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Sylvain Corbeil

From Wikipedia, the free encyclopedia
Sylvain Corbeil
NationalityFrench Canadian
OccupationFilm producer
OrganizationMetafilm
AwardsCanadian Screen Award for Best Motion Picture

Sylvain Corbeil is a Canadian film producer. He is known for working with producer Nancy Grant and directors Xavier Dolan, Anne Émond, Maxime Giroux and Denis Côté.[1]

Corbeil and Grant lead the Montreal-based company Metafilm.[1] The Huffington Post credited Corbeil with expertise in Quebec's cinema business, and seeing potential in giving Quebec films international exposure. To that end, he took Mathieu Denis and Simon Lavoie's film Laurentie to the Berlin Film Festival.[2] He has been nominated for the Canadian Screen Award for Best Motion Picture for Giroux's Felix and Meira (2014), Émond's Our Loved Ones (2015),[3] and Dolan's It's Only the End of the World (2016).[4] It's Only the End of the World won Best Motion Picture, and Corbeil accepted awards and read statements by Dolan, who was unable to attend while working on The Death and Life of John F. Donovan in Paris.[5][6]

References

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  1. ^ a b Duchesne, Andre (27 December 2013). "Sylvain Corbeil et Nancy Grant: d'abord, des voix fortes". La Presse. Retrieved 10 February 2017.
  2. ^ Matusiak, Catherine (14 February 2012). "Berlinale 2012: entretien avec Sylvain Corbeil, producteur chez Metafilms". The Huffington Post. Retrieved 10 February 2017.
  3. ^ "Schitt's Creek, Room, Orphan Black lead the Canadian Screen Awards nominations". The Montreal Gazette. 19 January 2016. Retrieved 10 February 2017.
  4. ^ "Xavier Dolan's 'It's Only the End of the World' Leads Canadian Screen Award Film Nominations 2017". The Hollywood Reporter. 17 January 2017. Retrieved 27 January 2017.
  5. ^ Ahearn, Victoria (12 March 2017). "Canadian Screen Awards 2017: A Night Of CanCon Icons, Diversity, Howie Mandel Jokes". The Huffington Post. Retrieved 19 March 2017.
  6. ^ Taylor, Kate (13 March 2017). "Lurching from boring to weird, Canadian Screen Awards did produce notable moments". The Globe and Mail. Retrieved 19 March 2017.
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