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Sweet Bird of Youth (1962 film)

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This article is about the 1962 theatrical film. For the 1989 TV film, see Sweet Bird of Youth (1989 film).
Sweet Bird of Youth
original movie poster
Directed byRichard Brooks
Written byRichard Brooks
Based onSweet Bird of Youth
1959 play
by Tennessee Williams
Produced byPandro S. Berman
Starring
CinematographyMilton Krasner
Edited byHenry Berman
Music byHarold Gelman
Production
company
Roxbury
Distributed byMetro-Goldwyn-Mayer
Release date
  • March 21, 1962 (1962-03-21)
Running time
120 minutes
CountryUnited States
LanguageEnglish
Budget$2.8 million[1]
Box office$2,700,000 (North American rentals)[2]

Sweet Bird of Youth is a 1962 American drama film starring Paul Newman and Geraldine Page, with Shirley Knight, Madeleine Sherwood, Ed Begley, Rip Torn and Mildred Dunnock in support. Based on the 1959 play of the same name by Tennessee Williams, the film was adapted and directed by Richard Brooks.[3][4][5]

The film won the Academy Award for Best Actor in a Supporting Role (Ed Begley), and was nominated for Best Actress in a Leading Role (Geraldine Page) and Best Actress in a Supporting Role (Shirley Knight). The film version was sanitized, although Chance was still gigolo for hire. The ending was heavily altered from the explicit sexual mutilation scene depicted in the conclusion of the original stage version.

Plot

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Handsome, young Chance Wayne returns to his hometown of St. Cloud, Mississippi, a chauffeur and gigolo to a considerably older film star, Alexandra Del Lago. Needy and feeling discouraged after completing filming of her latest film, she is considering retiring from the acting world.

Chance, once a waiter at the local country club, had gone to Hollywood to seek fame and fortune at the behest of St. Cloud's most powerful and influential citizen, Tom "Boss" Finley, who had duped him into leaving town to pursue fame and fortune as a way of keeping him away from his beautiful daughter, Heavenly.

A political kingpin, Finley enjoys putting Heavenly on display as a model of purity and chastity. His ruthless son, Tom Jr., aids his father's ambitions in any way he can. He, too, is unhappy to have Chance back in town.

Desperate to have Alexandra further his fantasy of becoming a star, Chance has become her lover. He goes so far as to blackmail her with a tape recording, on which she speaks openly of a dependence on drugs. Alexandra defies him, becoming irate at the realization that Chance's romantic interests in Heavenly are more important to him than her own needs.

Just when Alexandra is at her most vulnerable, she learns from major syndicated gossip columnist Walter Winchell that her performance in her new movie is being raved as the best of her career, and the picture appears to be a certain success. Meanwhile, Finley's discarded mistress, Miss Lucy, exposes Finley's underhanded tactics to the government authorities. Chance, who has been repeatedly warned to stay away from Heavenly and leave town immediately, refuses to do both. Repudiated by Alexandra, and obsessed with his fate, he stages a scene outside the Finley mansion, and is cornered there by Tom, Jr., and his gang of thugs. Determined to ruin Chance's "meal ticket" once and for all, Tom, Jr., smashes his face in with the crook end of his father's cane. When Heavenly returns home and discovers Chance lying in a heap in their driveway, she defies her father and runs off together with Chance.

Cast

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Production

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The film was produced by Roxbury Productions, a company established by Pandro Berman to make two films for MGM.[6] Berman bought the film rights to the stage play a year and a half before it debuted on Broadway, for $400,000.[7] (Richard Brooks, who wrote and directed, said the cost of the play rights was $600,000 but there may have been an extra fee payable after the play had been on Broadway.[1])

The film reunited Berman with Paul Newman, MGM, and Richard Brooks, who had previously made a very successful version of Cat on a Hot Tin Roof by Tennessee Williams, also for MGM.[3][4][5] Brooks later said he only did the film because Paul Newman asked him to do it.[8] "Sweet Bird I didn’t want to do," he said. "While I thought it was a very good play, I felt that time had passed, that there were too many imitations of his work. So many of his pieces had been done and were even being brought back and were playing at the same time."[9]

According to Hank Moonjean, who was assistant director, a condition of Brooks' contract was that Tennessee Williams would have nothing to do with the screenplay. However Williams did insist on a small role for actor Mike Stein, who Moonjean says was the original inspiration for the character of Chance (he played the police officer watching Heavenly).[10]

The adaptation of the original play by Tennessee Williams went through several drafts, with Brooks unsure how to film the play's controversial ending in which Chance is castrated by Finley's hoods.[11] The castration was cut from the film and replaced by Finley's son clubbing Chance in the face with a cane, followed by Chance and Heavenly escaping together.

