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Syriana

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This article is about the film. For the term's use in international relations, see Pax Syriana.
Syriana
Theatrical release poster
Directed byStephen Gaghan
Screenplay byStephen Gaghan
Based onSee No Evil
by Robert Baer
Produced by
Starring
CinematographyRobert Elswit
Edited byTim Squyres
Music byAlexandre Desplat
Production
companies
Distributed byWarner Bros. Pictures
Release dates
  • November 20, 2005 (2005-11-20) (New York City premiere)[1]
  • November 23, 2005 (2005-11-23) (United States)
Running time
128 minutes[2]
CountryUnited States
LanguagesEnglish
Arabic
Urdu
Persian
Chinese
French
Budget$50 million[3]
Box office$94 million[3]

Syriana is a 2005 American political thriller film written and directed by Stephen Gaghan, loosely based on Robert Baer's 2003 memoir See No Evil. The film stars an ensemble cast consisting of George Clooney, Matt Damon, Jeffrey Wright, Chris Cooper, William Hurt, Tim Blake Nelson, Amanda Peet, Christopher Plummer, Alexander Siddig, and Mazhar Munir.

Syriana was shot in 200 locations on five continents, with large parts shot in the Middle East, Washington, D.C., and Africa.[4] In an interview with Charlie Rose, Gaghan described incidents (including planned regime changes in Venezuela) from personal meetings and interviews with the most powerful oil owners, owners of media houses, lobbyists, lawyers, and politicians which were included in the film.[5] As with Gaghan's screenplay for Traffic, Syriana uses multiple, parallel storylines, jumping among locations in Iran, Texas, Washington, D.C., Switzerland, Spain, and Lebanon.

The film received positive reviews from critics, and Clooney's performance was critically acclaimed, earning him an Academy Award and a Golden Globe Award, as well as British Academy Film Award, Critics' Choice Movie Award, and Screen Actors Guild Award nominations. Gaghan was nominated for an Academy Award and a Writers Guild of America Award for his screenplay. As of April 20, 2006, the film had grossed a total of $50.82 million at the U.S. box office and $43.2 million overseas, for a total of $94 million.

Gaghan changed the names of entities currently operating in the Middle East, while retaining their place in the story. Committee for the Liberation of Iran was based on an organization called Committee for the Liberation of Iraq.[6]

Plot

[edit]

U.S. energy giant Connex Oil is losing control of key oil fields in a Persian Gulf kingdom ruled by the Al-Subaai family. The Emirate's foreign minister, Prince Nasir, has granted natural gas drilling rights to a Chinese company, greatly upsetting the U.S. oil industry and the U.S. government. To compensate for its decreased production capacity, Connex initiates a shady merger with Killen, a smaller oil company that recently won the drilling rights to Kazakhstan's Tengiz Field. If Connex-Killen were a country, it would rank as the world's twenty-third largest economy, and antitrust regulators at the Department of Justice (DOJ) have concerns. Whiting-Sloan, a Washington, D.C.-based law firm headed by Dean Whiting is hired to smooth the way for the merger. Bennett Holiday, an associate of that firm, is assigned to promote the impression of due diligence to the DOJ, deflecting any allegations of corruption.

Emir storyline

[edit]

Bryan Woodman is an American energy analyst based in Geneva. Woodman's supervisor directs him to attend a private party hosted by the Emir at his private estate in Marbella, Spain, to offer his company's services. The Emir's illness during the party prevents Woodman from speaking directly with him while, at the same time, the Emir's younger son, Prince Meshal Al-Subaai, shows the estate's many rooms and areas to Chinese oil executives via remote-controlled cameras. No one notices that a crack in one of the swimming pool area's underwater lights has electrified the water. Just as Woodman and all the other guests are brought to the pool area, Woodman's son jumps into the pool and is electrocuted.

In reparation and out of sympathy for the loss of his son, Prince Nasir, the Emir's older son, grants Woodman's company oil interests worth $75 million. Woodman, though initially insulted by the offer, gradually becomes his economic advisor. Prince Nasir is dedicated to the idea of progressive reform and understands that oil dependency is not sustainable in the long term; Nasir wants to utilize his nation's oil profits to diversify the economy and introduce democratic reforms, in sharp contrast to his father's repressive government, which has been supported by American interests. His father, at the urging of the American government with the help of Whiting and his law firm, names the younger Meshal as his successor, causing Nasir to attempt a coup.

