Talk:...I Care Because You Do/Archive 1
This page could realy use some more info. I don't own the album yet, so I can't help much. I think the following things should be added: what year each track was created (says what year on the back of the case), background information, overveiw of the music/style, "At The Heart Of It All" & "The Beauty Of Being Numb" were created in this time period, the accompaning Donkey Rhubarb EP, the Ventolin remixes, the Ventolin Video, etc. - Insomniak
Ventolin
[edit]I changed "featuring a high-piched frequency that asthmatics hear when they overdose on Salbutamol." to "featuring a high-piched frequency which is supposed to mimic the sound that asthmatics hear when they overdose on Salbutamol." Because I don't have asthma and I can't verify it. Also, the revised sentence makes it clear it's not the actual sound asthmatics hear, because I imagine that would occur within the head of the sufferer and therefore be very hard to record. Does anyone dispute this? Gohst 01:50, 3 February 2006 (UTC)
I have really bad asthma - on bad nights it makes a high pitched squeak that wakes my wife up. I always thought that is why Ventolin sounded that way. It is important for this Wikipedia entry to point out that Alberto Balsam is the greatest electronic music track ever.
- "It is important for this Wikipedia entry to point out that Alberto Balsam is the greatest electronic music track ever."
No it's not. I don't care because you do. 62.202.77.170 18:04, 28 June 2006 (UTC)
Nothing talks about the film used to sample "COME ON YOU SLAGS!" --129.7.152.7 00:25, 11 July 2006 (UTC)
- In reference to the above comment, is it possible to verify if the high pitched frequency is an actual recording of the noise? I had no idea any one else but the sufferer could hear it, and in light of that it may very well be within the realms of recordability. But I've got no idea how to prove or disprove it being an actual or synthesised noise. Gohst 04:10, 20 October 2006 (UTC)
As the Ventolin (EP) article states, the high pitched oscillation is supposed to represent tinnitus, a side effect of taking the medication itself, which sounds much more likely. Some of the remixes of the track (specifically, the ending to the Marazanvose mix, and the end of the Plain-An-Gwarry mix / start of the Coppice mix, as well as the start of the Crowsmengegus mix) do appear to contain heavy breathing with the asthmatic wheeze sound though, more as a segue than an integral part of the music.
Just to clarify: the high pitched ringing is not caused by an OVERDOSE, it's a side effect that some users taking the correct dose have to suffer through. 96.50.8.10 (talk) 16:09, 14 July 2015 (UTC)
semantics
[edit]Considering James' handwriting and the printed side of the CD capitalize the title as ...I care because you do, is it worth retitling the article (and all links, à la drukqs) ? --Matharvest 07:34, 27 April 2006 (UTC)
first recorded
[edit]The track listing says that "Start As You Mean To Go On" was recorded in 1993,but whilst listening to a live show played in Leeds 1992,SAYMTGO was played. As was On. Which leads me to ask,are the recorded dates lies? I haven't found any other evidence of tracks being played before their apparent recorded time,but I thought it was worth bringing up.
- studio versions of these songs might not have been recorded, or at least finished, until sometime after they've been played live. it's happened with other artists... --Filter1987 05:25, 24 September 2007 (UTC)
- Filter1987 is indeed correct. It's not uncommon for people to play works in progress live. For another example, there are live recordings of Come to Daddy that were taken before the song was released. One, recorded on 1997-01-02, is missing the lead vocal; another, recorded on 1997-06-27, is complete with the vocal, like the EP which then came out on 1997-10-06. Curiously, the instrumental version was played live again on 1997-07-26, after the vocal version. Similarly, there's a live version of Heliosphan played long after the album version was released, which has an extra part not in the original (the same 1997-01-02 recording, and also one made on 1997-01-27; the album came out in 1992). There are also live versions of some of Aphex Twin's tracks that are yet to be released. Basically, artists can rework songs for quite some time before releasing them, and in some cases, even after. ZoeB (talk) 14:59, 10 January 2014 (UTC)
COME ON YOU SLAGS!
[edit]In the article is says that one of the distorted samples is "I want sex", yet I have never actually heard this sample in the song. If anyone could, could they give me some proof of this? Because I'm pretty sure that "I want sex" is no where to be heard in the song, but I don't wanna change it in case that it is in there somewhere.IdeologicalArrest (talk) 19:23, 13 February 2008 (UTC)
I believe the voice says "I want sex" after the woman asks what the other's favorite thing is. If you listen closely that's what it sounds like. And by the way, even though I've said this, it doesn't disprove the idea that articles are not always right as they are not from the mouths of the musicians themselves.
Sorry, but that vocal sample is saying "Come on you slags!" in a London accent, which makes a tonne more sense, especially as it's the name of the track! A similar discussion has arisen here: http://forum.watmm.com/topic/5569-come-on-you-slags-question/ I have deleted the sentence saying that it says it's "I want sex" to save any confusion for visitors. Spunkymcpunk (talk) 10:40, 16 April 2014 (UTC)
Dead external links to Allmusic website – January 2011
[edit]Since Allmusic have changed the syntax of their URLs, 1 link(s) used in the article do not work anymore and can't be migrated automatically. Please use the search option on http://www.allmusic.com to find the new location of the linked Allmusic article(s) and fix the link(s) accordingly, prefereably by using the {{Allmusic}} template. If a new location cannot be found, the link(s) should be removed. This applies to the following external links: