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Sun Yuan & Peng Yu

From Wikipedia, the free encyclopedia

Sun Yuan (born 1972) and Peng Yu (born 1974) are Chinese conceptual artists[1] whose work has a reputation for being confrontational and provocative.[2] They have lived and worked collaboratively in Beijing since the late 1990s.[3]

In 2001, they won the Contemporary Chinese Art Award.[4] They create pieces that dive deep into human nature, psychological, and political experiences.

Early life and education

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Sun Yuan was born in Beijing, China in 1972 and Peng Yu was born in Heilongjiang, China in 1974.[5] The two met each other while attending at the Central Academy of Fine Arts in Beijing, where they both studied oil painting.[6]

Career

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After completing their studies in the 1990s, Sun Yuan and Peng Yu had short solo careers that set an artistic foundation for their partnership in the early 2000s.[6] The two began making "non-normative and unconventional art" in the 2000s.[7]

Personal life

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They were married in 2000.[6]

Work

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Old Persons Home by Sun Yuan & Peng Yu, Saatchi Gallery, London

Sun Yuan & Peng Yu have created Kinetic art and Installation art pieces that work to incorporate unconventional and organic materials into artworks and create "statement" pieces about the current systems of political and social authority.[8] They have utilized technology and multi media art to "comment critically on the modern understanding and exercise of political constructs like the nation-state, sovereign territory, freedom, and democracy."[8]

Sun Yuan and Peng Yu work with unconventional media such as taxidermy, human fat, and machinery.[citation needed]

For the 2005 Venice Biennale, the duo invited Chinese farmer Du Wenda to present his homemade UFO at the Chinese Pavilion.[1]

The 2008 installation Old People's Home, comprised 13 hyperrealistic sculptures of elderly world leaders, including Yasser Arafat and Leonid Brezhnev, in electric wheelchairs set to automatically wander through the room and bump into one another.[9][10]

"Angel" (2008) was a fibreglass angel sculpture complete with flesh-covered wings, white hair, and frighteningly realistic skin that featured details like wrinkles, sunspots, and peach fuzz.[11]

Their 2009 solo exhibition, Freedom, at Tang Contemporary in Beijing, featured a large firehose hooked to a chain that erupted water spray at a distance of 120 meters and thrashed throughout an enormous metal cage.[12]

Their 2016 work, Can’t Help Myself was commissioned for the Guggenheim Museum and displayed as part of their Tales of Our Time exhibition.[13] The work consisted of a large KUKA industrial robot with a robotic arm and visual sensors behind clear acrylic walls.[14] The robot was programmed to endlessly attempt to sweep red, viscous, blood-like liquid into a circle around its base, in the process spreading and splattering the "blood." It was also programmed with thirty-two "dance moves" and reacted to people around it.[15][16] These "dance moves" became more "depressed" and erratic as time went on, and eventually stopped operating in 2019.[17] Can't Help Myself was also displayed in the 2019 Venice Biennale's main exhibition, "May You Live in Interesting Times."[18]

In the controversial[19] Dogs That Cannot Touch Each Other, eight dogs (four pairs facing one another) were strapped onto treadmills in a public installation.[20] It used living dogs for performance as part of the art. It was purposely provocative, and organizations such as PETA criticized the piece.[21] This was part of the exhibition “Art and China after 1989: Theater of the World”.[22] The Guggenheim later released a statement, explaining the artist’s intentions. This piece was eventually removed from the Guggenheim’s digital archive.[23]

Selected exhibitions

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1997

  • Counter-Perspectives: The Environment & Us, Beijing
  • Inside, Tongdao Gallery Central Academy of Fine Arts, Beijing [24]

1999

  • Post-Sense Sensibility Alien Bodies & Delusion (Basement), Beijing

2000

  • Indulge in Hurt, Sculpture Research Fellow of Central Academy of Fine Arts, Beijing
  • 5th Biennale of Lyon, Lyon Museum of Contemporary Art, Lyon, France
  • Fuck Off!, Donglang Gallery, Shanghai

2001

  • Get Out of Control, Berlin, Germany
  • Yokohama 2001 International Triennial of Contemporary Art, Yokohama, Japan
  • Winner: The Contemporary Chinese Art Award of CCAA, Beijing

2002

  • The First Guangzhou Triennial, Guangzhou Art Museum, Guangzhou, China

2003

  • Second-Hand Reality: Post-Reality, Today Art Museum, Beijing, China
  • Left Wing, Beijing
  • Return to Nature, Shenghua Arts Centre, Nanjing, China

2004

  • Ghent Spring, Contemporary Art Financial Award, Ghent, Belgium (solo)
  • Between Past and Future: New Photography and Video From China, Seattle Art Museum, Seattle, USA
  • Australia: Asia Traffic, Asia-Australia Arts Centre
  • The Virtue and the Vice: le Moine et le Demon, Museum of Contemporary Art, Lyon, France
  • All Under Heaven: Ancient and Contemporary Chinese Art, The Collection of the Guy and Myriam Ullens Foundation, MuHKA Museum of Contemporary Art, Antwerp, Belgium
  • What is Art?, Shanxi Art Museum, Xi’an, China
  • Australia - Asia Traffic, Asia-Australia Arts Centre, Australia
  • Gwangju Biennale, Gwangju, Korea

