Talk:Carlo Farina

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Why is half of the article dedicated to the House of Savoy?

Also, in Farina's time, the House of Savoy was not yet the royal house of Italy - the Kingdom of Italy did not exist until the 19-th century. —Preceding unsigned comment added by RadafHesig (talk • contribs) 16:08, 14 May 2010 (UTC)[reply]

I've removed the paragraphs in question. Rp (talk) 12:46, 2 June 2010 (UTC)[reply]

'Polish rhythms'

Do we have a scholarly source for the claim that 'he uses Polish dance rhythms in the Sonata La Polaca or Hungarian motifs in La Cingara'?

I am concerned that this statement might constitute 'original research', as I haven't been able to find a reference. I am not disputing the existence of the two named pieces (the sonatas 'La Polaca' and 'La Cingara'), rather, I'm attempting to establish whether there is scholarly support for the claim that Farina used 'Polish dance rhythms' and 'Hungarian motifs' in them respectively.

Divaricoux (talk) 09:35, 30 September 2021 (UTC)[reply]