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Sunset to Dawn

From Wikipedia, the free encyclopedia
Sunset to Dawn
Studio album by
Released1973
RecordedApril 2, 1973
StudioRCA Studios, NYC
GenreJazz
Length39:50
LabelMuse
ProducerDon Schlitten
Kenny Barron chronology
You Had Better Listen
(1968)
Sunset to Dawn
(1973)
Peruvian Blue
(1974)

Sunset to Dawn is a studio album by American pianist Kenny Barron which was recorded in 1973 and first released on the Muse label.[1][2][3][4][5]

Reception

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Professional ratings
Review scores
SourceRating
Allmusic[6]

In his review on Allmusic, Scott Yanow notes "Kenny Barron could easily go unidentified if some of the selections on this LP were played for a listener during a "blindfold test" – he sounds quite unrecognizable on the three numbers on which he plays electric piano. Barron, who is joined by electric bassist Bob Cranshaw, drummer Freddie Waits, and the colorful percussion of both Richard Landrum and Warren Smith on his five originals and one by Waits, utilizes electricity with intelligence and creativity. His songs are moody and complex yet somewhat accessible and this underrated set would certainly surprise some of his current fans"[6] In JazzTimes David Zych wrote "The program has Barron offering a rich program of originals with a '70s tinge, but nevertheless rich, imaginative, and worth repeated listenings".[7]

Track listing

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All compositions by Kenny Barron except where noted.

  1. "Sunset" – 9:08
  2. "A Flower" – 6:56
  3. "Swamp Demon" – 4:43
  4. "Al-Kifha" (Freddie Waits) – 6:17
  5. "Delores Street, S.F." – 6:43
  6. "Dawn" – 6:03

Personnel

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References

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  1. ^ Jazzlists: Muse LP series discography: 5000 to 5049 accessed January 9, 2017
  2. ^ Kenny Barron Catalog accessed January 9, 2017
  3. ^ Kenny Barron: recordings accessed January 9, 2017
  4. ^ Enciclopedia del Jazz: Kenny Barron accessed January 9, 2017
  5. ^ Fitzgerald, M. Kenny Barron Discography, accessed January 20, 2019
  6. ^ a b Yanow, Scott. Kenny Barron – Sunset to Dawn: Review at AllMusic. Retrieved January 9, 2017.
  7. ^ Zych, D., JazzTimes Review, accessed January 9, 2017