-rendering index, you are correct. But that's not really very relevant to this article. Dicklyon 14:52, 12 September 2007 (UTC)

Unfortunately (or fortunately?) it is. Otherwise, what is this all about? Be sincere, do you really need 10'000 gradations between "match flame" and "cloudly sky" for practical applications, such as "visual arts, filmmaking and stagecraft"? Differences less than 500 K are virtually undistinguishable, not only by eye, but even by a camera. So a maximum of 20 steps is required, and for general usage some 5–10 would be enough. Why just don't call it "bluish" and "reddish" or "warm" and "cool"?

Talking about color temperature (and CCT) without mentioning CRI and underlying metamerism with perfect radiator is a dead end. The problem of "CCT vs CT" is not just that small difference in xy coordinates. Someone who wants "fixed and well-known white point" will not succeed with simply achieving cherished 5000 K reported by XYZ-colorimeter. Readers should know that applying a "spiky" light of generic daylight lamp won't render them correct colors. They should clearly understand, why they need to approach as closely as possible to some smooth, uniform-like spectum of black body or its real approximations. Without it, such things as "D50 test" patch pairs (which demonstrate metamerism only under D50 and look different with any other illuminant) simply make no sense.

Do you catch my point? For the moment, this article has little practical value, neither it is scientific enough. 62.118.220.182 08:56, 14 September 2007 (UTC)

So fine, add some mention of metamerism, and a discussion of why "spiky" light sources won't render correct colors. That seems to me like a perfectly relevant thing to add to this article. I doubt Dicklyon would be opposed to including such background information, as long as it stays concise and links out to the main metamerism article. --jacobolus (t) 05:42, 15 October 2007 (UTC)

Agreed. A brief section titled illuminant metamerism, with a main link to metamerism (color), to point out that color temperature isn't all you need to know about a light source if you care about how things are going to look, would be a good idea. As to 500K being fine enough, that's not true at the red end of things; 2000 vs. 2500 are hugely different. That's why reciprocal color temperature is sometimes used; see mired, where numbers 0 to 500 or so are plenty (somewhat finer than you need for good white balance correction, but that's OK). Dicklyon 06:41, 15 October 2007 (UTC)

Outstanding Article

I just want to say this is an outstanding article. I've been trying to find the right color temperature to request LED lighting, and wanted to make sure I understand color temperature. It would be interesting, if someone has the information, to describe the differences in LED lighting (relating to color temperature, or CCT) as has been done with fluorescent. 206.124.31.24 17:39, 31 January 2007 (UTC)

Class differences

Can someone explaine the difference in ratings between wikiprojects? -JWGreen 04:00, 15 March 2007 (UTC)

Yes, this article has a long way to go, but the filmmaking wikiproject apparently has low(er) standards. Though it was my impression that "good article" meant an article had actually been through WP:GAC. It's possible that the "good article" assessment from the filmmaking wikiproject is simply a mistake. --jacobolus (t) 05:13, 28 April 2007 (UTC)

Incandescent

I have a question about the following statement made in this article.

"The power of a lightbulb (20 or 100 W) seems to change its color but in reality it only affects its luminosity (luminance) to which our eyes are very sensitive."

Is there a reference for this? This doesn't seem to agree with a statement in the Incandescent Light Bulb entry (see quote below), which infers that color temperature of tungsten lighting is variable.

"The current heats the filament to an extremely high temperature (typically 2000K to 3300K depending on the filament type, shape, size, and amount of current passed through). Heated atoms within the filament intensely vibrate. The electrons, which are charged particles now strongly oscilating, radiate excess energy in the form of black body radiation, according to Maxwell's equations."

I'm not saying that a 20W bulb and a 100W bulb couldn't have the same color temperature, it just means that they aren't necessarily the same since there is a lot of variability in filament temperatures for tungsten bulbs.

Furthermore, I have seen many photography websites which list color temperatures for tungsten lighting as a range, rather than a single value.