Assassination storyline

[edit]

Bob Barnes is a veteran CIA officer trying to stop illegal arms trafficking in the Middle East. His dedication went up to the point of speaking Farsi fluently. While on assignment in Tehran to kill two arms dealers, Barnes notices that one of two anti-aircraft missiles intended to be used in a bombing was diverted to an Egyptian, while the other explodes and kills the two arms dealers. The dealers are later revealed to be Iranian Intelligence agents. Barnes makes his superiors nervous by writing memos about the missile theft and is subsequently reassigned to a desk job. However, unaccustomed to the political discretion required, he quickly embarrasses the wrong people by speaking his mind and is sent back to the field with the assignment of assassinating Prince Nasir, whom the CIA misidentifies as being the financier behind the Egyptian's acquisition of the missile. Prior to his reassignment, Barnes confides in his ex-CIA officer friend, Stan Goff, that he will return to Lebanon. Goff advises him to clear his presence with Hezbollah so they know he is not acting against them. Barnes travels to Lebanon, obtains safe passage from a Hezbollah leader, and hires a mercenary named Mussawi to help kidnap and kill Nasir. But Mussawi has become an Iranian agent and has Barnes abducted. Mussawi tortures Barnes and prepares to behead him, but the Hezbollah leader arrives and stops him.

When the CIA learns that Mussawi plans to broadcast the agency's intention to kill Nasir, they set Barnes up as a scapegoat, portraying him as a rogue officer. Barnes's boss, Terry George, worries that Barnes might talk about the Nasir assassination plan and that killing Nasir with a drone would make it obvious as an American-backed assassination. He has Barnes's passports revoked, locks him out of his computer at work, and initiates an investigation of him. Barnes, however, learns from Goff that Whiting, working on behalf of a group of businessmen calling themselves "The Committee to Liberate Iran", is responsible for Barnes's blackballing and the assassination, and threatens Whiting and his family unless he halts the investigation and releases Barnes's passports.

Barnes returns to the Middle East and approaches Prince Nasir's convoy to warn him of the assassination plan. As he arrives, a guided bomb from a circling Predator drone strikes the automobile of Nasir and his family, killing them and Barnes instantly. Woodman, having earlier offered his seat in Nasir's car to a member of the prince's family, survives the drone strike and goes home to his wife and remaining son.

Wasim storyline

[edit]

Pakistani migrant workers Saleem Ahmed Khan and his son Wasim board a bus to go to work at a Connex refinery, only to discover that they have been laid off. Since the company had provided food and lodging, the workers face the threat of deportation due to their unemployed status. Wasim desperately searches for work but is refused because he doesn't speak Arabic well. Wasim and his friend join a madrasa to learn Arabic in order to improve their employment prospects. While playing soccer, they meet a charismatic Islamic fundamentalist, the same man who received the missing Iranian missile, who eventually leads them to use it while executing a suicide attack on a Connex-Killen tanker.

Merger storyline

[edit]

Bennett Holiday meets with Dean Whiting, who is convinced that Killen bribed someone to get the drilling rights in Kazakhstan. While investigating Connex-Killen's records, Holiday discovers a wire transfer of funds that leads back to a transaction between Texas oilman and Killen colleague Danny Dalton and Kazakh officials. Holiday tells Connex-Killen of his discovery, and they pretend not to have known about it. Holiday advises Dalton that he will likely be charged with corruption in order to serve as a "body" to get the DOJ off the back of the rest of Connex-Killen. U.S. Attorney Donald Farish III then strong-arms Holiday into giving the DOJ information about illegal activities he has discovered. Holiday gives up Dalton, but Farish says this is not enough. Holiday meets with the CEO of Killen Oil, Jimmy Pope, and informs him that the DOJ needs a second body in order to drop the investigation and allow the merger. Pope asks Holiday whether a person at Holiday's firm above him would be sufficient as the additional body. Holiday says yes, as long as the name were big enough.