2005

  • Higher, F2 Gallery, Beijing, China (solo)
  • Mahjong: Chinese Contemporary Art from Uli Sigg Collection, Art Museum Bern, Switzerland
  • The 51st Venice Biennale (China Pavilion), Venice
  • To Each His Own, Zero Art Space, Beijing
  • Ten Thousand Years Post-Contemporary City, Beijing

2006

  • Liverpool Biennial, Tang Contemporary Art, Liverpool, UK

2009

  • Unveiled: New Art From The Middle East, Saatchi Gallery, London, UK

2016

References

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  1. ^ a b "Seeing red". The Economist. Archived from the original on 2024-04-13. Retrieved 2024-06-02.
  2. ^ Marlow, Tim, The Independent, Visual Art: East meets West in new cultural revolution from FindArticles.com
  3. ^ Yuan, Yu, Sun, Peng. "Sun Yuan / Peng Yu - The World Belongs to You - Palazzo Grassi Venice". Archived from the original on 6 September 2012. Retrieved 24 April 2012.{{cite web}}: CS1 maint: multiple names: authors list (link)
  4. ^ "ArtNet.com". Archived from the original on 2008-03-07. Retrieved 2008-03-12.
  5. ^ "Sunyuan & Pengyu". sunyuanpengyu.com. Retrieved 2024-04-13.
  6. ^ a b c "Sun Yuan and Peng Yu". ArtRKL. 2024-02-02. Retrieved 2024-03-28.
  7. ^ "works". sunyuanpengyu.com. Retrieved 2024-04-13.
  8. ^ a b "Sun Yuan and Peng Yu". The Guggenheim Museums and Foundation. Retrieved 2024-03-28.
  9. ^ Dorment, Richard (7 October 2008). "Review: The Revolution Continues: New Art From China at the Saatchi Gallery". Telegraph.co.uk. Archived from the original on 2023-03-06. Retrieved 2016-03-05.
  10. ^ Yuan, Yu, Sun, Peng. "Sun Yuan and Peng yu". saatchi. Archived from the original on 1 December 2007. Retrieved 23 April 2012.{{cite web}}: CS1 maint: multiple names: authors list (link)
  11. ^ "Sun Yuan and Peng Yu's Fallen Angel". artnet News. 28 July 2015. Archived from the original on 2015-12-27. Retrieved 2016-03-05.
  12. ^ Duff, Stacey, Time Out Beijing,"Of Corpse We Can" Archived 2009-07-11 at the Wayback Machine
  13. ^ a b "Tales of Our Time". Guggenheim. 2016-04-04. Archived from the original on 2016-12-20. Retrieved 2016-12-03.
  14. ^ "Can't Help Myself". The Guggenheim Museums and Foundation. Archived from the original on 2022-08-27. Retrieved 2022-01-14.
  15. ^ "Sun Yuan & Peng Yu | Can't Help Myself (2016) Artsy". www.artsy.net. Archived from the original on 2022-01-14. Retrieved 2022-01-14.
  16. ^ Bax, Christine (2020-07-27). "Watching Can't Help Myself is like looking at a caged animal • Hypercritic". Hypercritic. Archived from the original on 2022-01-12. Retrieved 2022-01-14.
  17. ^ Dazed (2022-01-18). "A dystopian robot arm is taking over TikTok, but what does it really mean?". Dazed. Archived from the original on 2022-11-29. Retrieved 2022-11-29.
  18. ^ Greenberger, Alex (2022-01-13). "'Me Watching Y'all Cry Over a Robot Scooping Red Paint': Sun Yuan and Peng Yu Installation Becomes Bizarre Viral Hit on Social Media". ARTnews.com. Archived from the original on 2022-01-14. Retrieved 2022-01-14.
  19. ^ Haag, Matthew (22 September 2017). "Guggenheim Exhibit with Video of Dogs Trying to Fight Stirs Criticism". The New York Times. Archived from the original on 17 May 2018. Retrieved 17 May 2018.
  20. ^ "Or Else It's Not Utopian". onscreentoday.com. Archived from the original on 2016-03-06. Retrieved 2016-03-05.
  21. ^ "Guggenheim's Dogfighting Display Is 'Sick': PETA Says Pull the Plug". PETA. 2017-09-25. Archived from the original on 2022-11-29. Retrieved 2022-11-29.
  22. ^ "Art and China after 1989: Theater of the World". The Guggenheim Museums and Foundation. Archived from the original on 2024-01-24. Retrieved 2022-11-29.
  23. ^ "Statement on the video work "Dogs That Cannot Touch Each Other"". The Guggenheim Museums and Foundation. Archived from the original on 2024-01-24. Retrieved 2022-11-29.
  24. ^ Yuan, Yu, Sun, Peng. "Sun Yuan and Peng Yu". Archived from the original on 1 December 2007. Retrieved 24 April 2012.{{cite web}}: CS1 maint: multiple names: authors list (link)
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