On a different (but related) subject, I would infer from the Incandescent Light Bulb entry that a dimmer switch will vary not only the luminosity of the bulb, but also the color temperature. This might be worth mentioning in this article. —The preceding unsigned comment was added by 202.33.240.34 (talk) 02:00, 14 May 2007 (UTC).

Since incandescent lamp is near a black-body radiator, its (correlated) color termerature must be almost equal to the actual temperature of filament. As almost all drawed power is spent on heating, the rated nominal (20W or 100W) defines the color temperature too. Of course, some considerations and approximations apply here, but roughly this is it: if the lamp manages to heat the filament to 3300 K, it will look chromatically different thant 2000 K. Of couse, luminance level is also essential in saturation and even hue perception, but the xy chromaticity coordinates are really not the same. 62.118.220.182 11:06, 14 September 2007 (UTC)

As a matter of convenience in filament sizing, the higher-wattage standard bulbs tend to run a little hotter than the lower-wattage bulbs. It doesn't have to be that way, and it doesn't apply to all classes of bulbs, but within standard indoor bulbs there is a moderate increase in color temperature as you go up in wattage. Search up some sources and fix it... Dicklyon 15:01, 14 September 2007 (UTC)

full spectral power plot

Please get a real, full spectral power plot for incandescent lamp - don't cut it off at 700 nm!-69.87.203.221 01:44, 26 May 2007 (UTC)

Why? Only the visible part of the spectrum affects color temperature. Do you have a plot you'd like to contribute? Dicklyon 01:56, 26 May 2007 (UTC)

leds?

If anyone knows about LED lights and their color temperature, that is what i wondered next when reading this article. good job y'all; thx.

Colored LEDs are nearly monochromatic, so talking about a color temperature makes no sense. But white LEDs do have a correlated color temperature, usually in the range of 5000 K to 8000 K. Dicklyon 03:00, 6 August 2007 (UTC)

I know that even white LEDs are not full range, and even with a pure green, red, and blue LED colormix you cannot create every color. I don't know if that is relevant to color tempurature, but thats what I know from my theatre lighting experience. -JWGreen 03:14, 6 August 2007 (UTC)

No, it's not relevant to color temperature. The links I cited above, by the way, are for phosphor-type LEDs, I think, not RGB LEDs. Dicklyon 03:16, 6 August 2007 (UTC)

Colour temperature & preference

I added a fact tag to the colour temperature recommended range as I'm not sure how universally true it is. For example, I'm pretty sure Asians, at least East Asians and I think also South East Asians prefer a higher colour temperature then is the norm in the West. While I couldn't find any reliable sources to support this, these sources [1] & [2] do make the claim Nil Einne (talk) 12:23, 23 August 2008 (UTC)

This should help in looking for reliable sources: Kruithof curve (indoor part) and 9300K (Asian part). --Adoniscik^{(t, c)} 14:09, 23 August 2008 (UTC)

No, this apparently doesn't help. A Google search with these keywords only directs to this WP discussion page and nowhere else. Do you any reliable sources where the Kruithof curve is separated into an European and an Asian part? And what do you mean whith 9300 K? Is this a special color temperature value relevant to Asian people? Why?--SiriusB (talk) 09:10, 13 February 2012 (UTC)

Endoscopic surgery

not sure where to put this, nor do i have a reference, although i'm sure one can be found: colour temperature of the light source is considered an important technical consideration in endoscopic surgery. the older tungsten light sources, developed for arthroscopic (joint) use are considered to have too low a light temp for belly and chest surgery. consequently, halogen sources are preferred. it has to do with energy emitted, particularly in the near-infrared spectrum, at a given luminosity. this is unimportant in joint surgery, because the space is continuously irrigated, preventing unwanted heating. in abdominal procedures, the cavity is inflated with co2.it is also said that visualization is superior with the higher colour temp. of halogen sources, but, frankly, i think that's splitting hairs.Toyokuni3 (talk) 15:26, 3 November 2008 (UTC)

• I think that's a bit specific to go in a general article about colour temperature though. We couldn't include every single circumstance in industry, medicine etc where colour temp is important. Diliff | (Talk) (Contribs)