Holiday is brought by his colleague and mentor Sydney Hewitt to meet with the Chairman & CEO of Connex Oil, Leland "Lee" Janus. Holiday reveals an under-the-table deal that Hewitt made while the Connex-Killen merger was being processed. Holiday has given Hewitt to the DOJ as the second body, thereby protecting the rest of Connex-Killen. Janus is able to accept the "Oil Industry Man of the Year" award with a load taken off his shoulders.

Cast

[edit]

Production

[edit]

While working on Traffic, Stephen Gaghan began to see parallels between drug addiction and America's dependency on foreign oil.[7] Another source of inspiration came from 9/11 and Gaghan's lack of knowledge about the Middle East. He said, "When 9/11 happened, it suddenly was a war on terror, which I think of as a war on emotions. It all started to click for me."[8] A few weeks after 9/11, Steven Soderbergh sent Gaghan a copy of ex-CIA officer Robert Baer's memoir, See No Evil.[9] The screenwriter read the book and wanted to turn it into a film because it added another layer to the story that Gaghan wanted to tell.[7] Soderbergh bought the rights to See No Evil and negotiated the deal with Warner Bros.[10]

Gaghan met Baer for lunch and then, for six weeks in 2002, the two men traveled from Washington to Geneva to the French Riviera to Lebanon, Syria and Dubai, meeting with lobbyists, arms dealers, oil traders, Arab officials and the spiritual leader of Hezbollah.[9] Meeting Baer, Gaghan realized that the man had "gone out there and done and seen things that he was not allowed to talk about, and wouldn't, but he was angry about and also trying to make amends for."[9] Before any filming took place, Gaghan convinced Warner Bros. to give him an unlimited research budget and no deadline.[10] He did his own legwork, meeting with oil traders in London and lawyers in Washington, D.C. Moments after arriving in Beirut in 2002, Gaghan was taken from the airport in a blindfold and hood where he met with Sheik Mohammed Hussein Fadlallah, who was interested in films. He decided to grant the writer an audience even though he had not requested one. In addition, Gaghan dined with men suspected of killing former Lebanese Prime Minister Rafiq Hariri and met with former Defense Policy Board chairman Richard Perle.[10]

Gaghan has cited as influences on Syriana, European films like Roberto Rossellini's Rome, Open City, Costa Gavras' Z, and Gillo Pontecorvo's The Battle of Algiers.[11]

Another influence, or resource—one that might also explain the movie's use of a documentary clip featuring John D. Rockefeller—is the fact that Gaghan's fashion-designer wife Minnie Mortimer is the great-granddaughter of onetime Standard Oil executive Henry Morgan Tilford.

Harrison Ford turned down the role of Bob Barnes (the role played by George Clooney), regretting it later, stating, "I didn't feel strongly enough about the truth of the material and I think I made a mistake."[12] This is the second Stephen Gaghan-written role Ford has declined, having turned down the role of Robert Wakefield in Traffic, a role that eventually went to Michael Douglas.[13]

Principal photography

[edit]

Gaghan shot in over 200 locations on four continents with 100 speaking parts.[11] Syriana originally had five storylines, all of which were filmed. The fifth storyline, centering on Michelle Monaghan playing a Miss USA who becomes involved with a rich Arab oilman, was cut when the film became too complicated.[7][11] Also, a role played by Greta Scacchi, as Bob Barnes' wife, was also cut before the final release. Parts of the film were shot in Lebanon, Dubai and other parts of the Middle East.[14]

During filming, Clooney suffered an accident on the set which caused a brain injury with complications from a punctured dura.[15]

Score

[edit]
Main article: Syriana (soundtrack)

Title

[edit]

The film's title is suggested to derive from the hypothesized Pax Syriana, as an allusion to the necessary state of peace between Syria and the U.S. as it relates to the oil business. In a December 2005 interview, Baer told NPR that the title is a metaphor for foreign intervention in the Middle East, referring to post-World War I think tank strategic studies for the creation of an artificial state (such as Iraq, created from elements of the former Ottoman Empire) that ensured continued western access to crude oil.[16]

