Talk:Can't Help Myself (Sun Yuan and Peng Yu)

	This article was reviewed by member(s) of WikiProject Articles for creation. The project works to allow users to contribute quality articles and media files to the encyclopedia and track their progress as they are developed. To participate, please visit the project page for more information.Articles for creationWikipedia:WikiProject Articles for creationTemplate:WikiProject Articles for creationAfC articles
	This article was accepted from this draft on 18 April 2024 by reviewer Asilvering (talk · contribs).

Arts

This article is within the scope of WikiProject Arts, a collaborative effort to improve the coverage of Arts on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.ArtsWikipedia:WikiProject ArtsTemplate:WikiProject ArtsWikiProject Arts articles

Electronics

	Electronics portal This article is part of WikiProject Electronics, an attempt to provide a standard approach to writing articles about electronics on Wikipedia. If you would like to participate, you can choose to edit the article attached to this page, or visit the project page, where you can join the project and see a list of open tasks. Leave messages at the project talk pageElectronicsWikipedia:WikiProject ElectronicsTemplate:WikiProject Electronicselectronic articles
???	This article has not yet received a rating on the project's importance scale.

New sources to include in Can't Help Myself Article

In an effort to create an insightful Wikipedia page about Can't Help Myself by Sun Yuan and Peng Yu, it is quintessential that the article has several sources that support its discussion and conclusions. Some of these sources include:

Rickey, George W. “The Morphology of Movement: A Study of Kinetic Art.” Art Journal 22, no. 4 (1963): 220–31. https://doi.org/10.2307/774539.

This article investigates motion as a material for art as well as the qualities of kinetic sculpture. This article also touches upon the nature of kinetic art and the impacts of this technical accomplishment on its perspective audience.

Carrol, Noël. “Art and Globalization: Then and Now.” The Journal of Aesthetics and Art Criticism 65, no. 1 (September 22, 2007): 131–43. https://doi.org/10.1111/j.1540-594X.2007.00244.x.

This article demonstrates the intersectionality between politics and art as it serves as a means of disseminating political messages and ideals that are often controversial. This article also speaks about how Asian artists use new aesthetic strategies to infiltrate into a Western audience and integrate themselves and their styles into mainstream Western art.

Shan, Lo Yin, Janet Fong, and Isaac Leung. “Digitisation with (in/out) Borders.” In Boredom, Shanzhai, and Digitisation in the Time of Creative China, edited by Jeroen de Kloet, Chow Yiu Fai, and Lena Scheen, 307–14. Amsterdam University Press, 2019. https://doi.org/10.2307/j.ctvqr1bnw.26.

This is an interview that speaks on the limitations that international borders have when trying to broadcast certain messages, especially those of political nature, and how art through new mediums, such as photography and the internet, has been able to overcome these barriers. The interview also mentions Can't Help Myself directly and emphasizes its "uncontrollably violent nature", tying this in with the artists "philosophic thinking of (the) inner-self of human being".

Walesjl (talk) 04:09, 10 February 2024 (UTC)[reply]

Tone in "Dances, duty, and demise"

I feel the bulk of the article's tone in that section (and partially elsewhere) seems to be excessively lifted from the source. While we must indeed explain things, I feel we shouldn't take the sources' structure as gospel. 2803:4600:1116:4C4:B128:B9B9:2471:1FE2 (talk) 05:03, 27 September 2024 (UTC)[reply]