That should go in the article about that tool, not here. —Adoniscik^{(t, c)} 16:30, 3 November 2008 (UTC)

Calculation (u,v) versus Approximation (x,y)

The approximation equations for CCT appear helpful but are based on (x,y) coordinates; this seems to be counter to the statement "This (u,v) chromaticity space became the CIE 1960 color space, which is still used to calculate the CCT." Could someone clarify whether an approximation exists for the 1960 (u,v) coordinate system, similar to the approximation using 1931 (x,y) coordinates? Thanks! Jrtuenge (talk) 21:19, 8 November 2008 (UTC)

They are not counter to the statement, because the CCT is calculated not through an equation, but by finding the point closest to the Planckian locus in the (u,v) diagram. If you want an approximation algorithm in the (u,v) space, refer to Qui Xingzhong, “Formulas for computing correlated color temperature,” Color Res. Appl. 12, 285–287, 1987, or use Hernandes-Andres et al's method and rewrite the "n" parameter in terms of u and v. --Adoniscik^{(t, c)} 22:08, 8 November 2008 (UTC)

Intro

This article is quite good, however, it took me quite a while to figure out what color temperature actually is, and I'm familiar with most concepts in physics so I should have been able to read the introductory paragraph and at least have an idea of what it is. However, the 3rd sentence, which I reworded (just moved words around) and marked with a tag because, well, it seemed pretty vague to me :p but I feel obliged to provide a reason for the vagueness. Specifically, the problems in the following sentence - "The temperature (usually measured in kelvins, K) is that source's color temperature at which the heated black-body radiator matches the color of the light source for a black body source" - this is my rewording, but it still is confusing that it uses 'temperature' and 'color temperature' without making it explicit whether the former is just a shortened form of color temp or if it refers to the temperature of either the black body source or the black body radiator (there was and is no mention elsewhere, at least in the intro, that would distinguish between these two pairs of similar words/phrases. Remember, the purpose of the introduction is to explain to a general reading population, i.e. in the simplest terms possible without sacrificing meaning, the essential nature of the topic at hand. As someone familiar with science and physics couldn't figure it out (that would be myself, heh) then the avg reader probably won't either. So if someone with knowledge of the topic (and grammatical skills, preferably) could reword that sentence further, to change it from semi-intelligible to intelligible, that person would have my gratitude as well as the knowledge of having earned good karma! Thanks in advance, if even just for reading this. Been trying to contribute to WP in more ways than just doing copy editing, and I figured "be bold," but I apologize if I actually screwed up the sentence by rewording it. Mr0t1633 (talk) 12:15, 2 January 2010 (UTC)

5500k vs. 5600k daylight?

I've come across many references saying daylight is standardized at 5500k or 5600k (I realize they're relatively arbitrary numbers). Who picked which number? What exactly are they used for? I don't think there are any relevant citations here? The closest I've found is that one of the CIE's standard daylight illuminants is 5503k. I've seen contradicting statements that each are the standard for the "film industry". Darxus (talk) 22:09, 20 April 2010 (UTC)

The “correlated color temperature” is just defined based on u and v coordinates, by drawing lines perpendicular to the “planckian locus” (the line in u–v space where each point is the color of a black body emitter; this is explained pretty well by the article, I thought). The exact emission spectrum of daylight depends on latitude, altitude, time of day and year, cloud cover, etc. 5500k or 5600k is a reasonable ballpark number for “typical” daylight scenes, if there is any such thing. There’s really not all that much difference between a CCT of 5500k and 5600k. I have no idea about standards for the film industry. –jacobolus (t) 04:46, 24 April 2010 (UTC)

I know this is an old post, but I wanted to fill in the informational part regarding studio lighting that was lacking. Some of the most popular "daylight" lamps, such as the ArriSun series, output at 6,000K[3] (G38 base replacement HMI for the ArriSun 12 HMI Par). As you can see in that link, numerous competitor daylight lamps (of that wattage) also use that bulb - and thus also output at that same color temperature. Same can be said for many of their smaller or larger metal halide daylight bulbs (for instance, for units such as the ArriSun Par 5 (575W HMI)). Different lighting though, will slip into a range a little lower than that (though HMI's like the ones indicated above, are probably the most common). Best, ROBERTMFROMLI | ^TK/_CN 18:12, 22 July 2011 (UTC)