The movie's website states that "‘Syriana’ is a real term used by Washington think-tanks to describe a hypothetical reshaping of the Middle East."[17] Gaghan said he saw Syriana as "a great word that could stand for man's perpetual hope of remaking any geographic region to suit his own needs."[18] The word Syriana derives from Syria + the Latin suffix -ana; it means, roughly, "in the manner of Syria." Historically, Syria refers not to the state that since 1944 has borne the name, but to a more extensive land stretching from the eastern shores of the Mediterranean Sea to the middle Euphrates River and the western edge of the desert steppe, and from the Tauric system of mountains in the north to the edge of the Sinai desert in the south. This land was part of the Fertile Crescent, and has historically been a geopolitically crucial junction for trade routes from the east, from Asia Minor and the Aegean, and from Egypt, and has long been a focus of great power conflicts. The word Syria does not appear in the Hebrew original of the Scriptures, but appears in the Septuagint as the translation of Aram. Herodotus speaks of "Syrians" as identical with Assyrians, but the term's geographical significance was not well defined in pre-Greek and Greek times. As an ethnic term, "Syrian" came to refer in Antiquity to Semitic peoples living outside Mesopotamian and Arabian areas. Greco-Roman administrations were the first to apply the term to a definite district.[19]

Release

[edit]

Syriana was released on November 23, 2005 in limited release in only five theaters grossing $374,502 on its opening weekend. It went into wide release on December 9, 2005 in 1,752 theaters grossing $11.7 million on that weekend. It went on to make $50.8 million in North America and $43.2 million in the rest of the world for a worldwide total of $94 million.[20] Censor authorities in some parts of the Middle East censored parts of the movie, because it depicted foreigners being ill-treated. Although abuse of foreign workers is rife, the censor authorities deemed such scenes as insulting.[21]

Reception

[edit]

Critical reception

[edit]

Syriana received generally positive reviews, mostly for Clooney's performance and Gaghan's screenplay. On the review aggregator website Rotten Tomatoes, it has a rating of 73% based on 198 reviews, with an average score of 6.89/10. The website's consensus states, "Ambitious, complicated, intellectual, and demanding of its audience, Syriana is both a gripping geopolitical thriller and wake-up call to the complacent."[22] The film has a score of 76 out of 100 on Metacritic based on 40 critics indicating "generally favorable reviews".[23] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.

As a motion picture, the main criticism, even among reviewers who praised the film, was the confusion created by following numerous stories. Most critics stated that it was almost impossible to follow the plot, though some, notably Roger Ebert, praised precisely that quality of the film and offered an interesting hidden story possibility (a covert deal between the U.S. and China involving oil being shipped through Kazakhstan and passed off as coming from a different source).[24] The audience confusion mimics the confusion of the characters, who are enmeshed in the events around them without a clear understanding of what precisely is going on. As with Gaghan's screenplay for Traffic, Syriana uses multiple, parallel storylines, jumping from locations in Texas, Washington D.C., Switzerland, Spain, and the Middle East, leading film critic Ebert to describe the film as hyperlink cinema.[24]

Time magazine's Richard Corliss wrote, "Gaghan relies on Clooney's agnostic heroism to lure viewers into his maze. When they get there, they will find not a conventionally satisfying movie but a kind of illustrated journalism: an engrossing, insider's tour of the world's hottest spots, grandest schemes and most dangerous men."[25] In his review for the Los Angeles Times, Kenneth Turan wrote, "This is conspiracy-theory filmmaking of the most bravura kind, but if only a fraction of its suppositions are true, we—and the world—are in a world of trouble."[26] USA Today gave the film three-and-a-half stars out of four and wrote, "Gaghan assumes his audience is smart enough to follow his explosive tour of global petro-politics. The result is thought-provoking and unnerving, emotionally engaging and intellectually stimulating."[27] Entertainment Weekly gave the film a "B−" rating and Lisa Schwarzbaum wrote, "it's also the kind of movie that requires a viewer to work actively for comprehension, and to chalk up any lack of same to his or her own deficiency in the face of something so evidently smart."[28]

In his review for The New York Observer, Andrew Sarris wrote: "If anything, Syriana tends to oversimplify a mind-bogglingly multifaceted problem that cannot so easily be resolved by a diatribe against the supposedly all-powerful 'Americans.'"[29] Rolling Stone magazine's Peter Travers gave the film his highest rating and praised George Clooney's performance: "This is the best acting Clooney has ever done—he's hypnotic, haunting and quietly devastating."[30] Philip French, in his review for The Observer, praised the film as "thoughtful, exciting and urgent".[31] In his review for The Guardian, Peter Bradshaw wrote, "But what complicates the plot is writer-director Stephen Gaghan's reluctance to criticise America too much. Instead of complexity, there is a blank, uncompelling tangle, which conceals a kind of complacent political correctness."[32]