Williams called Richard Brooks "a wonderful director except that at the end he cheats on the material, sweetens it up and makes it all hunky-dory.... [he] wrote a fabulous screenplay of Sweet Bird of Youth but he did the same fucking thing. He had a happy end to it. He had Heavenly and Chance go on together, which is a contradiction to the meaning of the play."[12]

Brooks says he wanted to shoot a different ending. He felt "no man waits to be castrated" so he wanted Chance "to do something more: to go and look for the trouble. But M.G.M. felt it was bad enough they were doing the picture. " He wanted Chance to be beaten up and for Princess and Lucy to leave town on the same ferry and see Chance on a garbage scow. According to Brooks MGM executives said "We’ll let you shoot it after we’ve had the preview, and, of course, they never did."[9] Hank Mojeen says an alternative ending was shot, at Long Beach, involving Geraldine Paige and Madeleine Sherwood, but was scrapped.[10]

Paul Newman was paid $350,000 plus 10% of the profits to play the lead role.[13]

Geraldine Page had played the lead female role on Broadway but producer Pandro Berman was unsure about using her in a film, worried she was insufficiently glamorous to play a movie star. Page did a screen test with an MGM contract actor which was not well received. Berman offered the role to Ava Gardner but she turned it down (which Garner later regretted). Paul Newman requested another screen test with Page and offered to appear in it with her; Berman says the issue was not Page's acting but with her looks. Anothe screen test was done, with a wig from Sydney Guilaroff, a gown from Orry Kelly and make up from William Tuttle. This test was successful and she was cast.[10]

Brooks offered the role of Boss Findley to Randolph Scott who turned it down.[10]

Filming started 6 July 1961 and went until October. Brooks said "It’s a very harsh picture, and I didn’t see why the photography had to be as harsh as the content."[9]

According to Brooks, the cost was $2.8 million including $600,000 for the play rights, $700,000 for the cast and $1.6 million for overhead.[1]

Reception

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Box office

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Variety estimated the film earned $2.7 million in the US and Canada in rentals in 1962.[2] Market analysts thought the film might have done better had it been released a few years earlier.[14]

According to MGM records, the film lost $627,000.[15]

Critical

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Variety called it "a glossy hunk of motion picture entertainment."[16]

The film also was one of Roger Ebert's top films of the decade, and held a score of 74% on Rotten Tomatoes based on a total of 19 surveyed critics.

Awards and nominations

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Award Category Nominee(s) Result
Academy Awards[17] Best Actress Geraldine Page Nominated
Best Supporting Actor Ed Begley Won
Best Supporting Actress Shirley Knight Nominated
British Academy Film Awards[18] Best Foreign Actress Geraldine Page Nominated
David di Donatello Awards Best Foreign Actress Won
Golden Globe Awards[19] Best Actor in a Motion Picture – Drama Paul Newman Nominated
Best Actress in a Motion Picture – Drama Geraldine Page Won
Best Supporting Actor – Motion Picture Ed Begley Nominated
Best Supporting Actress – Motion Picture Shirley Knight Nominated
Laurel Awards Top Male Supporting Performance Ed Begley Nominated

See also

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References

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  1. ^ a b c "Brooks' Indies". Variety. 13 September 1961. p. 24.
  2. ^ a b "Big Rental Pictures of 1962". Variety. 9 Jan 1963. p. 13. Please note these are rentals and not gross figures
  3. ^ a b Variety film review; February 28, 1962, page 6.
  4. ^ a b Harrison's Reports film review; March 10, 1962, page 34.
  5. ^ a b OCLC 317647354
  6. ^ "New York soundtrack". Variety. 13 March 1961. p. 13.
  7. ^ "Is movie maturity hurting Hollywood at box office?". Oakland Tribune. 1 April 1962. p. EL 11.
  8. ^ McGilligan, Patrick (1991). Backstory 2: Interviews with Screenwriters of the 1940's and 1950's. p. 52.
  9. ^ a b c "Richard Brooks". Movie. Spring 1965. p. 8.
  10. ^ a b c d Moonjean, Hank (2004). Bring in the peacocks--, or, Memoirs of a Hollywood producer. p. 144-152.
  11. ^ "Tragic play ending transformed into happier film version in "Sweet Bird of Youth"". sites.utexas.edu.
  12. ^ Williams, Tennessee (1986). Conversations with Tennessee Williams. p. 275.
  13. ^ "Newman's sweet deal". Variety. 6 September 1961. p. 3.
  14. ^ "Fun sex plays, 'sick' slowing". Variety. 8 August 1962. p. 11.
  15. ^ The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
  16. ^ "Sweet Bird of Youth". Variety. 28 February 1962. p. 6.
  17. ^ "The 35th Academy Awards (1963) Nominees and Winners". oscars.org. Archived from the original on 2 February 2018. Retrieved 23 August 2011.
  18. ^ "BAFTA Film – Foreign Actress in 1963". bafta.org. Retrieved 10 July 2020.
  19. ^ "Winners & Nominees 1963 – Golden Globes". goldenglobes.com. Retrieved 10 July 2020.
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