Important typo

(This comment was placed on the article page, but properly belongs on the talk page, so here it is)

Here is a typo which is important: "The general consensus is that "warm" colors promote flowering and setting of fruit, "warm" temperatures promote green growth." should read "The general consensus is that "warm" colors promote flowering and setting of fruit, "COOLItalic text" temperatures promote green growth."72.227.96.103 (talk) 12:09, 24 September 2010 (UTC)

Actually an irrelevant typo. Plants do not know or care about the CCT of light striking them, which is purely a measure of how a human being perceives light. A plant responds to light according to the relative prevalence of different wavelengths, i.e., the SPD of the light striking the plant. —Scheinwerfermann ^T·_C23:46, 24 September 2010 (UTC)

Typo in color distance

Figure with caption "Close up of the CIE 1960 UCS" says that the color distance Delta_uv is of 0.05. This is incorrect, it actually is 0.0054. One can actually see that if it would be 0.05 it corresponds to one sixth of the graph, so this number is too big. I'm new user, sorry if I didn;t write following certain rules. — Preceding unsigned comment added by Vonromainoff (talk • contribs) 23:19, 21 December 2010 (UTC)

That's not a typo, not an error. The .05 is the distance to the ends of the lines drawn there, as it says; it agrees with the axis labels. Yes, it's about 1/6 of the width. Dicklyon (talk) 23:28, 21 December 2010 (UTC)

Kelvin. Not degrees kelvin.

Can someone fix the image please? I see that the issue has been mentioned on the image's page in 2010, but nothing has been done. —Preceding unsigned comment added by 41.6.62.247 (talk) 09:06, 7 May 2011 (UTC)

Categorizing different lighting section (table change regarding studio lighting)

Hello all, I have changed the table in the section[4] mentioned above and move studio lighting to the 3,200K range. Standard studio fixtures, such as the Arri ArriPlus650, Arri300, Mole Tweenie (500-650W), Mole Tweenie II, Mole Baby Junior SolarSpot (1K-2K), Bardwell McAlister MacLite 650, and numerous others use Tungsten Halogen bulbs with color temps of 3,200K (not 3,400K). The short list above (and their brethren in different wattage ranges), all come standard with 3,200K bulbs - and the standard replacements (such as the FRK650 for the Arri and Mole 650W) come standard at 3,200K as well. Though I am responsible for literally over a ton of such lighting and bulbs from various manufacturers, I am happy to provide references if needed. Best, ROBERTMFROMLI | ^TK/_CN 18:03, 22 July 2011 (UTC)

Correlated color temperature: Calculate the deviation from blackbody

There is an important information missing: How is the deviation from the Planck blackbody curve and the best-fitting temperature calculated? In other words, what is the metric of the (u,v) space? If the metric is Euklidian, one could simply calculate the difference of squares, (u-uT)^2+(v-vT)^2, and find the temperature T for which it becomes minimal. The chart, however, suggests that one has to calculate the isotherms as orthogonal intersections to the Planck loci curve, and find the isotherm line whichs hits the actual color point. However, before adding something more or less obvious but yet unreferenced and thus doing "original research", it would be best if someone could find a freely available source (the CIE paper "The CIE definition of correlated color temperature" is, as apparently most CIE sources, either removed or no longer freely available and therefore useless to WP) which explains the method.--SiriusB (talk) 11:50, 5 September 2011 (UTC)

Your delta.dk PDF is still available on the Wayback machine; not sure if it helps though:

http://wayback.archive.org/web/20090201000000*/http://www.delta.dk/C1256ED600446B80/sysOakFil/i102/$File/I102%20Correlated%20Colour%20Temperature.pdf

Vadmium (talk) 13:41, 5 September 2011 (UTC).

