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Talk:Abu'l-Hasan Sani al-Mulk

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Facts are true but there is plagiarism from Encyclopedia Iranica. Mbuyer2 (talk) 14:08, 14 May 2021 (UTC)mbuyer2[reply]

Wiki Education Foundation-supported course assignment

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This article was the subject of a Wiki Education Foundation-supported course assignment, between 12 April 2021 and 26 May 2021. Further details are available on the course page. Student editor(s): Mbuyer2. Peer reviewers: Rizing153rose, Melinasr.

Above undated message substituted from Template:Dashboard.wikiedu.org assignment by PrimeBOT (talk) 03:19, 18 January 2022 (UTC)[reply]

Some citations/sources that might be useful :)

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[1] [2] [3] [4] [5] [6] WhimsicalOkapi (talk) 02:07, 24 April 2021 (UTC)[reply]

References

  1. ^ Amjadi, A. (2020). [magiran.com/p2175709 "A Comparative Study between the Images of Caliph and Shah in Sani ol Molk's Art Works (Malek Zu-olmakan and Naser al-Din Shah Qajar)"]. Journal of Graphic Arts and Painting. 2 (3): 42–52. {{cite journal}}: Check |url= value (help)
  2. ^ Hoseini, M. (2010). "A Comparative Study of the Image of "Women" in the Book One Thousand and One Nights and Sani'-ol-Molk's Paintings". Journal of Woman in Culture Arts. 1 (2).
  3. ^ Gholam Pour, M. (2014). "A Semiotic Analysis of a Picture of Sani-ol-Molk's The Thousand and One Nights based on Yuri Lotman". Negarineh Islamic Art. 1 (1): 69–77. doi:10.22077/nia.2014.561.
  4. ^ Dezhamkhooy, M. (2014). "The Painter in Two Frames: An Archaeological Investigation of Kamal-ol Molk's Agency in the Field of Art and Politics". Int J Histor Archaeol. 18: 591–611. doi:https://doi.org/10.1007/s10761-014-0271-4. {{cite journal}}: Check |doi= value (help); External link in |doi= (help)
  5. ^ TAVOOSI, M. "THE REPRESENTATIONS OF SPACE AND ARCHITECTURE IN PAINTINGS EMBEDDED IN SANI-OL MOLK ILLUSTRATED BOOK ONE THOUSAND AND ONE NIGHTS".
  6. ^ Hosseini, Mehdi (2017). "Comparative Research of Sani ol-Molk's Works, Raphael's the Madonna of Foligno and the Transfiguration". Scientific Journal of Motaleate-e Tatbighi-e Hona. 7 (13): 79–92.