Ebert named it the second-best film of 2005, behind Crash. Peter Travers of Rolling Stone named it as the third best film of 2005.[33] Entertainment Weekly ranked Syriana as one of the 25 "Powerful Political Thrillers" in film history.[34]

Top ten lists

[edit]

Syriana was listed on many critics' top ten lists.[35]

Accolades

[edit]
Award / Association / Film festival Date of ceremony Category Recipient(s) Result Ref(s)
Academy Awards March 5, 2006 Best Supporting Actor George Clooney Won [38][39][40]
Best Original Screenplay[a] Stephen Gaghan Nominated
African-American Film Critics Association 2005 Top Ten Films Syriana 5th place [42][43][44]
American Film Institute January 13, 2006 Top 10 Movies of the Year Syriana Won [45][46]
Art Directors Guild Awards February 11, 2006 Excellence in Production Design for a Contemporary Film Dan Weil Nominated [47][48]
Artios Awards November 1, 2006 Feature Film Casting — Drama Avy Kaufman, Lora Kennedy, and Lucinda Syson Nominated [49]
Austin Film Critics Association 2005 Best Film Syriana 9th place [50]
Belgian Film Critics Association January 6, 2007 Grand Prix Syriana Nominated [51]
Black Reel Awards February 18, 2006 Best Supporting Actor Jeffrey Wright Nominated
Boston Society of Film Critics December 11, 2005 Best Ensemble Cast Syriana Won [52]
British Academy Film Awards February 19, 2006 Best Supporting Actor George Clooney Nominated [53][54][55]
Costume Designers Guild Awards February 26, 2006 Excellence in Contemporary Film Louise Frogley Nominated [56]
Critics' Choice Movie Awards January 9, 2006 Best Supporting Actor George Clooney Nominated [57][58]
Best Acting Ensemble Syriana Nominated
Dallas–Fort Worth Film Critics Association December 19, 2005 Top 10 Films Syriana 6th place [59][60]
Best Supporting Actor George Clooney 4th place
Edgar Allan Poe Awards April 27, 2006 Best Motion Picture Screenplay Stephen Gaghan Won [61]
Environmental Media Awards November 8, 2006 Feature Film Syriana Nominated [62][63]
Golden Globe Awards January 16, 2006 Best Performance by an Actor in a Supporting Role in a Motion Picture George Clooney Won [64][65]
Best Original Score Alexandre Desplat Nominated
Golden Trailer Awards June 1, 2006 Best Drama Syriana Nominated [66]
Hollywood Film Awards October 24, 2005 Hollywood Casting Director Award Avy Kaufman Won [67][68][69]
NAACP Image Awards February 25, 2006 Outstanding Independent or Foreign Film Syriana Nominated [70][71]
National Board of Review January 10, 2006 Top Ten Films Syriana Won [72][73]
Best Adapted Screenplay Stephen Gaghan Won
New York Film Critics Online December 11, 2005 Top 9 Films Syriana Won [74][75]
Robert Awards February 4, 2007 Best American Film Syriana Nominated [76][77]
Screen Actors Guild Awards January 29, 2006 Outstanding Performance by a Male Actor in a Supporting Role George Clooney Nominated [78][79][80]
St. Louis Film Critics Association Best Picture Syriana Nominated
Best Supporting Actor George Clooney Won [81]
Stinkers Bad Movie Awards 2006 Most Overrated Film Syriana Won [82][83]
Turkish Film Critics Association January 22, 2007 Best Foreign Film Syriana 8th place [84][85]
[86][87]
USC Scripter Awards February 11, 2006 USC Scripter Award Stephen Gaghan and Robert Baer Nominated [88]
Writers Guild of America Awards February 4, 2006 Best Adapted Screenplay Stephen Gaghan Nominated [89]

See also

[edit]

Notes

[edit]
  1. ^ Although an adaptation of See No Evil, the Academy of Motion Picture Arts and Sciences nominated it in the Best Original Screenplay category rather than Best Adapted Screenplay, citing the film's numerous differences from the source material as enough to classify it as original.[41]

References

[edit]
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