Thanks. However, there is indeed not much new information in this PDF. But if the u-v color space is indeed Euklidian (what would give the transformation more sense) then the min-square and the isotherm-line should be equivalent, as long the isotherm lines don't cross (they would do only for unnaturally red points), if my geometrical understanding is not too much mistaken.--SiriusB (talk) 15:23, 5 September 2011 (UTC)

Yes, it's nearest in the sense of Euclidean distance in u-v space. And you do have to cut it off before the lines cross (you can't go as far as the radius of curvature). Dicklyon (talk) 16:25, 5 September 2011 (UTC)

Color temperature of the Moon

Why is the color temperature of the Moon so much lower than the solar color temperature? I guess that the Moon's own color is the cause, but this would imply that the Moon is of brownish od reddish color. But actually, it appears to be amlost neutral grey (not only to the eyes but also on many photographs, including the Apollo images) and should therefore have approximately the same color temperature (i.e. up to 5500 K near the zenith). Unfortunately, there seems to be little reliable information about the true color (i.e. without white balance) of the moon.--SiriusB (talk) 16:10, 28 September 2011 (UTC)

Do a google search for something like "lunar spectral reflectance" and you'll get many articles about it. –jacobolus (t) 21:31, 28 September 2011 (UTC)

I did, but, as almost always with Google, the "entropy" of the results is quite high. For the scope of this article, only direct statements about the color temperature are usable. Even if a full reflectance spectrum can be retrieved and the correlated color temperature be calculated from this, this could be considered original research, and therefore not allowed in WP. Furthermore, the author who inserted the 4100 K will probably reads this question and might then be able to simply add the source from where he/she had this information.

Addition: I have found a reference, however, not a scientific one (and without details about the spectral reflectance). Therefore, as soon someone finds a more scientific source, it should replace this one.--SiriusB (talk) 07:43, 29 September 2011 (UTC)

Additional note: I have now made some own measurements using a digital camera capable of RAW images. During a stay at Fuerteventura I took test photos of the full Moon (at about 37 degrees altitude corresponding to an air mass of 1.66) and determined the color temperature by using GIMP UFRAW 1. by automatic determination inside a frame around the Moon and 2. by setting the white point to 6500 K, RGB to linear (gamma=1) and then transforming RGB (assuming sRGB primaries) to CIE UCS 1960 and determined the color temperature. Both methods yielded very similar values around 4650 K, i.e. 500 K above the value the reference above states for the full moon "directly overhead". In addition, I calculated the CCT of several lunar reflectance spectra (e.g. from Kieffer & Stone (2005) which resulted in values up to 5000 K if filtered through the ASTMG173 solar spectrum (1.5 air masses, direct sunlight). Although this measurements/calculations alone are probaböy OR, it should at least be considered to check for other sources with more precise/reliable values. 4100 K seems to be too low for the near-zenith full moon.--SiriusB (talk) 10:23, 25 May 2013 (UTC)

Moonlight is pretty close to 6500K. The number I've seen at 4100K, I can't fathom. Sunlight is 5500K. Skylight is 10,000K. So moonlight is cooler than sunlight and warmer than the color of a blue sky. There has been very little distinction between the K of Sky and of Sun. "Daylight" film or video balance averages these, which may or may not be helpful. That's the problem. Another problem is that the human eye skews all low light levels toward the blue. Cones give up on blue light last as light dims. It's refered to as Purkinje effect. So the color of the moon is not the color of objects illuminated by the moon. Good observation and question......aLonginus876 (talk) 15:08, 20 November 2015 (UTC)

True color temperature of the Sun

I tried to calculate the correlated color temperature of the Sun based on spectra from ASTMG173 (extraterrestric) and (G2V, averaged). I used the method described here in the article, which gives accurate results for Planckian and D-Illuminant spectra. But in both true spectra the CCT was considerable higher than the well-known effective temperature of 5800 K. ASTMG173 corresponds to 5933 K, and HILIB G2V even in 6046 K (if compared in the same plot with same normalisations, the HILIB G2V spectrum is slightly reduced in the read around 600 nm while quite equal in the blue to green range. In the IR range it is slightly higher, but IR is ignored by the CIE 1931 tristimulus). It is true that realistic spectra are non-ideal blackbody spectra, and thus the CCT is different from the effective temperature. But if the difference is truely that large, this should be mentioned in some sources. If the CCT of pure direct sunlight (without the blues sky) from the zenith is about 5500 K a CCT of 6000 K would correspond to an atmospheric "color temperature" filter of +15 mireds, while for 5800 K Solar CCT it would be only +9 mireds.

As far as time permits I will look for reliable references for a 6000 K CCT of the Sun and, if positive, mention them in the article.--SiriusB (talk) 21:50, 13 June 2012 (UTC)

Addition: I actually used the G2V spectrum from this ftp server at Strasbourg University, but the sources should be equivalent (I didn't check!).--SiriusB (talk) 14:37, 14 June 2012 (UTC)

Addition 2: The data are indeed identical.--SiriusB (talk) 12:14, 18 June 2012 (UTC)

Addition 3: Added a statement plus reference which mentions 5900 K (there are several others; however I've found no explicitely scientific statement so far that the color temperature is indeed about 100-150 K above the effective temperature (which is defined by the total radiative power rather than the spectral distribution). Maybe someone else could retrieve a better source.--SiriusB (talk) 13:37, 18 June 2012 (UTC)

There's no reason to expect the CCT to be very close to the effective temperature. It's not a blackbody; fairly close though. Dicklyon (talk) 22:24, 29 July 2012 (UTC)

Aquaculture: Better penetration of water or simulation of natural light conditions?

The sentence "Higher color temperatures are seen[by whom?] as getting through the water better,..." suggests that this is a subjective/unproven statement. However, isn't this a well-known fact that the blue portion gets better through water than the longer wavelengths? The choice of high-CCT light may also provide a more realistic simulation of the light conditions in real seawater, ten or more meters below the surface. A standard home aquarium, however, is probably not deep enough to filter the light. Therefore, the high-CCT light is rather to simulate the lighting in real waters rather than to enhance penetration in the actual aquarium. This is true for both freshwater and seawater (at the same depth), since the transmittance spectrum is, as far as I know, a property of the H₂O molecule itself, not one of the salt content or other substances in natural water.--SiriusB (talk) 20:33, 29 July 2012 (UTC)

Sure. Better would just be to say “longer wavelengths don’t penetrate water as far” or something similarly clear and explicit. The “as seen as” phrasing is terrible, I agree. –jacobolus (t) 21:52, 29 July 2012 (UTC)

The current phrasing is encyclopædically unacceptable. The proposed phrasing will be OK if it is supported by reference to reliable sources. —Scheinwerfermann ^T·_C22:07, 29 July 2012 (UTC)

I've added a source (I hope if qualifies as a reliable one; the WP-article Electromagnetic absorption by water is apparently using figures based on data from this or a similar site.--SiriusB (talk) 16:26, 1 August 2012 (UTC)

in aquarium glass additionally affects color. I think that glass is slightly blue-green. And when you use light (like flash) it in front (not from the surface) to take picture, it passes glass twice - in two directions. Or maybe only microscopical algaes living in water and on glass (in a freshwater aquarium) change it's color ? But rather not only.

Perhaps indirect proof for color temperature change and depth dependency are pigments used for photosynthesis by plants living in depths (red algae, brown algae etc) They have absorption peaks different than chlorophyll. Darekk2 (talk) 19:21, 1 August 2012 (UTC)

There's little doubt about the wavelength-dependent absorption of light in water, and the fact that in the depths the light is mostly a blue-green color. What's considerably more iffy to me is why this would be connected to color temperature, which is an effect that relates the blackbody spectrum and human vision, neither of which is very relevant to the plants in the ocean or in a saltwater aquarium. Yes, I know that the aquarium magazines sometimes talk about color temperature, because that's a spec you find on light sources, but that's not enough to support some of the statements in the article. Dicklyon (talk) 22:36, 1 August 2012 (UTC)

According to Pope and Fry (1997) I have just found even in an aquarium the light is filtered significantly. Here are transmittance curves calculated from absorption coefficients they supplied in a table (for PURE water, without algae and other shit):

Aquarium transmitance

and black body radiances for 5500K multiplied by thes transmitances for depths between 10 cm and 1 km:

Black body, pure water

However all these theoretical transmitance curves calculated for larger depths differ from curves for real seas from Jerlov (1976). These have maximum at about 420 nm, in Jerlov at 480. Maybe this is result of interference by algae (chlorophylles), other plankton and dirt cutting blue light ?

Regarding color temperature - this is probably not so easy, because spectrum is cut by water on both sides of that maximum 420 or 480 nm, this is not shift towards shorter wavenlengths (maximum remains at the same position). But decreasing red part is much larger - from 420 or 480 to 780 what probably makes impression, that color temperature increases.
People use conversion filters under water, someone here:

Canon DLC: Article Print: Quick Tip-Underwater Photography

advices to use 'Cloudy' or even 'Shade' WB presents in a camera.

Here are other practical tips:

Understanding Blue Color Underwater

This is not place for such talks and not exactly about writting that article, but you can always delete these fragments. Darekk2 (talk) 02:40, 2 August 2012 (UTC)

ideal and approximate black bodies

my understanding is that reflectance decreases with temperature, i.e. all materials become closer to perfectly black with increasing temperature. yet i don't see this mentioned anywhere - indeed i generally see reflectance being treated as a constant. if i am not wrong, perhaps someone with more knowledge could insert a paragraph or two — Preceding unsigned comment added by 110.175.57.184 (talk) 03:07, 17 June 2013 (UTC)

I've never heard that. Let us know if you see it in a source. Dicklyon (talk) 05:47, 17 June 2013 (UTC)

the intro, at least, is really confusing, and poorly written

it really should be cleaned up, in my opinion, so that an average layperson can read it and learn something or anything. 24.205.211.183 (talk) 05:11, 27 April 2015 (UTC)

Is there a simple straight answer to a simple question please.

Being familiar with the various subjective color of light sources, I set my camera to live view and attempt to match the white balance in real time use the screen. I know that the bulb that lights the room is about 3500 kelvin. I input 3500 kelvin and the picture looks blue (more like 7000 kelvin). Why do they design the camera like that? Why not make 3500 kelvin LOOK LIKE 3500 kelvin. Having politely asked this question elsewhere, I get a lot of patronizing waffle as if I'm unfamiliar with what various color temperatures look like or wouldn't know in terms of photography - all of which is wrong by several decades. Does anyone actually know the reason why camea designers make 3500 kelvin blueish and 7000 kelvin reddish? Suggestion for the world's camera engineers and software developers: design a camera so that when the users recognizes and desires 3500 kelvin they get 3500 kelvin (not 7000 kelvin blueness). Thanks. — Preceding unsigned comment added by 31.55.127.254 (talk) 22:51, 22 August 2015 (UTC)

Not sure exactly what you're referring to, but I'll take a stab at it.

With a film camera there are compensating filters to correct color for various types of lighting. The filter to correct for incandescent lighting (~2500K) is a bluish filter which moves the color temp higher; compensation for daylight (~500kK) is done with a reddish filter, which moves the color temp lower.

With a moderately high-end DSLR this could be done in essentially the same way. But in less expensive cameras and "pocket" or "point-and-shoot" cameras the compensation is usually done electronically. Compensation for lower temperature (more reddish) lighting is going to move the spectrum towards the blue end, and compensation for higher temperature (more bluish) is going to move the spectrum towards the red end.

Hence, when you set the camera to 2500K, the compensation is going to be like looking through a blue filter, and will shift the colors in that direction. When you set the camera to 5000K, it will be like looking through a red filter, shifting the colors in that direction. What you're seeing is the compensation -- like looking through the color of filter that would accomplish that if you were using film.

HTH. — Preceding unsigned comment added by 74.95.43.249 (talk) 23:01, 14 October 2015 (UTC)